Engineering Library Closed for Spring Break
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Mizzou Libraries have acquired the SAGE Impact Collection, expanding access to a wide range of digital resources that support research, teaching and student success. The collection provides perpetual access to SAGE learning resources—including academic books, videos, datasets, business cases, and Sage Research Methods alongside the SAGE Premier Journal Package, which includes more than 1,000 peer-reviewed journals.
Vice Provost Kara Whatley states, “This acquisition represents a strategic investment in the university’s academic mission, and is in alignment with institutional priorities around affordability, research excellence and digital learning. By securing the collection as a portfolio‑level acquisition, Mizzou Libraries can deliver significantly more content and long‑term value than would be possible through individual purchases.”
The acquisition also includes a Read & Publish agreement that covers open access publishing costs for University of Missouri authors in SAGE journals, helping remove financial barriers to sharing research. With seamless Canvas integration, accessibility features, and dedicated faculty engagement support, the SAGE Impact Collection strengthens affordability, interdisciplinary learning and research visibility across campus.
Howdy all!
Happy Black History Month! In honor of this month, we have listed different resources below that celebrate and highlight the work of Black engineers and innovators!
Need research assistance, but don’t know who to reach out to? Feel free to reach out to Noël Kopriva (Head Engineering Librarian) and/or Dylan Martin (Black Studies Subject Librarian)
Books about Black Engineers and Innovators
Created equal : the lives and ideas of Black American innovators / James Michael Brodie.
Brodie tells stories of over 60 African-American inventors and innovators whose accomplishments have often been overlooked or obscured by mainstream historians–from a slave known only as Ned who invented a cotton harvester to black scientists working for NASA today.
Available online for free via the Internet Archive (requires creating a account)

African American women scientists and inventors / Otha Richard Sullivan ; Jim Haskins, general editor.
Sullivan once headed Detroit’s program to infuse African American history into the public school curriculum. Here he profiles 25 black American woman who have made significant contributions to science and technology, explaining that many, many more are utterly unknown because first of legal bans on granting patents to slaves and later because of social constraints on women. His message to black school girls is that just because they have not heard of black women scientists does not mean that the profession is closed to them.

Equal parts coming-of-age tale, civil rights history, and reflection on the power of education, Overnight Code is a tale about the persistence and perseverance required to forge the life of your dreams when the odds against you seem insurmountable, and shows how one woman refused to let other people’s prejudices stand in the way of her success.

African American Women Chemists / Jeanette Brown
In this book, Jeannette Brown, an African American woman chemist herself, will present a wide-ranging historical introduction to the relatively new presence of African American women in the field of chemistry. It will detail their struggles to obtain an education and their efforts to succeed in a field in which there were few African American men, much less African American women.

In Changing the Face of Engineering, twenty-four eminent scholars address the underrepresentation of African Americans in engineering from a wide variety of disciplinary and professional perspectives while proposing workable classroom solutions and public policy initiatives. They combine robust statistical analyses with personal narratives of African American engineers and STEM instructors who, by taking evidenced-based approaches, have found success in graduating African American engineers.

In this study, Rayvon Fouche examines the life and work of three African Americans: Granville Woods (1856-1910), an independent inventor; Lewis Latimer (1848-1928), a corporate engineer with General Electric; and Shelby Davidson (1868-1930), who worked in the U.S. Treasury Department. Detailing the difficulties and human frailties that make their achievements all the more impressive, Fouche explains how each man used invention for financial gain, as a claim on entering adversarial environments, and as a means to technical stature in a Jim Crow institutional setting.
Podcasts about Black Engineers and Innovators

Black Girls Do Engineer Podcast
This podcast takes you inside the world of STEM like never before. Every episode is a journey — a day in the life of engineers, innovators, creators, and world-shapers from across the globe. Hear their real stories, their paths, their challenges, and their visions for the future of AI, robotics, aviation, biotech, clean energy, cybersecurity, software, finance tech, gaming, and more.

There Are No Girls On The Internet with Bridget Todd
The Internet didn’t just happen—it’s built every day by the people who use it. In this timely and inspiring podcast, Bridget leads with curiosity and compassion, inviting trailblazing women, Black innovators, queer creators, and other visionaries to share how they’re shaping the digital world for the better. Through insightful, compassionate conversations, There Are No Girls On The Internet explores the Internet’s missteps, its moments of magic, and the people boldly reimagining it. Equal parts thought-provoking and inspiring, this is the podcast for anyone who believes the Internet should be a place of connection, freedom, and possibility.
When Joe Dillard, the School of Natural Resources (SNR) Building Room 47 archivist, needed to update their list of fish and wildlife theses and dissertations, he found it to be quite a project. Their current archive, housed in glassed-in cabinets, was incomplete. Karen Decker (from SNR), was able to procure them from the University Library so they could be processed. Karen also prepared the list so it can be viewed on the SNR website. Niki Fuemmeler developed the spreadsheet for the project, and Genevieve Howard from the College of Agriculture, Food, and Natural Resources uploaded the list: https://snr.missouri.edu/graduate-studies/fisheries-and-wildlife-graduate-program/. Joe decided to take on additional tasks by enhancing the list with more attributes, beyond the basics, such as the page numbers, outside funding sources, and accessibility from the University Library through a spreadsheet provided by Corrie Hutchinson, Associate University Librarian at Ellis Library. In order to provide this additional information, Joe had to peruse each of the 636 copies, dating all the way back to 1937!
Now that the project is complete, the main goal is to keep the list up to date. For anyone reading this who published a thesis, dissertation, or both, please check the information on your project(s) to make sure the information is correct. For now, thanks to hard work from everyone, the “SNR Room 47 Project” is complete!
“Dibujante Nocturno: the art of Fran Garcés” is currently available at MU Ellis Library, NC287.G37 A4 2020
“Dibujante Nocturno: the art of Fran Garcés” is one of the most beautiful books I’ve ever seen. It introduced me to an author I was unaware of, and not only his art, but also his journey.
The book itself is beautiful – large with a beautifully illustrated cover and thick, glossy pages. There is an introduction, and then right into the first section of his book, where he discusses his influences, creative style, what happens when you start to doubt yourself, and how social media can help. He shares his hopes and dreams for the future and what he wants to do with his work. He is still relatively unknown, with his publisher, 3dtotal Publishing running a kickstarter for the project, which was funded above and beyond the expected goal for the publishing company (and the library can be even more thrilled about owning the book, as the publisher donates 50% of profits to charity and plants a tree for every book sold!).
And then comes the really fun part: the art. Garcés loves to take the mythological and make it even more fantastical. On a drawing of a forest mermaid, he writes, “I really enjoy imagining mermaids living out of water and in a forest in springtime.” He shows his original line art, and his shading, and finally the completed project. These aren’t your everyday mermaids either – they are vicious and dark and forbidding, but absolutely beautiful. He draws ferocious dragons that are often pictured with another humanlike being: “When we draw dragons we naturally tend to imagine them with a warrior, a being with whom they have a bond.” Garcés often draws dragons, writing, “I’ll never get stuck when faces with an empty piece of paper, because I can always draw a dragon!” and believes he will never tire of drawing them.
But out of this chapter on imposing dragons, there is a sweet moment, where he shares a story about himself and his niece, showing his drawing as well as featuring her drawings and stories about the creatures he makes, and even giving him some tips on how to improve his drawings!
After focusing on mythological creatures, Garcés takes us into the darker part of his mind, filled with drawings of skulls and monsters, which may seem like a strange subject for someone who admits they cannot watch a horror movie, but he is fascinated with those things that live in the dark, whether in “nature itself and its wildest side or the darkest side of the human mind.” This isn’t terribly surprising as Dibujante Nocturno roughly translates to “Night Sketcher.” His monster art is nightmare-inducing, and I don’t say that lightly. Full of teeth and screams, made of natural weapons such as claws and horns, you have a visceral reaction to the drawings, which creates an interesting dichotomy when you turn the page and see a picture of Garcés with his little parrot, Caqui.
He is then kind enough to share the materials he uses to create his work, both physical and digital, as well as drawing with a simple ballpoint pen and a notebook. He devotes an entire section to his methods and instruction on how to choose color palettes and thumbnails to help other artists and allow his viewers to understand his process.
Garcés does not come across as a brooding artist who revels in the dark side of life, but as a man who is doing what he loves, content in his studio, his work, and Caqui, always looking to improve and share his art.
Fran Garcés’s instagram: @dibujantenocturno
Additional book about unusual mermaids:
Additional books about unusual dragons:
Written by: Allison Boedges
Did you know that this semester Ellis Library hosted a dine and draft event, where food was provided for English 1000 students working on writing assignments? The Libraries often host more than just books and study rooms – there are constantly events happening and groups meeting. Let’s take a look at some of these groups!
The Campus Writing Center:
New to Ellis this year, the Libraries are happy to host our Campus Writing Center in room 115 on the first floor! This is a new location for the writing tutors (they used to be just above the café), and includes more opportunities for drop in writing and research consultations. The Writing Center offers writing help for any subject or any reason. From an outline to a final check, the tutors at the Writing Center are happy to help make your writing the best it can be! More information is available at https://writingcenter.missouri.edu/appointments/.
Workshops and Webinars:
Workshops and Webinars are often hosted in the library covering a diverse number of topics on library functionality, resources, and research processes. Recent topics have included AI tools, writing literature reviews, and new functionality of library resources. These are open to everyone and more information is available at https://libraryguides.missouri.edu/workshops. If you are unable to attend a workshop, or are interested in one that has already occurred, you can view recordings of previous workshops at https://libraryguides.missouri.edu/learn/workshop-recordings.
Silent Reading Book Club:
A no-pressure student club for all students to bring a book of their choice and enjoy reading alongside others. The group meets in Ellis room 114A from 4-5 p.m. about twice a month. Find more information at https://engage.missouri.edu/libraries/rsvp_boot?id=442555. All readers are welcome!
BYOBook Club:
Bring Your Own Book Club (BYOBook Club) is another low-pressure option for readers who are looking for conversation and community. Choose any book that relates to the monthly theme (or even one that doesn’t! and join other students in room 114A from 4-5 p.m. on the first Wednesday of every month to discuss the plot, author, writing, and more. This is a great way to find new authors or books, relax, and meet new people. More information available at https://engage.missouri.edu/libraries/rsvp_boot?id=440066.
The library is always busy: from crafts and coloring to writing and research, there are events for everyone. Themes range from art exhibits, research events, and other fun activities designed to help students unwind each week. Stay up to date by following the Mizzou Libraries on Instagram, checking out upcoming events through the MU Libraries events calendar and by searching for the MU Libraries on MU Engage.
Below is a list of College of Engineering Faculty that have published academic works in the past 30 days.
Congratulations to all recently published authors!
Note: Access to full text may be subject to library subscriptions. The below citations were pulled from Scopus.
Revision of article written by Clare Starkey, Haley Lykins, and Kelli Hansen
The University of Missouri’s division of Special Collections holds over 100,000 items, dating from the eighth century to the modern era, and focuses on books, periodicals, manuscripts, maps, posters, printed ephemera and artifacts. Though the typical patrons are collegiate researchers, classes for elementary and middle school students are common and are an important part of the University of Missouri’s mission to benefit all Missourians. In the spring of 2024, Special Collections at the University of Missouri hosted a series of field trips for every sixth grader in the Columbia Public School (CPS) district—more than 1,300 students—under the theme of “Ancient Writing Technologies Lab: Cuneiform, Papyrus, Palm Leaves, Oh My!” This workshop gave students a chance to experience ancient writing technologies from across Africa and Asia while interacting with primary sources. Conceived in consultation with the school district’s social studies coordinator, the Special Collections staff provided hands-on activities on the history of the book to complement the school curriculum on ancient Mesopotamia, Egypt, India and China.
Public Services Archivist Haley Lykins stated, “It was exciting to see our primary sources utilized by a new age group. The experience taught us to look beyond the walls of our academic institution for opportunities of outreach and instruction.”
The students rotated between three workstations representing the ancient world. Items from the University’s collection were included to provide a real-life example of the focus of each station and included cuneiform tablets, papyrus fragments and a facsimile palm leaf book. The students visited the University of Missouri campus over the course of 14 field trips throughout April and May. In addition to Special Collections, students visited the University of Missouri’s Museum of Art and Archaeology, Museum of Anthropology, and Francis Quadrangle. Although Special Collections hosted only 10-25 students at a time, around one 100 students overall visited each field trip day.

In each 25-minute session, groups of 3-8 students would spend 7 minutes at a station before rotating to the next one. Each station began with a short informational presentation about the collection item before moving onto the activity. The workshops included making replica cuneiform tablets using playdough, drawing hieroglyphics on papyrus using calligraphy markers, and creating replica palm leaf books by writing stories on long strips of paper and tying them together with yarn. The learning objectives for the workshops were to discuss different writing surfaces from different times and different parts of the world, to describe the advantages and disadvantages of the different surfaces; and to interpret, analyze and evaluate primary sources.
After the field trips, Joy Bass, the social studies coordinator for CPS, said, “Just wanted to let you all know that teachers AND students have rated your ‘station’ very high in their reflection surveys and SO many have said it’s been their favorite.”
Ellis Library has acquired the book “Treasures of Ukraine: A Nation’s Cultural Heritage.” All profits are donated to PEN Ukraine,”a cultural and human rights non-governmental organization uniting Ukrainian journalists, writers, scientists, publishers, translators, human rights activists.” Call number N7255.U47 T74 2022.
“Treasures of Ukraine” celebrates art and monuments from Ukraine, showing more than one hundred objects and buildings. The information and objects range from the prehistoric era to contemporary art with a special chapter on folk art.
One of the most popular and interesting types of folk art is pysanky, the art of decorating eggs. A small hole is drilled into an egg to drain the contents, and they are then hand decorated using a wax resist tool known as a kistka, which allows the artist to “write” with wax. The egg is dipped in dye and drawn on again and again, and the wax is then melted off with a candle to reveal the final design. These can be simple designs but are often in
credibly detailed. This tradition dates back to pre-Christian spring rites.
Ukrainian folk art is also seen in ceramic work, dating back generations. According to a document from 1834, serf master potters were required to make thousands of creations a year for their wages. Once serfdom was abolished, potters continued to make their goods to sell at markets. Another popular example of Ukrainian folk art is the vyshyvanka, an embroidered shirt for men and women, often with vastly different designs, based on the artist’s region. A common theme running through Ukrainian folk art is the use of color. Whether seen in embroidery or eggs, the use of bright colors is seen throughout.
“Treasures of Ukraine” is a beautiful book featuring dozens of images of art and monuments, showcasing the best of Ukraine. It’s definitely worth a read (or look!).
Interesting in trying pysanky? Check out this shop!
To read more about King Tut, the discovery of his tomb, and the Grand Egyptian Museum, please check out the library’s November 5, 2022, copy of New Scientist and the November 2022 issue of National Geographic both available in the current journals/periodicals section on the 1st floor of Ellis Library.
Amongst the myriad of anniversaries around the world, there is a 100 year anniversary you may not be aware of: the discovery of the tomb of King Tutankhamun. While this was an invaluable discovery, the mysteries surrounding the tomb and those who found it continue today.
Most of us learned about King Tut in school, yet little has been written about the boy king, who died in his late teens. Instead, it’s the artifacts found within the tomb that have led to the discovery of many aspects of his life. Much of Egypt’s past was brought to life through King Tut’s burial, including clues about trade routes around the Nile, the incredible wealth of Egypt’s 18th dynasty, and how kings were buried in Egypt.
This last discovery was a surprise to many, who were unaware of the extravagant burial traditions of the Egyptians. Tutankhamun was buried with a mask made of gold, glass, and semi-precious stones. Life-size statues guarded his burial chamber. These were vessels designed to allow the pharaoh’s ka, or life force, to inhabit them in the afterlife. More than 200 pieces of jewelry were found, along with golden beds, chariots, a golden throne, and a massive sarcophagus containing three nesting coffins, all showing King Tut with the curving beard we’ve seen in pictures, in the likeness of Osiris, the god of the dead. Guardians wrap the coffins in their protective wings, and the mummy itself was found in the innermost coffin, made of 243 pounds of solid gold. Though over 5,400 objects were found throughout four separate rooms, King Tut’s tomb was considered small by most standards, but was filled with everything you would typically see in this society, who wished him to have whatever he needed to live like a king for all eternity.
Simply cataloging and discussing the artifacts in the tomb could (and have) filled books, but what has fascinated people throughout the years are the mysteries surrounding the tomb.
The first is the “Curse of the Pharaohs,” which is allegedly cast on anyone who disturbs the mummy of an ancient Egyptian. Though there have been tales of curses going back to the 19th century, but after the tomb of King Tut was opened, the stories multiplied based on the misfortune of several members of the excavation team. The number of people who visited the tomb, as well as the number of people who died suspiciously, varies, but the most famous is that of Lord Carnarvon, the sponsor of the dig, who died five months after the discovery of an infected mosquito bite. One man died of pneumonia in 1923, another died soon after x-raying the mummy in London, another died by suicide in 1924, and Carter’s personal secretary died in 1929. Another man was allegedly given a gift from the tomb and his house burned down shortly after. Other deaths have been attributed to the “curse,” but one who thought it was all ridiculous was Howard Carter, the man who led the dig. Carter died of cancer 17 years after the excavation and never believed in the curse, but the lore surrounding it has continued, with some thinking that a specific mold or bacteria could have led to some deaths, leading doctors to conduct actual studies regarding the statistics of deaths and illnesses vs those who were just fine, and have found no correlation between the tomb and the misfortune of those unlucky few. But everyone likes a good story, and the curse story has only grown, prompting the creation of several books and movies.
A second mystery concerns a dagger found in the tomb. When examining the bindings of the mummy, Carter found a dagger that seemed out of place. The sheath was gold, as was common, but the blade was iron, a metal that was smelted in Egypt until centuries after Tutankhamun’s death. How did it end up there? For years, people assumed the dagger was imported from some far away place, or perhaps gifted by a diplomat from a foreign country. However, we now have the technology to study the dagger. In 2016, it was confirmed that the iron originated from much further away than previously thought, and contained high levels of nickel associated with meteoric iron, meaning that to the Egyptians who wrapped it close to the pharaoh’s body, it was a gift from the gods. While this discovery is significant, more important is the fact that in the current study of archaeological finds, the mummy would not have been unwrapped to pull the dagger out and catalog it – instead, scientists can now use x-rays and CT scanners to create 3D images of what is contained inside the mummy, even 3D printing replicas of the internal structure. King Tut’s mummy was scheduled to go on an international touring exhibition in 2010, but was deemed to fragile, so the curators were able to print a realistic replica of the pharaoh.
The final mystery is one that has been studied since the tomb was found – how did the young king die? Often depicted with a staff, many have thought that King Tut had scoliosis and/or a club foot. In 1968, Tut was x-rayed for a documentary and was found to have evidence of a blow to the head, leading to multiple murder theories, but it turns out that the scan was simply showing something that wasn’t really there. In 2005, a CT scan showed that the pharaoh’s left femur was broken, leading to the theory that he fell in a chariot accident, but others have argued that the CT scans cannot distinguish between a pre-mortem and post-mortem injury. In 2010, there an attempt to extract DNA from the bones and reported that the king had malaria, his parents were siblings, and he had a club foot, which paints the king as inbred and infirm, but this DNA discovery has been challenged as well – extracting DNA from a mummy’s bones isn’t an exact science, and contamination is a real concern based on how much the mummy has been through over the years. Other recent speculations include the idea that Tutankhamun had epilepsy or was killed by a hippo. Though technology is helpful, there is still much speculation regarding King Tutankhamun.
So the world has speculated and argued over the pharaoh and his cause of death, opened his tomb and extracted the treasures inside, and even taken him on trips around the world. This is perhaps not what the Egyptians would have liked when we think of the burial he received, but we can start to show more respect now: using CT scans rather than simply pulling out treasures and undoing the bandaging process; the opening of the Grand Egyptian Museum, where many of the objects from the tomb will be displayed for the first time, and in the rightful country of ownership; and learning that, despite all the wealth in that tomb, the king may have led a very short life without much happiness, that before he became the famous King Tutankhamen, he was born Tutankhaten (living image of Atun), had to ascend to the throne at only 8 or 9-years-old after his radical father died, was pressured to return to the old ways of of the Egyptian gods and even changing his name to “Tutankhamen,” (living image of Amun), wed to a woman who was likely his half sister, died suddenly, and was sadly buried with his two stillborn daughters. More than anything, his legacy lives on in the way it changed the work of archaeologists, made scientists use technology in new, more careful ways; and introduced a world to Egyptology and a culture that many would have never discovered.
Other resources for this writing include:
“King Tut Tomb Curse”
“Ten Things to Know About the Discovery of King Tut’s Tomb”