Visit Ellis Library immediately after the Homecoming Parade on Saturday, Oct. 12 for refreshments and family activities.The first 100 kids will receive a free mini pumpkin. This event is free and open to the public.
The paintings and drawings by Lisa Brooke currently on display in the library have viewers commenting “I thought they were photos” and as one viewer added, “they look better than photos!”
These must-see artworks are done in acrylic or colored pencil. Each has an authentic look that has much to do with the carefully chosen colors and the exquisite fine detail work. Take a good look at the feathers on the roosters and other birds. Notice the execution of drifted snow, melting snow, the colors of the snow applied to show reflected sunlight and shadows. Find how well the rabbit and quail prey in the pictures blend in with their surroundings, just as in life. In addition to depicting wildlife, Lisa enjoys making portraits of people and of pets.
We are pleased to host this display through the end of January 2020. To see more artworks by Lisa visit her Facebook page “Art by Lisa Brooke”.
To continue the semester-long celebration of its 50th anniversary, University Archives has added a new display to the exhibits in the Ellis Library colonnade. The display Lost MU highlights buildings, walkways, and spaces on campus that no longer exist or have significantly changed over the years.
University Archives at the University of Missouri is celebrating its 50th anniversary in 2019. Located in Lewis and Clark Halls since its inception, the Archives is the custodian of well over 10,000 cubic feet of records and 10 terabytes of electronic records. Material in its care ranges from photographs to posters, 16mm film to video tape, walking sticks to banners, and blueprints to webpages. To celebrate its anniversary, the Archives has put together a number of exhibits in the Ellis Library colonnade featuring its history and selections from its holdings. The exhibits will be on display throughout the fall semester.
Join us for a talk with special guest Dr. Geoffrey Paulin, senior economist, on Wednesday, September 18, 2019, from 10 a.m. to noon in 114A Ellis Library. Contact Dr. Rui Yao (firstname.lastname@example.org) for more information.
Sponsored by Department of Personal Financial Planning, College of Human Environmental Sciences and University of Missouri Libraries
During the fall semester, the work of John Michael Holman will be on display in Ellis Library’s Bookmark Cafe. Holman is originally from Boston, and he began painting in V.A. Hospital and Art therapy classes after serving in the Gulf War.
The portrait/landscape/ narrative has been a familiar subject within my history of painting. The process of creating and methodology allows me to develop each piece individually. It also brings me the most satisfaction; even if considered imperfect or slightly awkward in technique by academic standards. Being a self-taught artist has its rewards and allows me the freedom to go outside the lines and paint what I feel and see without restraint.
My more visceral works are achieved through the application of metallic paints plus the occasional inter-vention of the ‘happy accident’ or chance. All these elements contribute in the process of making or de-constructing my paintings. The creative process for me is one of release, provocation and ultimately my way of expressing my memories of places visited and the emotional attachments that accompany them.
This is more apparent as the viewer approaches the completed works; with surfaces dissolving into a color pallet of irregular textures and unconscious imagery. From an academic perspective, I break rules and as a self-taught artist I am completely at peace with that concept. I paint what I feel and if it provokes the viewer with any reaction whether good or bad; then I have done my job.
Thank you for viewing my creations.
Do you fondly remember the floppy disk? Are you not sure what a floppy disk looks like? Either way come by the Engineering Library & Technology Commons to see our new exhibit: A History of Removable Media! We partnered with Library Technology Services to bring you some cool examples of old tech.
By Adetokunbo Awosanmi
I had the privilege of working with staff in special collections and a Visual Studies professor to create an exhibit showcasing children’s literature. Most of the books were written or illustrated by African American women. Stories were published within a few decades after the Harlem Renaissance ended. The twenty-one books in the exhibit represent how invaluable the Harlem Renaissance was for African American children’s literature. Finding books, writing labels, and setting up the exhibit were the main goals for this project. I also used Via Libri to find and recommend rare books by Ellen Tarry, Jane Dabney Shackleford, and Ann Petry.
World Cat and MERLIN were pivotal in locating most books. Other books were found through bibliographies and other relevant articles. The New Negro, albeit important for the Harlem Renaissance, focused on intellectual movements rather than children’s literature. Although The Brownies’ Book is not in Ellis Library, the University of Nebraska-Lincoln has uploaded issues of the magazine online. After examining the magazine, it is easy to see the positive impact it had not only for African American children, but for children from different ethnic backgrounds. Stories, poems, and illustrations challenged the stereotypical and racist portrayals of African Americans in earlier texts.
Through research, I learned that poetry was a popular medium during the Harlem Renaissance, and it is seen in contemporary African American literature. Poetry and children’s literature complimented each other; as many authors wrote poetry. Some authors wrote multiple books; a few of Arna Bontemps’ books are in the juvenile stacks. A prolific poet and librarian, Bontemps wrote books for young adults and children. Golden Slippers and The fast sooner hound are for younger audiences, while We have tomorrow and Sad-faced boy are for slightly older individuals. Like Golden Slippers, Gladiola garden and The picture-poetry book are collections of poetry. With poetry, aspects of African American life were relayed to a younger, wider audience.
Writing captions was one of the more difficult parts of the project; I needed to balance my interpretations of the text itself and the creators’ motives for their works. While analyzing the text, I examined illustrations and photographs. Some images, albeit harrowing, are displayed in the exhibit. To reflect on the past, a past where racism was not as frowned upon as it is today, acknowledgement is imperative.
I cannot recall reading a lot of African American children’s literature as a child. Most of the books I remember reading throughout grade school had white main characters. Granted, these books were not as problematic as books written in the early 1900s and before. I found it hard to stay invested, as I could not relate to the main character. Humiliation and discouragement are the last things children should feel when reading books about themselves. Unfortunately, with few realistic portrayals of African Americans, negative feelings surface. However, as more children’s literature is written for minorities, more children will learn to love themselves and their skin.
The exhibit will be on display in the Ellis Library colonnade through mid-September.
Leave realism behind when you view abstract acrylic paintings created by artist Phil Williams. His colorful canvases were painted using a splash technique. The examples shown here reading from left to right, then down, are called Mood, Unnecessarily Deliberate and Distorted Transmissions. Do you find a correlation between the paintings and their titles? What do you see when you look at them? What do you think the artist was feeling when he painted them?
If modern art is your thing and even if it isn’t, come by to experience the impact of textures and patterns created by the artist. Wouldn’t you just love to let go of your emotions by dripping paint on canvas, too? Inspired – check! This display will remain at the Health Sciences Library throughout the summer.
Did you know that the Health Sciences Library has a rare book room? The Donald Silver Rare Book Room was donated to the library by the Department of Surgery in honor of Dr. Donald Silver, an emeritus professor. lt is located on the third floor of the Health Sciences Library, directly adjacent to the elevator. Viewing hours of rare books in the collection or of the room itself are available by appointment. Items can be used for research purposes and under limited conditions borrowed or scanned for use with the permission of the Rare Book Librarian or the Director of the Library, Deb Ward.
A “rare” book is considered rare because of the scarcity of item, not because of its dollar value, although at times that can be considerable. Rarity is based on a few factors: that there are few exemplars in existence, that they are primary source materials, that the intellectual content of the materials is significant, or they are old and fragile. Any one or more of those factors establishes that an item is “rare.”
The items in the Rare Book Room at HSL are placed there if they are printed before 1900 or are selected by the Director or HSL Librarians. Criteria for selection can also include considerations such as special examples of binding, fine paper, printing, or because they contain significant illustrations. Some titles are fascimilies, expertly reproduced copies, of important manuscripts and early printed books.
An item is given rare book status and retained in our library if the item affords a needed perspective on contemporary studies, or provides the opportunity to learn about early developments in the field of medicine. Other criteria include providing a historical focus on the patient, the medical environment, or medical institutions. Items, which identify a historical person or trends in medicine, or have a historical background to technological breakthroughs, are also given rare book status. We are particularly interested in collecting items relating to early medicine in Missouri.
Many of the books in our collection were donated by Clarence Martin Jackson, a former graduate of the University of Missouri. He received a B.S. in 1898, an M.S. in 1899, and an MD in 1900, all from Mizzou. He became dean of the Medical school from 1909 to 1913, and spent the rest of his career at the University of Minnesota. Jackson left over 12,000 items from his personal collection to the University of Missouri Libraries, including many of the volumes in the HSL Rare Book Room. Other books in the collection have been donated by many generous supporters over the years, or were originally purchased for the use of students and faculty in the medical and nursing programs.
This exhibit highlights some of the important works from our collection.
The works on exhibit are:
- Samuel Thomas von Sömmerring. Icones embryonum humanorum. Frankfurt: Varrentrapp and Wenner, 1799.
- Giovanni Battista Morgagni. De Sedibus et Causis Morborum per Anatomen Indagatis. Venice: Ex Typographia Remondiniana, 1761.
- John Huxham. An essay on fevers, and their various kinds, as depending on different constitutions of the blood: with dissertations on slow nervous fevers; on putrid, pestilential, spotted fevers; on the small-pox; and on pleurisies and peripneumonies. London: S. Austen, 1750.
- Claudius Galen of Pergamon. Libri tres : Primus, De facultatum naturalium substantia. Secundus, Quod animi mores, corporis temperaturam sequuntur. Tertius, De propiorum animi cujusque affectuum agnitione & remedio. Paris: Simon Colinaeus, 1528.
- Florence Nightingale. Notes on nursing. New York: D. Appleton and Company, 1894.
- Girolamo Cardano. De methodo medendi. Parisiis: Rovillii, 1565.