Alley Oop Begins

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Alfred Sherwood Romer.
Vertebrate Paleontology.
Chicago: University of Chicago Press, 1933.
©1933, The University of Chicago.

Paleontology

Alley Oop was an outlet for Hamlin's passion for natural history. The early Sunday strips contained an informational panel entitled "Dinny's Family Album," which showcased a different species of dinosaur or other prehistoric animal each week. Hamlin used this textbook in his research for the feature.

Hamlin's interest in geology and paleontology was sparked while working as a photographer and artist for different oil companies in Texas, where fossils were an essential part of the business. He was almost entirely self-taught in these areas, from reading books checked out of the library. Hamlin's passion for natural history led him to study human history as well.

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Alley Oop Sunday Strip.
October 28, 1934.
©1934, NEA Services, Inc.

Dinny's Family Album

Hamlin's strip for October 28, 1934 features the Tyrannosaurus in "Dinny's Family Album." In the early days of the comic strip, it was not uncommon to devote an entire page to one Sunday strip, giving the artist much more room for creativity and detail.

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Alley Oop Sunday Strip.
April 9, 1939.
©1939, NEA Services, Inc.

The Time Machine

By 1938, Hamlin was getting frustrated with the limitations of a strip set solely in the small world of Moo. His wife, Dorothy, was the one who came up with the idea to incorporate a time machine into the strip. While Hamlin had to convince the syndicate to let him take this very dramatic turn, he won them over after a week of negotiations. The Twentieth century first made its appearance in Hamlin's strip on Sunday, April 9, 1939, when Alley and Ooola were transported out of the Stone Age and into the laboratory of Dr. Wonmug.

The time machine opened up the whole of human history for Hamlin to explore, and his characters soon encountered important historic and literary figures, such as Cleopatra, Helen of Troy, Napoleon, Shakespeare, and Caesar.

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NEA Syndicate Promotional Brochure.
©1964, NEA, Inc.

The Syndicate

The NEA syndicate sent promotional materials such as this one to newspapers that didn't carry the strip. Advertising a new plotline, such as this mythological story, they would offer an easy starting point for the newspaper to pick up the strip, giving their readers an introduction to the characters and situation. The interview with Hamlin is particularly poignant as it demonstrates his knowledge of the subject and unique sense of humor.