Date: Tuesday, October 15, 2024
Time: 12:00pm – 1:00pm
Location: Teaching for Learning Center Registration
Your students may not be aware of the information resources and services the library provides to help them be successful in your class. In this session, we will discuss how library resources and services can be integrated directly into your Canvas course.
The discussion will cover collaborative possibilities and practices for teaching and learning such as scheduling in-person or online instructions sessions, creating, and using interactive library learning modules and tutorials including self-guided tours for students.
Dr. Paula Roper was named Outstanding Professional Librarian at the 2024 Missouri Library Association Conference in Kansas City, Missouri. First awarded in 2017, the Outstanding Professional Librarian Award recognizes a librarian with an MLS or MLIS degree who has made a significant contribution to the improvement and advancement of library and information services. Nominees must have at least five years post- MLS/MLIS work in the library profession.
Dr. Paula Roper has worked for University of Missouri Libraries for nearly 40 years, beginning her career at Ellis Library as part of the inaugural MU postgraduate “Intern-Scholar Program” in 1986. During her time at Ellis, Dr. Roper has worked closely with the MU School of Education and the Black Studies Department to aid both students and faculty, from the early days of online catalogs to the current challenges of navigating AI software. She has also advocated for the Library’s involvement across campus, including large, public events like Black History Month programming and National History Day. Her experience, knowledge, and drive is valued by both her library colleagues and the faculty at her liaison departments. As one of her colleagues puts it, Dr. Roper “encourag[es] and valu[es] her less experienced colleagues, spurring us to get out of our academic comfort zone, and embrace the power we have, as architects of ‘extracurricular curriculum’.”
Date: Friday, October 11, 2024
Time: 3:00pm – 4:00pm
Online via Zoom Registration
The Introduction to Dimensions webinar will showcase how researchers can use this powerful database to find collaborators, track funded activity, identify trends and more.
Assisted by the MU Libraries, humanities researcher Carsten Strathausen is constructing a comprehensive visual database encompassing all adaptations of Franz Kafka’s “The Trial.” This resource aims to serve scholars and students for years to come.
Research Librarian Anne Barker consulted with Carsten on the project by identifying and acquiring materials, suggesting strategies for gathering data, and pointing him to other library staff who could assist. Seth Huber, head of cataloging acquisitions and collection development,
searched for and downloaded the catalog records of versions and translations of “The Trial.”
In addition, Steven Pryor, director of digital initiatives, developed a Python web-crawler to gather metadata on these resources and played a key role in organizing the dataset. He also helped to created an Excel sheet containing vital information to track advancements, which will be useful to continue these research endeavors.
The Interlibrary Loan team played a crucial role in acquiring numerous adaptations of “The Trial” from around the globe, including artworks, films, graphic novels and more. Ivy Hui, head of the ILL Borrowing/Requesting Unit, and her dedicated team maintained regular communication with Dr. Strathausen, updating him on their progress in locating these elusive adaptations of Kafka’s text.
Dr. Stathausen is continuing his work with a grant from the MU Center for the Humanities and is organizing an international symposium on “Digital Kafka” that will take place this fall at Georgetown University.
Predatory publishing doesn’t just take advantage of authors by misrepresenting review, editorial, and fee structures. It also hinders access to the work itself, hurting the overall enterprise of research. The epidemic of predatory journals reached serious enough heights in 2016 that the Federal Trade Commission charged OMICS, one such publisher of hundreds of predatory journals, for its deceptive practices.
“If it sounds too good to be true, it probably is,” says Janice Dysart, Science Librarian and creator of the Where to Publish Your Research guide. “Be wary of these email solicitations from publishers trying to get you to submit articles to their journals.” She recommends using the Think Check Submit checklist to determine whether a publisher is legitimate.
Anyone can fall victim to predatory journal publishers. Jung Ha-Brookshire, Associate Dean for Research and Graduate Studies, College of Human Environmental Sciences, and Associate Professor and Director of Graduate Studies, Textile and Apparel Management, relates her experience after a graduate student recommended a journal a few years ago. She says, “I didn’t think twice about it. We submitted our paper and got accepted without any revisions. Then they were asking us to send money somewhere in Pakistan.” She still didn’t realize what was happening because she hadn’t even heard of “predatory journals.”
That all changed about a year later when she learned of a list of predatory journals from her colleagues. “We found out that our journal was on that list,” she says. They tried to withdraw their work from the publication but couldn’t. Because the journal wasn’t legitimate, the article could only be found via the specific URL and not by searching, so they pulled the publication information from their CVs. Jung says, “We had to take that manuscript as a loss because we couldn’t even take that paper to other publishers since, technically, it is already published.”
After that experience, Jung now checks with her subject librarian, Noël Kopriva, every time she encounters a journal she hasn’t heard of, “no matter how good the website looks.” Jung advises, “Be careful with choosing the right journals. Do not get fooled by address, location, a beautiful website, and a wonderful set of editorial board names. Check with your librarian first when in doubt!”
Colton Ochsner, a history doctoral student at MU, does research on the origins of fantasy and science fiction films in modern German history. Colton chose the German cinema as his concentration because German films have become very influential. “They made a lot of movies that have spread across the world and influenced film, especially to America. Anything from Blade Runner to Star Wars has been inspired in some way by a lot of these older movies, especially visually. I have been drawn to these older movies in particular because I have known about the occult and I have seen it working in these movies and yet no scholar has pointed it out,” he said.
Knowing how specialized his research could be, Colton sought the help of Ellis librarians. “My research wouldn’t be possible without the librarians help because the books and movies from this era require Interlibrary Loan (ILL) to access them,” Colton said.
“The research Colton is doing on film and esoteric groups in Germany in the 1920s requires materials that are pretty sparse and many have not survived World War II and post-war disruptions,” said Anne Barker, humanities librarian. Anne is also fluent in German and how German libraries are structured, which makes it easier to fulfill Colton’s research requests. Anne helped Colton with deciphering references as he was trying to locate books and articles often with incomplete information. Anne said, “We’re so used to finding things online, it’s easy to forget that many things have not yet been digitized or indexed well.”
Since 2013, the ILL department processed more than 1,200 ILL requests for Colton. Oi-Chi (Ivy) Hui, head of ILL borrowing, works with Colton to fulfill the obscure requests. “It’s teamwork,” Ivy said. She has requested materials for Colton from Germany, France, Switzerland, Canada and throughout the United States. “Since these requests were not processed through the system, tracking correspondence manually and signing papers for copyright compliance is a challenge. Some of these materials took months before they got here,” Ivy said.
“The basic related teachings of the occult during this time-period that includes writings and images are important because in Germany people associated images, ideas and emotions with films,” Colton said. The research materials gave Colton the confirmation he needed. During his research, Colton found a poster from a 1919 film. While looking at the poster, he discovered the name of a book he had never heard. It turns out only two libraries in the world had the book. “It was a piece of pulp fiction literature from 1919. It was only published because it was going to be used to make an action and adventure movie,” he stated. Ivy was able to find the obscure book with the minimal information available and successfully filled the request.
With Anne and Ivy’s help, Colton continues to work on his research with a projected graduation date of 2023.
Cycle of Success is the idea that libraries, faculty, and students are linked; for one to truly succeed, we must all succeed. The path to success is formed by the connections between University of Missouri Libraries and faculty members, between faculty members and students, and between students and the libraries that serve them. More than just success, this is also a connection of mutual respect, support, and commitment to forward-thinking research.
If you would like tosubmityour own success story about how the libraries have helped your research and/or work, please use the Cycle of Success form.
In addition to “producing grammatical descriptions and dictionaries for four varieties of the Luyia language cluster in western Kenya,” Michael Marlo is an Associate Professor of English and Linguistics and a member of the editorial board of the Language Science Press‘s Contemporary African Linguistics series. Language Science Press is an open access publisher of peer-reviewed linguistics books, including textbooks, and neither readers nor authors pay fees under the Knowledge Unlatched model, which instead relies on financial pledges from institutions and libraries to fund open access projects.
Michael’s editorship originally grew out of a desire to find a financially reasonable publishing outlet for the proceedings of the Annual Conference on African Linguistics. When researching potential publishers for book projects related to his National Science Foundation project, Structure and Tone in Luyia, he had also made note of their African Language Grammars and Dictionaries series.
“One of the major obstacles to the development of the field of linguistics is access to research results,” Michael says. For example, access to the digital version of the most prestigious publisher’s grammar series costs $10,000 plus annual fees for updates. A single book costs $200. Despite the prestige, Michael doesn’t intend to pursue publication through a press with such a prohibitive pricing model because that would limit his audience to those few whose libraries can afford access. He says, “While I recognize that there are still problems of access with publications that are primarily available as PDF downloads online, due to the fact that not everyone has internet access, having my work available for anyone to download is a major improvement in access over most other publishing options, which are either too expensive for readers or require a large subvention from the author, or both.”
Anne Barker
Last summer, Michael learned that Language Science Press was pursuing the institutional support funding model and asked Anne Barker, his subject librarian, if Mizzou Libraries could contribute. He was “thrilled” to learn that some funds from the National Endowment for the Humanities were able to be put toward the initiative. Michael says, “I believe [this model] has the chance to revolutionize publishing in my field, and possibly by extension many other fields in academia.”
Anne confirms, “Librarians have long been concerned that the commercialization of scholarly communication restricts access for individuals and strains library budgets. Changing the traditional publication funding model to provide for more open access is complex and challenging, but the Knowledge Unlatched model is promising. Mizzou Libraries is glad to be able to join this endeavor.”
Michael encourages students to use MOBIUS and Interlibrary Loan to access books outside of our collection. He also encourages students to find their subject areas in the stacks and look around. “There’s a lot of great stuff in there that you won’t easily find just by searching online databases!”
Cycle of Success is the idea that libraries, faculty, and students are linked; for one to truly succeed, we must all succeed. The path to success is formed by the connections between University of Missouri Libraries and faculty members, between faculty members and students, and between students and the libraries that serve them. More than just success, this is also a connection of mutual respect, support, and commitment to forward-thinking research.
If you would like tosubmityour own success story about how the libraries have helped your research and/or work, please use the Cycle of Success form.
The story of how Mizzou Libraries came to be one of the few libraries with a nearly complete set of Bildende Kunst, a visual arts journal from the former German Democratic Republic, began with an email but involved many hands. In Leipzig, Germany, on research leave, Assistant Professor Seth Howes contacted his subject librarian, Anne Barker, to ask about access to the journal after he returned to Mizzou. Without microfilm or online versions and with the closest complete set of the journal located in New York, Anne determined that access would be very difficult.
In the end, Seth considered not only “here’s why this is important to me” but also “here’s how important this is to me,” contributing some of his funds for research materials, matched by library funds, towards the purchase of additional issues.
Seth’s research focuses on the literature and experimental music and film of East Germany in its final fifteen years of existence, and Mizzou Libraries already had full print runs of the other two critical journals for his research, covering literature and music. Bildende Kunst can be translated as “Visual Art” or as “Educating Art or Art that Educates,” Seth explains. Because it reproduced art otherwise unavailable to East Germans, Bildende Kunst served as an educational magazine as well as a trade journal aimed at professionals.
Anne Barker
“One of the things that I think is very cool about having this in our collection now,” Seth says, “is that as a research institution with the teaching mission that comes with being a land-grant institution, we always need to think about how we can translate our work into teaching, and that is to a great extent what that journal did.” He plans on scheduling sessions with Special Collections in his courses so he can show students how these ideas were debated: “Can we have socialist art that looks like this? Is it not distracting or alienating to paint a worker in this way? Shouldn’t we just take recourse to 19th century realist painterly techniques?” Seth finds that students who are visual thinkers connect in a more meaningful way with a richly illustrated journal than ones that require greater language fluency to decode “communists arguing with each other.”
Anne says, “I was excited by this opportunity to enhance our research and teaching collections, but also because this adds to regional resources, making this important publication much more accessible to scholars in Missouri and surrounding states. I’m grateful for Seth’s initiative and willingness to invest his personal research funds to make this acquisition possible.”
Seth suggests that students and faculty think of “the library’s existing strengths as a jumping off point for our imagination of how to make strategic additions or strategic developments in new directions.” Despite budget challenges, he has found that “there is a will to grow the library’s resources for research and teaching, and everybody here is obviously working like mad to make resources available to students and faculty.”
Special Thanks
Many Mizzou Libraries staff members in addition to Anne played vital roles in getting the journal issues onto our shelves:
Corrie Hutchinson, Head of Acquisitions, identified and worked with the German vendor, determining costs and handling payments
Libby Myre, Senior Library Information Specialist, identified and worked with the German vendor, determining costs and handling payments, and input the journal’s information into the catalog
Michaelle Dorsey, Senior Library Information Specialist, with assistance from her preservation assistants, created containers to store the journal in its original format
Bette Stuart, Senior Library Information Specialist, input the journal’s information into the catalog
Kelli Hansen, Interim Head of Special Collections, provided space for the collection
Cycle of Success is the idea that libraries, faculty, and students are linked; for one to truly succeed, we must all succeed. The path to success is formed by the connections between University of Missouri Libraries and faculty members, between faculty members and students, and between students and the libraries that serve them. More than just success, this is also a connection of mutual respect, support, and commitment to forward-thinking research.
If you would like tosubmityour own success story about how the libraries have helped your research and/or work, please use the Cycle of Success form.
Research Enriches Undergraduate Writers’ Creative Nonfiction
Julija Šukys, Assistant Professor of English and creative nonfiction writer, says, “Libraries are one of my great loves. I’m a huge champion of libraries.” Much of her work is deeply researched, including her most recent books. Epistolophilia: Writing the Life of Ona Šimaitė is an unconventional biography of the Lithuanian librarian whose heroic actions saved an untold number of lives during the Holocaust, while Siberian Exile: Blood, War, and a Granddaughter’s Reckoning, published in October,investigates her own family’s complicated history.
Julija introduces her advanced undergraduate students to the pleasures of combining research and creative work by incorporating a library research day into all of her nonfiction workshops. She finds that sometimes students at this level are “starting to tell the same stories over and over again,” and research is “a way of showing them how you break out of that, how you break out of writing the same narratives. It’s a way of showing them that there’s a bigger world and to look up, to look out, and to learn something as you write. Writing is a way of actually understanding the world better.”
Students begin by drafting personal essays and then are instructed to ask themselves, “What’s the piece that I could crack open with the help of research?” At this point, Julija sends Anne Barker, her subject librarian, their list of research questions. Because the topics arise out of students’ personal stories and interests, this list can be quite quirky.
By the time students show up at the library, Anne has gathered resources appropriate to the various topics. These workshops meet for weekly for two and a half hours, so one class session can accommodate both instruction and practice. During the first half of the session, Anne introduces them to library databases and also demonstrates search strategies that facilitate research “in the broadest terms.” Julija says, “We search really wide-ranging stuff, both scholarship as well as how to find things on Google Books, how to find movies, how to find video clips that are going to be interesting and useful. Students learn that there’s this enormous world that’s available to them.”
Then during the second half of the session, students begin their quest to find two sources for their essays. They have time to run searches, ask questions, and find books in the stacks. Julija reports that students often have their first experience requesting books through MOBIUS or interlibrary loan, or as she calls it, experiencing “the pleasure of having books sent to you from other places in the world.” Some of her students end up using maps or newspapers or doing genealogical research. “What I really want them to learn,” Julija says, “is how to work in a library and how to think about resources and for them to discover the pleasure of working both with archival materials and with books.”
This assignment brings what Anne calls her “detective instincts” to the forefront. She says, “I enjoy working individually with the students to think of different angles to pursue and different types of materials that could augment their research and then seeing them return with the things they’ve discovered. It’s like opening a treasure chest whose contents they can continue to explore for a long time.”
Anne Barker
In addition to helping students find new possibilities in their writing, Anne’s instruction helps Julija accomplish her mission of teaching her students how to use libraries. “Libraries are good places to work, and libraries are places for solace,” she tells them. “Libraries can be this place where you go when you’ve run out of ideas.”
Julija advises other instructors interested in incorporating library instruction into their classes to “plan it in advance and contact the subject librarian early.” She has also found that giving students concrete tasks helps them be able to put what they’ve learned to immediate use, and another recommendation is to “give students class time to do the hands-on work.” Conducting their own research with a librarian available gives students an appropriate balance of independence and support. “It’s very individualized, and on the other hand they’re learning transferable skills.”
Julija’s advice to students is simple: “Talk to a reference librarian because they have skills you can’t even imagine.”
Cycle of Success is the idea that libraries, faculty, and students are linked; for one to truly succeed, we must all succeed. The path to success is formed by the connections between University of Missouri Libraries and faculty members, between faculty members and students, and between students and the libraries that serve them. More than just success, this is also a connection of mutual respect, support, and commitment to forward-thinking research.
If you would like tosubmityour own success story about how the libraries have helped your research and/or work, please use the Cycle of Success form.
Now an assistant professor of African history at Rice University, Daniel held the same position at Mizzou from 2012 to 2017, teaching courses on the history of early and modern Africa. His research focuses on the African slave trade, especially from West Central Africa, and he has participated in several digital humanities projects such as Voyages: The Trans-Atlantic Slave Trade Database and Visualizing Abolition: A Digital History of the Suppression of the African Slave Trade. Visualizing Abolition was developed here at Mizzou.
Rachel Brekhus
Daniel credits Rachel and other Mizzou librarians with playing key roles in his research and teaching. “They not only helped me secure important primary and secondary sources for my research,” he says, “but they also created study guides for my students, workshops on how to conduct research, and trained students in operating related equipment and computer softwares. They also reviewed applications and nominated students and myself to internal and external research and teaching awards.”
Humanities librarian Anne Barker provided students with valuable insights into copyright issues and the use of images. Digital services librarian Felicity Dykas trained students on scanning techniques and image specifications. In the spring of 2017, Ellis Library hosted an exhibit about the making of the Visualizing Abolition project, providing students an opportunity to showcase their work.
Anne Barker
Prior to the CRL Award for Teaching, Daniel had won teaching awards within the University of Missouri campus community and considers those awards “an important way of rewarding faculty for their teaching achievements” and letting faculty know they are on the right track. However, he says “the CRL award was something different. As a global consortium of research libraries, it meant that I was not only a good teacher among my peers at Mizzou, but that my teaching skills were also appreciated among a much larger community of scholars.”
Cycle of Success is the idea that libraries, faculty, and students are linked; for one to truly succeed, we must all succeed. The path to success is formed by the connections between University of Missouri Libraries and faculty members, between faculty members and students, and between students and the libraries that serve them. More than just success, this is also a connection of mutual respect, support, and commitment to forward-thinking research.
If you would like tosubmityour own success story about how the libraries have helped your research and/or work, please use the Cycle of Success form.
Students begin by drafting personal essays and then are instructed to ask themselves, “What’s the piece that I could crack open with the help of research?” At this point, Julija sends 
