home Gateway Carousel, Special Collections and Archives Peer Navigator Corner: Special Collections & Archives

Peer Navigator Corner: Special Collections & Archives

Written by: Allison Boedges

In the hushed, less-crowded upper levels of the library you can find quiet stacks of books, unclaimed study rooms, cozy reading nooks, and, in the west tower of the 4th floor, a very special collection of old, rare, and precious books and materials. Hardworking librarians collect, curate, and carefully maintain a vast collection of books, maps, diaries, and original prints. Formats include graphic novels, parchment, papyrus, and cuneiform tablets dating back hundreds, and in some cases thousands, of years. All of these materials are available for students and provide perfect resources for any class work, research projects, or independent study – especially for any projects needing primary resources.

How can I use these resources?

Special Collections can be accessed via appointment by anyone, regardless of student status. Simply navigate to the Special Collections and Archives homepage (https://library.missouri.edu/specialcollections/), and once there you can choose to create an appointment with either Special Collections or the Archives. Please note the hours of availability and read the instructions provided to allow for the best possible experience for both you and the staff. Special Collections alone has over 200,000 items, many of which are rare, unique, and valuable. While some are stored in Ellis Library, other materials are off site in climate controlled settings. When making your appointment, it is recommended to book 3 days in advance to allow for the materials you need for your research to be pulled from storage and brought to the Special Collections Reading Room.

Which location should you choose?

Special Collections and the University Archives differ in terms of content. The Archives are the official location of all the University of Missouri records, manuscripts, and papers. This includes photos from student organizations, collections of publications from certain professors, details about students and curriculum, and even things like posters from past University Concert Series (like this one from 1989-90). The purpose of University Archives is to store and preserve all of these very important records, while making them available and easily accessible. Special Collections on the other hand, is the University’s extensive collection of rare and old text, art (like the pictured meander book), maps, and artifacts – materials that are incredibly valuable but generally have little to do with the University itself.

Whether you are doing research, working on class assignments, or fulfilling a personal interest, the Special Collections and Archives have something for you. Make an appointment and get started on your next essay or your passion project with the Missouri Libraries Special Collections.

 

 

home Ellis Library, Events and Exhibits, Special Collections and Archives New Magazine Exhibits in Special Collections

New Magazine Exhibits in Special Collections

Students enrolled in Professor Bossaller’s class on the history of books and media have curated five new exhibits related to the Samir Husni Magazine Collection, a wide-ranging collection of first-issue magazines dating as far back as 1805. The exhibits highlight different themes found within the collection:

We are very excited about these exhibits and we hope that you enjoy them!

John Henry Adams

John Henry Adams is a librarian in the Special Collections and Rare Books department. He provides instruction and reference for the history of the book in general, but especially for medieval manuscripts, early European printing, the history of cartography, and English and German literature.

The History of Decorated Papers

One of our Special Collections librarians, John Henry Adams, will be teaching a course with the Osher Lifelong Learning Institute in February. The class is entitled “From Currency to Wrapping Paper: The History of Decorated Papers” and will provide a concise overview of paper decoration from around the world. After a brief introduction to the manufacture of handmade paper, we will focus on three major approaches to paper decoration, using (1) printing technology, (2) paint directly on the paper, and (3) ink or paint suspended on liquid. In addition to the different types of paper, there will also be a discussion of how the papers were used historically.

If the course is of interest to you, more information can be found here.

John Henry Adams

John Henry Adams is a librarian in the Special Collections and Rare Books department. He provides instruction and reference for the history of the book in general, but especially for medieval manuscripts, early European printing, the history of cartography, and English and German literature.

home Cycle of Success, Special Collections and Archives Cycle of Success: Noah Heringman and the National Endowment for the Humanities Scholarly Editions and Translations Grants

Cycle of Success: Noah Heringman and the National Endowment for the Humanities Scholarly Editions and Translations Grants

Dr. Noah Heringman, the Catherine Paine Middlebush Professor of English at MU, specializes in the relationship between literature and the history of ideas in the late 18th and 19th centuries. He and his editorial team were recently awarded a three-year National Endowment for the Humanities Scholarly Editions and Translations grant to complete their digital edition of Vestusta Monumenta. Vetusta Monumenta was the first of four major publication series launched by the Society of Antiquaries of London in the eighteenth century. Seven volumes were published between 1718 and 1906.

An engraving from”Vetusta Monumenta” of King Richard II in the sanctuary of Westminster Abbey. (Courtesy of University of Missouri-scalar.usc.edu/works/vm/plate-iv-westminster-portrait-of-richard-ii-nh?)

“Kelli Hansen of Special Collections help[ed] us a great deal during the early stages of the process. She gave Amy Jones, [our first research assistant], access to the division’s Indus 9000 book scanner and taught her how to use the software needed for processing the images. After Amy graduated in 2013, two more key players came on board the project: Felicity Dykas, who is now the head of Digital Services in Ellis, and Kristen Schuster, a PhD student in the iSchool (SISLT), who became Amy’s replacement. Felicity and her team took over the scanning project and scanned the remaining five volumes of Vetusta Monumenta at a uniformly high standard of excellence and added them to the University of Missouri Digital Library using the library’s Islandora content management system. In these early years, we got excellent support from other librarians, including Mike Holland (head of the division), Anne Barker, Ann Riley, Ala Barabtarlo, and others.”

The NEH grant is part of a category of funding that supports the “preparation of editions and translations of texts that are valuable to the humanities but are inaccessible or available only in inadequate editions.” This prestigious grant will allow Dr. Heringman, and his co-project director, Dr. Crystal B. Lake of Wright State University, to publish the remaining 144 plates in volumes 1-3, will full commentary by Fall 2020.

An engraving from “Vetusta Monumenta” of a baptismal font in St. James’s Church, Piccadilly (Courtesy of University of Missouri-scalar.usc.edu/works/vm/plate-iii-marble-baptismal-font-1?)

Vetusta Monumenta provides an intimate record of the kinds of objects collectively judged to be important by a large body of scholars and amateurs over generations. In some cases, these prints are the sole record of those artifacts and monuments, so digital preservation of these prints is vital. A previous digital version exists, but is not open access and does not provide high quality images. Dr. Heringman and his team have made this present edition accessible to all, while also providing scholarly commentary and search tools in order to browse through images.

“With substantial collaboration from the Society of Antiquaries, the Association for Networking Visual Culture at USC, and a growing team of scholarly collaborators, we had published twenty-six plates with commentary, a general introduction, and extensive editorial apparatus by mid-2017, and were able to secure a three-year, 286-thousand dollar Scholarly Editions Grant from the NEH to complete the project.” The project may be viewed at vetustamonumenta.org

Cycle of Success is the idea that libraries, faculty, and students are linked; for one to truly succeed, we must all succeed. The path to success is formed by the connections between University of Missouri Libraries and faculty members, between faculty members and students, and between students and the libraries that serve them. More than just success, this is also a connection of mutual respect, support, and commitment to forward-thinking research.

If you would like to submit your own success story about how the libraries have helped your research and/or work, please use the Cycle of Success form.

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