Curated by Michael Holland, 2009.

150 Years of The Origin of Species: The Historical Journey from Specimens to Species to Geneswas a physical exhibit mounted in the University of Missouri's Ellis Library from March 5th to March 31st, 2009 to honor the 200th birthday of Charles Darwin and the 150th anniversary of the publication of hisOn the Origin of Species. The exhibition was part of the2009 MU Life Sciences & Society Symposiumsponsored by theChristopher S. Bond Life Sciences Center.

Curated by Katie Carr, 2008. Updated in 2021.

In September 2008, MU Libraries celebrated the 75th anniversary of the syndication of the comic strip Alley Oop with an exhibition drawing from the libraries'V.T. HamlinandComic Art Collections.

Curated by Michael Holland, 2010.

The 6th annualMU Life Sciences and Society Symposium (March 2010)took as its theme, From Art to Biology and Back Again. The virtual exhibit you are about to enter is our effort to explore one of the most interesting interactions in the human experience, how man sees and understands man as an organism.

Curated by Kelli Hansen, 2016.

This exhibition is about books with both pictures and conversations, and how artists and writers over the past five hundred years have combined words and images to create visual narratives.

Curated by Kelli Hansen and Mariana Guzman, 2024.

The documents on display in this exhibition were created for one purpose: to prove their owners’ nobility, or hidalguía. In Spain, when a person’s hidalgo status was in dispute, the legal remedy was to file a lawsuit in one of the Royal Chancery Courts, either in Valladolid or in Granada.

Curated by Karen Witt, 2009.

"Children's Literature: Selections from the Special Collections Department of Ellis Library" was originally an exhibit mounted in the Ellis Library Colonnade from October 1st-31st, 2009. This digital exhibit reflects the items displayed as well as additional volumes that were not included in the physical exhibit.

Curated by Adetokunbo Awosanmi, 2019.

The twenty-one books in the exhibit represent how invaluable the Harlem Renaissance was for African American children’s literature.

Curated by John Fifield-Perez, Catherine Armbrust and Nicole Johnston, 2020.

October 2 – November 19, 2020 ​ George Caleb Bingham Gallery, Fine Arts Building, School of Visual Studies, University of Missouri ​ ​ Movements and stories appear and disappear throughout the human timeline, often transformed by subsequent generations. Many of these stories are shared through the lens and voices of underrepresented populations or their allies, in a multitude of forms preserved by archives and collections such as those at the University of Missouri. Collective Voices includes art, archival, and...

Curated by Allison Overschmidt, Bethany Bade, and Katy Bond, 2020.

This exhibit focuses on nine European travel posters from Spain, France, Italy, Britain, Germany, and Norway. In a century of much social, political, and economic change, these posters functioned as a way to search for national identities and to promote tourism to countries in financial need pre- and post- World Wars.

Curated by Michael Holland, 2011.

This virtual exhibit explores the intersections between ethics and the pseudo-science of eugenics in the late nineteenth and early twentieth centuries.

Curated by Timothy Perry, 2018.

This exhibition features engraved books housed in Special Collections & Rare Books, and includes some of the finest engraved books ever made.

Curated by John Henry Adams and Haley Lykins, 2024

In this exhibit, we are showcasing fourteen pet-centric magazines from the Samir Husni Magazine Collection. Many of these magazines are about pets, but some simply use pets as “props” to sell the magazines. In the interests of space, we have limited ourselves to four kinds of pets: birds, cats, dogs, and ferrets. We present them in alphabetical order, so please don’t think that the order of the pets in any way indicates our preference! We...

curated by Tim Perry, updated by Clare Starkey 2024

A fine press is a printing establishment that adheres to particularly high standards in terms of the skill of the workers, the choice of materials, and the overall design of the books ultimately produced. As a consequence of these high standards, print runs– i.e. the number of copies of a book that are printed – tend to be very low. There is often, in addition, an emphasis on traditional printing technologies and techniques. The modern...

Curated by Kelli Hansen, Gary Cox, and Karen Witt, 2012.

This exhibition was originally mounted in the Ellis Library Colonnade during March 2012 as part ofFood Sense: The 8th AnnualLife Sciences and Society Symposium.

Curated by Brittany Rancour and Nicole Songstad, 2018-2021.

Fragmenta Manuscripta is a collection of manuscript fragments that date from the eighth through the seventeenth centuries.

Curated and digitally reconstructed by Andrew Schulte, 2024.

When the Fragmenta Manuscripta Collection arrived at the University of Missouri in 1968, the manuscript fragments were mounted in this album. Digital restoration of selected fragments was done as a proof of concept by Andrew Schulte in 2024.

Curated by Kelli Hansen, 2015.

Although the scientific study of epigenetics only dates to the middle of the twentieth century, scientists have puzzled over related questions of heredity and development for hundreds of years. Does it matter whether you inherit a trait from your mother or father? How do your earliest stages of development influence the rest of your life? Which characteristics are inborn, and which are learned? These are questions being asked by epigenetics researchers today, and they are...

Curated by Erin Zellers, 2008.

This site documents the journey of the library of Geofroi Jacques Flach from France to Missouri. He collected books over forty years during the late nineteenth and early twentieth centuries. The books were purchased by the University of Missouri from the Flach estate in the spring of 1920.

Curated by Yueheng Lyu, 2019.

The Hiller Collection documents cities, industries, farming, and everyday life in China during the second phase of the Chinese Civil War, 1945-1948. The part of The Hiller Collection, Drawer Nine, in this exhibit focuses on two cities in Jiangsu Province. It is mainly about two cities in Jiangsu Province of China, Nanking (Nanjing) and Soochow (Suzhou).

Curated by Amanda Sprochi, 2018. Header image courtesy of the Library of Congress.

In fall, 1918, an outbreak of epidemic influenza spread across the entire world. Erroneously dubbed "the Spanish Flu," the pandemic was to eventually cause the death of 50 million people, more than the total casualties of the first World War.

Curated by John Henry Adams, 2020.

Printing with moveable type began in Europe in the 1450s in the German city of Mainz with the Gutenberg Bible in 1455. The technology spread swiftly across the continent: in ten years, there were printing presses in operation in Italy. By 1475, printing had spread to France, Switzerland, Holland, Hungary, Belgium, Poland, and Spain, and by 1485, England, Austria, Denmark, and Sweden were also printing. Other regions would follow suit until by 1500, there was...

Curated by Allison Cathey, 2021.

Works from American cartoonist John T. McCutcheon in the 1930s.

Curated by Alla Barabtarlo, Kelli Hansen, and Julie Christenson, 2013.

This exhibit invites you to look at kinship in the kindred kingdoms of nature, placing man in relation to flora and fauna.

Curated by Al Dabiri and David Crespy, 2018.

This interactive display provides some insights into the materials available in the Lanford Wilson Collection, in MU Libraries Special Collections and Rare Books. In particular, this display includes material from the collection which focus on Wilson’s play, The Rimers of Eldritch, and offers samples of posters, programs, photographs, posters, and manuscripts from various productions of the play, as well as materials from the original 1966 production of The Rimers of Eldritch, directed by the author...