home Ellis Library, Engineering Library, Journalism Library, Resources and Services Special Spaces in Mizzou Libraries: All Gender Restrooms

Special Spaces in Mizzou Libraries: All Gender Restrooms

Did you know both Ellis Library has all-gender restrooms? And for our other libraries that don’t, there are several all-gender restrooms located near them.

We want Mizzou Libraries to be a welcoming space for students of all gender identities and expressions. 

Ellis Library: Rooms 203 & 412

Engineering Library (Lafferre Hall): Room C1211

Geology Library (Geological Sciences Building): Rooms 16, 212A & 315A

Journalism Library (Neff Addition & Neff Hall): Rooms 061, 137D & 106

Math Library Mathematical Sciences Building): Room 332

You can find the full list of all gendered restrooms on campus here.

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Taira Meadowcroft

Taira Meadowcroft is the Public Health and Community Engagement Librarian at the Health Sciences Library at the University of Missouri.

home Newsletter, Resources and Services, Special Collections and Archives Special Collections Lesson Plans Now Available Online

Special Collections Lesson Plans Now Available Online

Special Collections staff have compiled a number of past lesson plans and handouts on our website for instructors and students alike to peruse. We invite you to download them and adapt them for your own teaching or research, or to contact us to discuss help in customizing them.

Links to our lesson plans and handouts can be found by following the links below:

Other materials can be found on our Teaching Resources page at https://library.missouri.edu/specialcollections/teaching-resources.

John Henry Adams

John Henry Adams is a librarian in the Special Collections and Rare Books department. He provides instruction and reference for the history of the book in general, but especially for medieval manuscripts, early European printing, the history of cartography, and English and German literature.

home Ellis Library, Resources and Services New Adjustable Desks in Ellis Library Thanks to the Enhance Mizzou Fee

New Adjustable Desks in Ellis Library Thanks to the Enhance Mizzou Fee

Over the summer, Ellis Library added new adjustable desks in Room 202 and in many of the individual study rooms.

These desks are fully adjustable making it easier to fit the study area to your preference making them more accessible to all of our students.

We also added in new power outlets and lamps into 202.

These adjustable desks were purchases with funds from the Enhance Mizzou Fee.

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Taira Meadowcroft

Taira Meadowcroft is the Public Health and Community Engagement Librarian at the Health Sciences Library at the University of Missouri.

Finding the Best Study Space

We have spaces for everyone. If you prefer silence, check out rooms 201 and 202 in Ellis Library. Check out this Ellis Library floorplan to see all the quiet spots. Journalism also has four private personal study pods on the bottom floor that are first come, first served.

If you don’t prefer complete silence, try the Information Commons (the first floor of Ellis Library). Or the Bookmark Café on the ground floor for coffee and conversation. You can always take a look at the Ellis Library sensory map to find the best study space for you.

If it’s a group study spot you are searching for, try to reserve one of the group study rooms in either Ellis, Engineering, or Journalism. They can be reserved for up to two hours for each group. Some also have Solstice monitors to help groups studying together share information with one another. Whatever you need, make sure and plan ahead, as rooms fill up quickly! Currently, the Health Sciences Library is under renovation.

Remember, if your program has its own library, be sure to check out those spaces, as they are often designated specifically for you!

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Taira Meadowcroft

Taira Meadowcroft is the Public Health and Community Engagement Librarian at the Health Sciences Library at the University of Missouri.

home Resources and Services Stay Connected with the Mizzou Libraries: Sign Up for Our Newsletter

Stay Connected with the Mizzou Libraries: Sign Up for Our Newsletter

Whether you want research help in person or remotely, the Mizzou Libraries will stay connected with you! To find out everything the Mizzou Libraries can do to help you, subscribe to one of our newsletters. The Mizzou Libraries want you to have a successful fall semester!

home Gateway Carousel HSL, J. Otto Lottes Health Sciences Library, Resources and Services Fall 2023 Health Sciences Textbooks Available Online or at Ellis Library

Fall 2023 Health Sciences Textbooks Available Online or at Ellis Library

Fall 2023 required and optional textbooks for classes are now available and we have a new way system to find them!

Pick the school/college, then your program, and finally the course. It’s as easy as that. Access textbook copies at the Health Sciences Library here.

Note: Paper copies will be available at Ellis Library for 24 hour checkout time during the Health Sciences Library Renovation. Any duplicate copies of textbooks are available and subject to regular check out times.

Some ebooks are limited to one viewer at a time, so please close your browser window when you are finished so that the book will be available to others.

Unfortunately, we don’t have all the books required for every class. If we don’t have your textbook, there are several avenues you can use to find a copy, which are all clearly labeled on each class page.

You can also recommend the Health Sciences Library purchase an online copy here. Please provide what course the textbook is for and the name of your instructor.

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Taira Meadowcroft

Taira Meadowcroft is the Public Health and Community Engagement Librarian at the Health Sciences Library at the University of Missouri.

home Cycle of Success, Resources and Services, Special Collections and Archives A Resource for the Study of Early Printed Plays in Spain: Comedias Sueltas USA

A Resource for the Study of Early Printed Plays in Spain: Comedias Sueltas USA

by Diana Vasquez

Comedias Sueltas USA is a website dedicated to the study of Spanish plays, primarily by means of its comprehensive database which maintains and compiles records of comedias sueltas printed before 1834 and are currently held in the collections of academic and research libraries across the United States. Referred to as chapbooks in English, sueltas emerged from printing centers of Spain mainly in the 18th century, and they continued to be produced well into the 19th century. Key characteristics of comedias sueltas include quarto format printed in double column. These singly printed three-act plays were often 32 to 64 pages in length resulting in 4 to 8 gatherings that were later stab- stitched. Many have a printed number on the upper portion of the first page by which printers kept track of the inventory. A primary place for decoration was the area around the title and the author’s name. One finds arrangements of metal ornaments such as fleurons, stars, ivy leaves, and manicules, or elaborate woodcut tailpieces at the very end. Booksellers also took advantage of pages following the end of the play to advertise other titles they had for sale. Early examples of sueltas often lacked imprints and can be dated only through typographical analysis, however, over time dates appeared gradually in the colophons of sueltas.

The first page of Las Bizarrias de Belisa by Lope de Vega Carpio.
The first page of Las Bizarrias de Belisa by Lope de Vega Carpio.

These ephemeral works have managed to survive in significant numbers, as printers and publishers maintained these titles in print for the theater-going public. The theater-going public also enjoyed amateur performances and often purchased multiple copies of sueltas for reading at home. From the colophons we see that printers operated in all the major cities in Spain (Madrid, Barcelona, Valencia, Seville, and Salamanca), as well as in some of the smaller cities, and sold some of their sueltas through booksellers all over Spain. It was an active and thriving business.

Director Szilvia Szmuk-Tanenbaum and the team at Comedias Sueltas USA hope that the Database and some of the other features of the website will serve as a valuable resource for students and scholars exploring different aspects of the Spanish theater, book history and the printing culture of the hand-press period in Spain. This comprehensive census includes records and images. As an ongoing process we will continue to enhance records with new data as it emerges. Our objective is to bring awareness and accessibility to these collections, enabling scholars to analyze trends, document change, and provide context allowing for a deeper understanding of the time periods in which they were created. To this end, in addition to accurate bibliographic records, we are including copy specific images of the first and last pages of each play from its holding institution for exact identification.

Other resources available on the website include:

  • An extensive Bibliography that consists of publications supporting the study of sueltas in connection with specific items or collections, comprehensive bibliographic resources covering literature that integrates material on comedias sueltas, and references to printers or booksellers of suelta editions, as well as broader insights into printing history that illuminate the practices applicable to suelta
  • A Glossary of terms, a recent addition still a work in progress, compiles a list of terms that scholars are likely to encounter in our bibliographic records, essays, or general literature about comedias sueltas. Additionally, the diagram of the anatomy of a comedia suelta serves for easy identification of parts and their proper name.
  • The Websites of Interest section assembles a list of various platforms, mostly from Spain, useful for researchers engaged in the study of Spanish history, theater, or literature.

Comedias sueltas USA has identified just over 100 academic and independent research libraries in the United States that have holdings of comedias sueltas. The size of these collections varies, with approximately one-third of the libraries holding only a few titles, several more holding 11-975 titles, and about 8 collections hold more than 1000 titles. For instance, the University of North Carolina boasts a collection of over 2200 titles and similarly, the Hispanic Society Library and Museum in New York possesses nearly an equivalent number.

At the time of this writing, the team at Comedias Sueltas USA has uploaded 69 collections of sueltas into its database and many more are getting ready to be uploaded. We very much appreciate Kelli Hansen’s assistance by providing images of the first and last pages of each item in the Ellis library Spanish play collection. We feel that having the 62 titles, some of which we haven’t seen before, really adds to the completion of the census.

A cover of one of the factitious volumes in Ellis Library's collections.
A cover of one of the factitious volumes in Ellis Library’s collections.

The sueltas in the Ellis library database offer good examples for teaching the history of printing ephemera. These are generally single plays, but we also find them bound as factitious volumes. The term factitious volume is used to describe some randomly bound volume (usually of 12 plays) selected by a collector, bookseller, or librarian. These bound volumes were thought to be easier to handle than the ephemeral pamphlets. The Moreto plays Confusión de un jardín and San Franco de Sena, with no imprint dates, seem to be the earliest in the collection. The most recent suelta in the collection, Sancho Ortiz de las Roelas by Cándido María Trigueros was printed in 1814. A selection of Trigueros’ works are 18th-century adaptations of plays originally written by Lope de Vega. Curiously, nearly half of the Ellis collection is authored by Lope de Vega, a prominent Spanish playwright and poet of the Golden Age. By closely examining this collection students can observe first-hand the printing styles across the 17th -19th century.

Looking at these plays in chronological sequence, it is easy to observe change in typography and orthography. For example, the use of long s (a letter that looked almost like an f) transitions to a modern short s during this period. Other aspects of spelling become modernized as well. The use of a short s but with an early date in the colophon indicated a “concealed reprint” which was done to avoid paying the fee a printer should have paid for reprinting an earlier work.

Women played an important part in the world of 18th century Spanish printing. Seven of the 62 plays in the collection were produced by women printer/booksellers. Women often assumed the reins of their late husband’s or male relative’s business. As was the case with Viuda de Quiroga (Manuel de Losada Quiroga’s widow) and Antonia Gómez (José de Orga’s widow). In addition, there was Teresa de Guzmán who was a printer and bookseller in her own right in Madrid from 1733-1737.

It is important for Special Collections to bring the history of the book and older printing practices to the attention of its users. Plays that students now read in modern paperback edition or electronically did not appear that way to their first readers two or three centuries ago. It is important to have them touch the paper that was made one sheet at a time during this era of printing and even to feel the bite of the type as the raised letter was formed. Experiences such as these bring a deeper understanding to the evolution of printed materials. We hope that faculty, students, and researchers at the University of Missouri will see the value of their Spanish plays collection.


To access comedias sueltas or any other materials in Special Collections, schedule an appointment through the Special Collections website.

Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Resources and Services 100 Years After His Discovery, King Tut and His Tomb Remain Shrouded in Mystery

100 Years After His Discovery, King Tut and His Tomb Remain Shrouded in Mystery

To read more about King Tut, the discovery of his tomb, and the Grand Egyptian Museum, please check out the library’s November 5, 2022, copy of New Scientist and the November 2022 issue of National Geographic both available in the current journals/periodicals section on the 1st floor of Ellis Library.

Amongst the myriad of anniversaries around the world, there is a 100 year anniversary you may not be aware of: the discovery of the tomb of King Tutankhamun.  While this was an invaluable discovery, the mysteries surrounding the tomb and those who found it continue today.

Most of us learned about King Tut in school, yet little has been written about the boy king, who died in his late teens.  Instead, it’s the artifacts found within the tomb that have led to the discovery of many aspects of his life.   Much of Egypt’s past was brought to life through King Tut’s burial, including clues about trade routes around the Nile, the incredible wealth of Egypt’s 18th dynasty, and how kings were buried in Egypt.

This last discovery was a surprise to many, who were unaware of the extravagant burial traditions of the Egyptians.  Tutankhamun was buried with a mask made of gold, glass, and semi-precious stones. Life-size statues guarded his burial chamber.  These were vessels designed to allow the pharaoh’s ka, or life force, to inhabit them in the afterlife. More than 200 pieces of jewelry were found, along with golden beds, chariots, a golden throne, and a massive sarcophagus containing three nesting coffins, all showing King Tut with the curving beard we’ve seen in pictures, in the likeness of Osiris, the god of the dead.  Guardians wrap the coffins in their protective wings, and the mummy itself was found in the innermost coffin, made of 243 pounds of solid gold.  Though over 5,400 objects were found throughout four separate rooms, King Tut’s tomb was considered small by most standards, but was filled with everything you would typically see in this society, who wished him to have whatever he needed to live like a king for all eternity.

Simply cataloging and discussing the artifacts in the tomb could (and have) filled books, but what has fascinated people throughout the years are the mysteries surrounding the tomb.

The first is the “Curse of the Pharaohs,” which is allegedly cast on anyone who disturbs the mummy of an ancient Egyptian. Though there have been tales of curses going back to the 19th century, but after the tomb of King Tut was opened, the stories multiplied based on the misfortune of several members of the excavation team.  The number of people who visited the tomb, as well as the number of people who died suspiciously, varies, but the most famous is that of Lord Carnarvon, the sponsor of the dig, who died five months after the discovery of an infected mosquito bite.  One man died of pneumonia in 1923, another died soon after x-raying the mummy in London, another died by suicide in 1924, and Carter’s personal secretary died in 1929. Another man was allegedly given a gift from the tomb and his house burned down shortly after. Other deaths have been attributed to the “curse,” but one who thought it was all ridiculous was Howard Carter, the man who led the dig.  Carter died of cancer 17 years after the excavation and never believed in the curse, but the lore surrounding it has continued, with some thinking that a specific mold or bacteria could have led to some deaths, leading doctors to conduct actual studies regarding the statistics of deaths and illnesses vs those who were just fine, and have found no correlation between the tomb and the misfortune of those unlucky few.  But everyone likes a good story, and the curse story has only grown, prompting the creation of several books and movies.

A second mystery concerns a dagger found in the tomb.  When examining the bindings of the mummy, Carter found a dagger that seemed out of place.  The sheath was gold, as was common, but the blade was iron, a metal that was smelted in Egypt until centuries after Tutankhamun’s death.  How did it end up there?  For years, people assumed the dagger was imported from some far away place, or perhaps gifted by a diplomat from a foreign country.  However, we now have the technology to study the dagger. In 2016, it was confirmed that the iron originated from much further away than previously thought, and contained high levels of nickel associated with meteoric iron, meaning that to the Egyptians who wrapped it close to the pharaoh’s body, it was a gift from the gods. While this discovery is significant, more important is the fact that in the current study of archaeological finds, the mummy would not have been unwrapped to pull the dagger out and catalog it – instead, scientists can now use x-rays and CT scanners to create 3D images of what is contained inside the mummy, even 3D printing replicas of the internal structure.  King Tut’s mummy was scheduled to go on an international touring exhibition in 2010, but was deemed to fragile, so the curators were able to print a realistic replica of the pharaoh.

The final mystery is one that has been studied since the tomb was found – how did the young king die? Often depicted with a staff, many have thought that King Tut had scoliosis and/or a club foot.  In 1968, Tut was x-rayed for a documentary and was found to have evidence of a blow to the head, leading to multiple murder theories, but it turns out that the scan was simply showing something that wasn’t really there.  In 2005, a CT scan showed that the pharaoh’s left femur was broken, leading to the theory that he fell in a chariot accident, but others have argued that the CT scans cannot distinguish between a pre-mortem and post-mortem injury. In 2010, there an attempt to extract DNA from the bones and reported that the king had malaria, his parents were siblings, and he had a club foot, which paints the king as inbred and infirm, but this DNA discovery has been challenged as well – extracting DNA from a mummy’s bones isn’t an exact science, and contamination is a real concern based on how much the mummy has been through over the years.  Other recent speculations include the idea that Tutankhamun had epilepsy or was killed by a hippo.  Though technology is helpful, there is still much speculation regarding King Tutankhamun.

So the world has speculated and argued over the pharaoh and his cause of death, opened his tomb and extracted the treasures inside, and even taken him on trips around the world. This is perhaps not what the Egyptians would have liked when we think of the burial he received, but we can start to show more respect now: using CT scans rather than simply pulling out treasures and undoing the bandaging process; the opening of the Grand Egyptian Museum, where many of the objects from the tomb will be displayed for the first time, and in the rightful country of ownership; and learning that, despite all the wealth in that tomb, the king may have led a very short life without much happiness, that before he became the famous King Tutankhamen, he was born Tutankhaten (living image of Atun), had to ascend to the throne at only 8 or 9-years-old after his radical father died, was pressured to return to the old ways of of the Egyptian gods and even changing his name to “Tutankhamen,” (living image of Amun), wed to a woman who was likely his half sister, died suddenly, and was sadly buried with his two stillborn daughters. More than anything, his legacy lives on in the way it changed the work of archaeologists, made scientists use technology in new, more careful ways; and introduced a world to Egyptology and a culture that many would have never discovered.

Other resources for this writing include:

“King Tut Tomb Curse”
“Ten Things to Know About the Discovery of King Tut’s Tomb”

“The Mummy’s Curse: Historical Cohort Study”

home J. Otto Lottes Health Sciences Library, Resources and Services New Ebook Highlight: Strategic Science Communication

New Ebook Highlight: Strategic Science Communication

We’ve recently added Strategic Science Communication: a Guide to Setting the Right Objectives for More Effective Public Engagement to our online collection.

What tactics can effective science communicators use to reach a wide audience and achieve their goals?

Effective science communication—the type that can drive behavior change while boosting the likelihood that people will turn to science when faced with challenges—is not simply a matter of utilizing social media or employing innovative tactics like nudges. Even more important for success is building long-term strategic paths to achieve well-articulated goals. Smart science communicators also want to create communication opportunities to improve their own thinking and behavior.

In this guidebook, John C. Besley and Anthony Dudo encapsulate their practical expertise in 11 evidence-based principles of strategic science communication. Among other things, science communicators, they argue, should strive to seem competent, warm, honest, and willing to listen. Their work should also convey a desire to make the world a better place. Highlighting time-tested methods for building rapport with an audience through several modes of communication, Besley and Dudo explain how to achieve each strategic objective. All scientific communication is goal-oriented, and Besley and Dudo discuss the importance of recognizing the right goals, then employing strategic and tactical communication in order to achieve them. Finally, they offer specific suggestions for how practitioners can evaluate the effectiveness of their communications (and in fact, build evaluation into their plans from the beginning).

Strategic Science Communication is the first book to use social science to help scientists and professional science communicators become more evidence-based. Besley and Dudo draw on insightful research into the science of science communication to provide readers with an opportunity to think more deeply about how to make communication choices. This guidebook is essential reading for all professionals in the field.

You can access the book online.

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Taira Meadowcroft

Taira Meadowcroft is the Public Health and Community Engagement Librarian at the Health Sciences Library at the University of Missouri.

home J. Otto Lottes Health Sciences Library, Resources and Services Overview of Recent University of Missouri Publications in Medicine and Related Fields: July 2023

Overview of Recent University of Missouri Publications in Medicine and Related Fields: July 2023

Each month we provide an overview of University of Missouri School of Medicine faculty-authored articles in medicine and related fields as well as a featured article with the highest journal impact factor.

This month’s featured article, “Early Brain Amyloid Accumulation at PET in Military Instructors Exposed to Subconcussive Blast Injuries” , was co-authored by Dr. Carlos Leiva-Salinas and Dr. Amolak Singh of the Department of Radiology. The article was published in Radiology (impact factor of 19.7 in 2022).

Note that Dr. James Stevermer also had a publication in JAMA as a member of the USPSTF:

Screening for Lipid Disorders in Children and Adolescents: US Preventive Services Task Force Recommendation Statement

See the list of publications in medicine and related fields we retrieved for this month: https://library.muhealth.org/facpubmonthlyresult/?Month=July&Year=2023