home Special Collections and Archives Special Collections at the Movies: Planet of the Apes

Special Collections at the Movies: Planet of the Apes

Released today is the eighth film in the Planet of the Apes franchise, “Dawn of the Planet of the Apes.”  Set ten years after its predecessor “Rise of the Planet of the Apes,” this film promises a darker, more engaging science-fiction world than any other Apes film before it.  In honor of the new movie, Special Collections is proud to bring you “Books of the Planet of the Apes”!  If you’ve got a monkey on your back, swing in to Special Collections and check out some of our simian stuff!

Gorilla-Hunter

This is a scan from one of the opening pages of “Paul Du Chaillu: Gorilla Hunter,” the noted French-American explorer and zoologist.  Du Chaillu is credited with confirming the existence of gorillas, and worked extensively with indigenous Pygmy tribes in Africa.  His exciting life of adventure and discovery is chronicled in “Gorilla Hunter,” and while some today might find the subject matter offensive, Du Chaillu’s legacy in ape history is unquestionable.

Tarzan

Up next we have a graphic novel adaptation of one of the most famous apperances of apes in popular culture, Tarzan the Ape Man.  Tarzan was created by Edgar Rice Burroughs and introduced in the 1912 short story, “Tarzan of the Apes.”  In Burroughs’ origin story, a family is marooned on the African coast and only their young son survives.  He’s adopted by a tribe of apes and raised as their own.  Burroughs continued to publish stories about Tarzan until his death in 1950.  Since then, Tarzan has been adopted once again, this time into popular culture.  Over 200 movies have been released that feature the Ape Man. 

Jungle-Book

Rudyard Kipling’s “The Jungle Book” introduced the character of Mowgli, an inspiration for Burrough’s Tarzan.  It also inspired this graphic novel by Harvey Kurtzman, also called “The Jungle Book.”  Kurtzman’s work is a social commentary on the nature of man in society, and how quickly humanity can descend back into its more primitive forms.  Kurtzman satirically dedicates his novel to a half-man, half-ape creature. 

Classification

Lastly, and perhaps slightly less aesthetically pleasing, is a chart from former University of Missouri professor James Gavan’s “A Classification of the Order Primates,” which details the line of descent of different species of apes.  It’s interesting to note which species Gavan cites as being nearest to man – according to his work, gorillas, orangutans and chimpanzees are just one evolutionary step away from us.  Published in 1975, more than a century after Charles Darwin pioneered his Theory of Evolution, Gavan’s work still caused controversies.  He participated in a creationism/evolution debate in October, 1975, against a famous creation scientist called Duane Gish, author of several anti-evolution books, including 1972’s “Evidence Against Evolution” and 1986’s “Evolution: The Fossils Say No!”  According to audience reaction, Gish outperformed Gavan in the debate.  A “rematch” was scheduled, but never occurred.  Professor Gavan passed away in 1994, and Gish in 2013.

That’s just a small sample of our simian stockpile.  Don’t wait for the apes to take over – take a look at these (and other great monkey materials) today!

 

home Special Collections and Archives Special Collections at the Movies: Days of Future Past

Special Collections at the Movies: Days of Future Past

Marvel Comics' winning streak continued in 1963 when they debuted the X-Men, a group of teenage superheroes who received their powers through mutation.  Originally going to be called the “Merry Mutants,” creators Stan Lee and Jack Kirby settled on the title “X-Men” since their characters had “EX-tra power.” 

However, this group of mutants isn’t the only one to ever call themselves X-Men.  As we’ve seen in “X-Men: Days of Future Past,” sometimes completely different generations of mutants must band together under the same moniker.  To start of our Special Collections at the Movies blog series, we’ll highlight several different incarnations of those Merry Mutants that we have in our collection.

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This is a reprint of the first X-Men issue, published in September, 1963.  It introduces the original five-man team – Angel, Beast, Cyclops, Iceman and Marvel Girl – and the X-Men’s most hated archenemy, Magneto.  We can see the team meeting Jean Grey, their newest member, and her amazing power of telekinesis.  Hardcore comic fans might notice something strange about this image – Cyclops’ name is Slim Summers, but we know him better as Scott Summers.  It wasn’t until the third issue of X-Men that Cyclops points out that Slim is just a nickname.

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Next we have an updated version of the same group of mutants, called the First Class.  We can see by the illustration on the cover that the lineup hasn’t changed, but the stories and events have been redesigned for modern readers.  It was this comic book line that was partially adapted into 2011’s “X-Men: First Class.”

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Our third incarnation is also an origin story.  A young Scott Summers is shown receiving his ruby visor, which holds in his optic blasts.  This series is meant to tie in with the animated TV show “X-Men: Evolution,” which focused on the very early years of the team.

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Finally, we have a collection of issues from the Generation X storyline.  Generation X ran from 1994 through 2001, and focused on an entirely different group of mutants.  This group, made of up primarily of Jubilee, Chamber, Husk, Gaia and Synch, often found itself in a moral grey area, often fighting for and against the X-Men. 

These four titles are just a sampling of the various X-Men series we have in Special Collections.  If “Days of Future Past” got you itching for more than the run-of-the-mill mutants, stop on by and check us out!

 

Phrenology

spurzheim-headPhrenology is "a system of Philosophy of the human Mind; it is founded on facts, and the inductive is the only species of reasoning it admits."  So states Dr. Johann Spurzheim in his outlines on the subject.  Spurzheim, collaborator with Dr. Franz Joseph Gall, the founder of modern phrenology, was instrumental in bringing the science to the attention of the public in the U.K. and the United States.  Today, phrenology is known as a pseudoscience that studies the relationship between a person's character and the physical properties of their skull.  Phrenology can trace its roots way back to the ancient philosopher Aristotle, who wrote on the locations of the mental faculties.  Around the 1800s, Gall was the first to posit a direct link between the formation of the skull and the character of the owner, calling his theory crainiology.  Spurzheim was the one who popularized the term phrenology.  Other power players of the field in the 19th century include the Combe brothers and the Fowler brothers, all of whom wrote extensively on the subject.

phrenology1430000001032Phrenology looked at the development of the skull in relation to the development of certain faculties or temperaments in the person it belonged to.  An example would be the faculty of Parental Love, or "Philoprogenitiveness," which is the faculty that people demonstrate in their love of children.  One could discern the prominence of such a person's love of children by observing the back of the head.  According to Spurzheim and illustrated in a book by O.S. Fowler, "When this organ is large … it gives a drooping appearance to the hind part of the head."

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This new science rapidly gained popularity in the early 19th century, inspiring phrenology parlors where you could have your head read for a fee.  Unfortunately, many of these gained a bad reputation for being scam parlors set to cheat people out of their money, and this bad reputation still tinges thoughts of phrenology today.  Also stemming from the popularity of phrenology during this time were galleries where people could go to see casts, molds, and busts that illustrated each of the faculties and served to educate the general public.  A renowned phrenologist and maker of the "phrenology heads" that have become iconic of the science today was Frederick Bridges, who had such a gallery in Leeds.  Visitors could walk the gallery (using helpful catalogues such as this one) and see such things as a cast from the head of Lord Byron in which, "Ideality is very large.  Wit, and Language, are also large" next to a cast of Shakespeare's head with "Imitation, Ideality, Benevolence, Individuality and Language large."

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phrenology1430000001024Some of the more practical applications of phrenology in the 1800s included using it to defend and/or treat convicted criminals and also to determine the compatibility of two people in a marriage.  In his writing on phrenology and matrimony, Fowler imparts this wisdom upon his unmarried readers, "in the name of nature and of nature's God, marry congenial spirits or none- congenial not in one or two material points, but in all the leading elements of character […] marry one whose Temperament and Phrenological developments are similar to your own!  Do this, and you are safe, you are happy:  fail to do this, and you marry sorrow and regret."

As phrenology's popularity grew, and also likely owing in part to the many scam phrenology parlors, there were some who became skeptical about this practice, likening phrenology to a form of mysticism.  In his reply to an article published by a Dr. Ashburner about phrenology, mesmerism, and clairvoyance, George Corfe asks, "What parent would deliberately wish to educate a child to become a disciple in such antichristian and immoral principles?"

Outsiders weren't the only ones with criticism for phrenologists.  As with any scientific field, phrenologists would write about the work of their contemporaries, as seen in this pamphlet where the author, George Combe, criticizes another work he has read, eloquently calling its author out on several important points and stating that "This is the second time that Mr. Stone has charged 'dishonesty' against Phrenologists, founded solely on gross mistakes of his own," here also referencing a previous article criticizing phrenological practices.

phrenology1430000001025Phrenology experienced a sort of revival in the early 20th century when scientists began to apply it to other areas of study, such as anthropology, psychology, and pedagogy.  On the negative side, the Nazis and other fascist ideologies have historically misapplied the principles of sciences like phrenology and eugenics to advance their own ways of thinking.  Though not nearly as popular today, studiers of this science remain, active in the pursuit of knowledge and the quest to fulfill the charge of the age-old adage to "Know Thyself."  To learn more about this fascinating branch of science (and maybe more about yourself in the process!), check out the links below and stop in to see us here at Special Collections.

 

All print sources come from our collection.  See links to catalog records in post above for more information.

Online Sources Used:

"Phrenology in the 20th Century." The History of Phrenology. N.p., n.d. Web. 18 Mar. 2014. <http://www.phrenology.org/intro20.html>.

"What Is Phrenology?" Phrenology Lab. N.p., n.d. Web. 18 Mar. 2014. <http://med.stanford.edu/medwebtraining/shc-class/student5/treatments/phrenology-lab.html>.

 

home Cycle of Success, Special Collections and Archives Teaching Spotlight: Mark Langeneckert

Teaching Spotlight: Mark Langeneckert

For the next installment in our Teaching Spotlight feature, we're featuring Mark Langeneckert.  Mark and his students visit our reading room each semester to work with our bookplate collection.  His use of the collections in teaching is a model for those looking to historical collections for creative inspiration.

PhotoI’m an Assistant Teaching Professor in the Art Department. Drawing is my passion and the focus of my teaching. I’m responsible for coordinating the drawing area and leading the study abroad in art to the Netherlands (on even years) and Italy (on odd years).

One of the drawing courses I teach is Illustration. This course requires students to create an original work for a specific visual problem. One assignment is to create a bookplate design that incorporates the students name and the text, Ex Libris, into their work. The assignment is introduced by a visit to Special Collections to view their extensive assortment of historical bookplates. In many cases, this is their first visit to Special Collections.

The impact of this first-hand experience for students has resulted in some of their best work.

In the fall of 2014, I will be teaching a Drawing III course with an emphasis on the Graphic Novel. I look forward to accessing Special Collections resources in developing this new course.

The staff at Special Collections are extremely helpful with gathering materials, offering support and promoting their collection. I would encourage all faculty to consider using this resource in their classroom.

home Resources and Services, Special Collections and Archives Unsolved Mystery #6: The Lucubrator by James Noyes

Unsolved Mystery #6: The Lucubrator by James Noyes

Our final unsolved mystery of the semester is a manuscript donated to the MU Libraries by Mrs. Edwin Ball in 1974.  Its title page attributes the work to James Noyes, but we know very little else about it.  It consists of a series of essays on a wide variety of topics.  Titles include "On Female Education," "On Bad Neighbors," and "On the Utility of Dancing," to name a few. The essays are dated between 1794 and 1797. James Noyes (1778-1799) wrote a mathematics textbook and a couple of almanacks around 1793-1794, but we have not been able to establish whether he and the author of this manuscript are one and the same.

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Who was James Noyes?  Is this manuscript in his hand?  Where was it created?  Were the essays ever published?

As always, email us at SpecialCollections@missouri.edu with your thoughts on this unsolved mystery.

Halloween Hoodoo

"To catch a spirit, or to protect your spirit against catching, or to release you caught spirit – this is the complete theory and practice of hoodoo."

The above quote opens the five volume set of books entitled Hoodoo–conjuration–witchcraft–rootwork : beliefs accepted by many Negroes and white persons, these being orally recorded among Blacks and whites by Harry M. Hyatt that can be found in Special Collections.  Published in 1970, these books represent the culmination of years of interviews conducted by the author over a large portion of the Southern United States.

Not to be confused (as it commonly is), with voodoo or vodou, which are both religions derived from West African religions with a dash of Christianity thrown in, hoodoo is often classified as folk magic and is practiced mainly in the Southern United States.  The difference between hoodoo and voodoo and vodou is similar to the distinction between Wicca and witchcraft.  Also similar to Wicca and witchcraft is the fact that people often use all these terms interchangeably, though they have different meanings. Thus, one can belong to the voodoo religion and practice hoodoo, but they don't have to, and vice versa.

In hoodoo, a practitioner draws upon the spiritual power residing within them to perform a ritual to bring about power or success.  Today's mainstream culture often portrays hoodoo as a negative thing because of the common misconception that all who practice it are greedy or corrupt.

Hoodoo–conjuration–witchcraft–rootwork is a record of people's interactions with hoodoo, containing many accounts about how the interviewee was affected by a conjure or how someone they knew was affected.  One woman relates the experience she had when her neighbor put a conjure on her by burying a bottle containing  sulfur, hair, a bluestone, and roots of some sort.  According to her, this was the reason she was unable to stay up past ten o'clock each night.  She proceeds to relate how she destroyed the bottle and its contents and was able to stay up much later the following night while the next day the woman next door had to go to the hospital due to a major problem with her leg.  Another interviewee tells the author about a common practice of putting sulfur and ashes from the fireplace in a bag and keeping it in your pocket to ward off those that would do you harm.

Whether or not you believe that hoodoo works, these books make for interesting reading and are a comprehensive relation of a common practice here in the United States that most of us are largely unfamiliar with.  So if you get a chance between your Halloween celebrations, come see us at Special Collections where you can find the books mentioned here along with many others!

 

"Difference Between Hoodoo and Voodoo | Difference Between | Hoodoo vs Voodoo." Difference Between Hoodoo and Voodoo | Difference Between | Hoodoo vs Voodoo. N.p., n.d. Web. 29 Oct. 2013. <http://www.differencebetween.net/miscellaneous/culture-miscellaneous/difference-between-hoodoo-and-voodoo/>.
"Haitian_Vodou." Reference.com. N.p., n.d. Web. 29 Oct. 2013. <http://www.reference.com/browse/wiki/Haitian_Vodou>.
"Louisiana_Voodoo." Reference.com. N.p., n.d. Web. 29 Oct. 2013. <http://www.reference.com/browse/wiki/Louisiana_Voodoo>.

 

Happy Birthday Arthur Rackham!

Last week marked the 146th anniversary of the birth of Arthur Rackham, illustrator extraordinaire. Best known for his work on children's books, fairytales, and classics, Arthur Rackham's distinctive style continues to be recognized and admired by modern illustrators, art lovers, and readers alike.

Arthur Rackham was born on September 19, 1867 to Anne and Alfred Rackham.  One of twelve children, Arthur grew up to follow in his father's footsteps and began work as a clerk with an insurance company when he was eighteen.  He soon grew bored with that and began taking night classes at a nearby art school.  In 1892, he began work as a full time illustrator with the Westminster Budget where his drawings of everyday life in London and famous personalities were a hit.  They were so popular that he often was assigned to draw royal events, such as the wedding of the Duke and Duchess of York in 1893, who would later be known as King George V and Queen Mary.

As photography began to become more popular in the newspapers, Rackham turned to book illustrations, contributing for several travel books and developing his style by contributing to other works before his first major success in the form of the illustrated Brothers Grimm Fairy Tales in 1900.  The book that really put him on the map, as it were, was his 1905 illustrated Rip Van Winkle by Washington Irving.  In this book, Rackham's iconic style is fully developed and becomes enormously popular with each successive year seeing at least one new work published with illustrations by Arthur Rackham.

Rackham is known for various elements that combine in his work such as:

  • flowing lines
  • muted watercolors
  • backgrounds with hidden images or "surprising information"
  • a balance between sensuousness and chastity in his fairies and nymphs
  • just the right amount of ugliness to not be frightening in his trolls
  • forests filled with twisted trees
  • the juxtaposition of the frightening with the beautiful in a single image

In addition to his stunning watercolor prints, Rackham would more frequently do black and white line drawings.  Occasionally he would experiment with silhouette, and this is showcased beautifully in his illustrated The Sleeping Beauty (shown below).

The Sleeping Beauty

Rackham continued his illustrative work until his death from cancer on September 6, 1939.  His last work, completed just before his death, was an illustrated Wind in the Willows that was published posthumously in 1940.

We have a wide range of books and folios showcasing Arthur Rackham's work, including those from the Limited Editions Club and some first editions.  So if you get the chance, come celebrate the life of one of the most beloved children's/fairytale illustrators with us here at Special Collections.

Sources used:

"About Arthur Rackham." The Arthur Rackham Society. N.p., n.d. Web. 16 Sept. 2013. <http://arthur-rackham-society.org/about_the_artist.html>. 
"Arthur Rackham." Arthur Rackham. N.p., 1998. Web. 16 Sept. 2013. <http://www.bpib.com/illustrat/rackham.htm>.
"Rackham 101." Aleph-Bet Books. N.p., n.d. Web. 16 Sept. 2013. <http://www.alephbet.com/arthur-rackham-101.php>.
Scott, LaRue. "Arthur Rackham Illustrations." British Heritage 24.4 (2003): 52. EBSCOhost. Web. 18 Sept. 2013. <http://ehis.ebscohost.com/ehost/detail?sid=9321715c-f7d8-456c-a626-c6de6fb3fc32%40sessionmgr11&vid=1&hid=5&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=f5h&AN=9676268>.

Author Self-Portrait:

http://www.art-prints-on-demand.com/kunst/arthur_rackham/self_portrait.jpg

I Scream, You Scream…

Ice Cream and Sherbets cover
Cover from an ice cream freezer manual
We all scream for ice cream!  With 90% of Americans enjoying the cold dessert, it's no wonder that Ronald Reagan declared July National Ice Cream Month back in 1984.  In addition, the third Sunday of July was proclaimed National Ice Cream Day to be celebrated "with appropriate ceremonies and activities."  So today, get out and cool off with some of America's favorite dessert and learn more about the history of ice cream with us here at Special Collections.

Roman Snow Runner
Depiction of a Roman snow runner
The history of ice cream can be traced as far back as the 4th century B.C., where legend has it that Alexander the Great, the famous conqueror and ruler of one of the largest empires in history, enjoyed iced beverages made of snow, honey, and nectar that were the predecessor to the ice cream we enjoy today.  These earlier forms of ice cream were mostly enjoyed by the noble class, with recipes being closely guarded secrets.  Iced desserts developed independently of each other in the Roman Empire and the Orient. Nero, the emperor of Rome from 54-68 A.D., had snow for these treats carried by runners from the Alps to Rome with severe punishments for those who failed to make it back before the snow melted.

Marco Polo is often credited with bringing sherbet and ice recipes to Europe after having learned them on his famous voyages.  These were again kept mostly by the royals and others in the higher tiers of nobility.  Some of these recipes may have been known to the English royalty earlier, as there are reports of Richard the Lionhearted eating sherbets in 1191 while on a Holy Crusade.

When people realized that adding salt to snow and ice helped to increase the coldness and help keep it, clever chefs now had more freedom than ever to experiment with different flavors and mixtures.  The French chef Jacques, from the court of Charles of England and Vatel, the chef of King Louis XVI have both been cited among the inventors of cream ice which, with the help of the Germans, Spanish, Italians, and possibly the Scandinavians, contributed to what became known as ice cream when these recipes came to America, where it was further influenced mostly by English and French methods.

The first written evidence of ice cream in America comes from a letter written May 17, 1744 by a guest of Governor Bladen of Maryland that describes this curious ice cream treat.  In the latter half of the 18th century, ice cream's popularity really picked up with those that could afford it, including such well-known figures as George Washington and Thomas Jefferson.

wonder freezer
The ‘Wonder’ Freezer, with improved covered gear
Ice cream continued to gain popularity in the early 1800s with the invention of better ice cream freezers and improved ice harvesting and storing techniques.  Commercial ice cream really took off after Jacob Fussell established the first wholesale ice cream factory in Baltimore in 1851, also making the U.S. the leading country in the manufacture and consumption of ice cream, which it still is today.  Inventions such as the ice cream cone at the 1904 World's Fair continued to help ice cream become the immensely popular treat it is today.

Chocolate Ice Cream Research
The effect of varying the sugar and chocolate liquor content on the stability of chocolate ice cream
Here at Mizzou, the College of Agriculture, Food, and Natural Resources has long been a big name in ice cream research.  With noted researchers Professor William Henry Eddie Reid, Wendell Arbuckle, and Robert T. Marshall all contributing at some point to the research done here on campus on things such as the freezing properties, stability, and physical qualities of chocolate ice cream and modern trends in retail ice cream stores.  Reid went on to consult with Baskin Robbins while Arbuckle and Marshall literally wrote the book on ice cream (Ice Cream by Arbuckle and Marshall and The Little Ice Cream Book by Arbuckle can both be found in our stacks).  With all this research going on it was eventually decided that it was high time Mizzou had its own flavor of ice cream, which it now does. Tiger Stripe Ice Cream, which looks exactly as the name suggests, remains popular today among students, faculty, and alumni alike and is served at a number of school and alumni events. (To find out more about the history and development of ice cream research at Mizzou visit the website of Mizzou's ice cream shop, Buck's Ice Cream Place, here.)

Old Ice Cream Recipe
A recipe from the Ladie’s Own Home Cook-Book
To learn more about any of the topics mentioned here, or if you want to check out some recipes for ice cream from our selection of old cookbooks, come by and pay us a visit here in Special Collections (just leave your ice cream at home).

Have a happy National Ice Cream Day!

Arbuckle, W. S. The Little Ice Cream Book. [S.l.]: W.S. Arbuckle, 1981. Print.

"International Dairy Foods Association." July Is National Ice Cream Month. N.p., n.d. Web. 17 July 2013. http://www.idfa.org/news–views/media-kits/ice-cream/july-is-national-ice-cream-mon/.

Mertens, Randy. "About Us." Buck's Ice Cream Place:. N.p., 12 Mar. 2010. Web. 17 July 2013. http://bucks.missouri.edu/about/history.php.

Wildfire Prevention

While we’re feeling the heat as truly summer-like temperatures in the 90s are making themselves known, the risk of wildfire increases throughout the country.

At the time this was written, 24 wildfires were burning throughout the country.  Maps put out by the National Interagency Fire Center (like this one) show the location of “large incidents,” or large uncontrollable fires that were currently burning at the time of map-making.  Other maps (like this one) can help you determine the likelihood of a wildfire starting in your area.

As a wise bear has said, we all have the power to prevent wildfires and forest fires.  Here at Special Collections, anyone looking through our poster collection will find several 1940s-era posters reminding us of this fact.

A somewhat menacing-looking Smokey reminds us to take care.

 

Smokey Bear, the bear who has such confidence in us humans to prevent forest fires, is the longest running PSA campaign in United States history.  In 1950, a bear cub was orphaned by a forest fire in New Mexico.  Rangers rescued him from the fire and nursed him back to health until he eventually left for a zoo in Washington, D.C. where he became the living symbol for the Smokey Bear fire prevention campaign that is still popular today.

As the poster to the left suggests, the importance of preventing wildfires was felt very strongly in the forties, due to the war-effort.  In fact, the first half of that decade was when this awareness/prevention campaign really started to spread like wildfire (pun intended).  Large, uncontained fires would take attention and supplies away from the troops that were in need of them, making forest fires not only a danger to those near them, but also to those overseas.  Luckily for all of us, there are several easy steps to take to prevent uncontained fires conveniently recorded on this poster, such as making sure your campfire has been put out thoroughly before breaking camp.

In addition to putting forth practical reasons for being careful with fire, the forestry service around this time also tugged at the heartstrings of Americans by issuing posters with Bambi and friends, imploring those that look upon them to not burn down their homes.  As the Disney movie had just debuted the previous year, this poster would have been particularly effective in its message of reminding people of the devastating effects fires have on forest wildlife.

So remember:

  • “only you can prevent wildfires”
  • to see these posters (and others) all you need to do is visit us at Special Collections!
home Resources and Services, Special Collections and Archives F. Scott Fitzgerald and The Great Gatsby

F. Scott Fitzgerald and The Great Gatsby

The Great Gatsby is seen by critics and the general public as F. Scott Fitzgerald’s quintessential novel, and is the novel he is most famous for.  It tells the story of a rich man named Jay Gatsby and his quest to regain a past love. As its most recent movie adaptation is currently playing in theaters, Special Collections invites you to take a look back on the novel and the man that created it.

The frontispiece of an edition of The Great Gatsby featuring Gatsby himself.

Francis Scott Key Fitzgerald was born on September 24, 1896 in St. Paul, Minnesota and named after his second cousin three times removed, the Francis Scott Key of national anthem fame. While on academic probation at Princeton, Fitzgerald enlisted in the army in 1917.  In June 1918, he was assigned to a camp near Montgomery, Alabama, where he met and fell in love with Zelda Sayre.  In late 1919, after being discharged from the army and quitting his job in advertising, Fitzgerald began his career of writing short stories for magazines and other publications, with The Saturday Evening Post becoming his best story market.  He published his first novel, This Side of Paradise, in March 1920 and married Zelda Sayre soon after.  His success and the extravagant lifestyle of the young couple soon earned him a reputation as a bit of a playboy.  He also became known as a heavy drinker, though he always wrote sober.  After the publication of his second novel, The Beautiful and Damned, and the birth of his child, Frances Scott (Scottie) Fitzgerald, in 1921, the Fitzgeralds moved to Long Island where F. Scott wrote short stories to cover the family's debt after his play, The Vegetable, failed to make it into production.  The family moved to France in the spring of 1924 so that F. Scott would be able to focus on his newest project, the novel that would become The Great Gatsby.

Before it became The Great Gatsby, Fitzgerald’s novel went through many revisions and forms. Special Collections has in its possession a facsimile of one such early edition, entitled Trimalchio. This is an allusion to a Roman novel, The Satyricon by Petronius.  In this novel, Trimalchio is a freedman who has amassed power and wealth and shows this off by hosting exceedingly lavish dinner parties for his numerous guests.  This copy includes correspondence between Fitzgerald and a man by the name of Perkins, Fitzgerald’s friend and an employee of his publishers, in which Perkins makes suggestions for revision and suggests using a different title (pictured below right).

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Shortly after this, Fitzgerald rewrote several aspects of his novel and reordered key scenes, such as the one where Gatsby’s past is illuminated.

Fitzgerald restructured the plot to make certain elements more meaningful.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Gatsby we know today comes in many different forms and editions.  One of the more unique Gatsbys at Special Collections comes in the form of a fantastical graphic novel adaptation by Nicki Greenberg, in which Jay Gatsby is portrayed as a seahorse
and the others as any number of creatures.

Votes are now being taken for guesses as to what kind of creature Daisy is.

 

There are also a number of more conventionally illustrated editions of The Great Gatsby in existence, such as the 1980 Limited Editions Club which is illustrated by artist Fred Meyer, whose recognizable style brings the Jazz Age to life on the page.

An illustration by Fred Meyer of Gatsby's mansion during one of his famous parties.

 

Most people are familiar with The Great Gatsby after having spent some time studying it at either a high school or college level.  From Professor Lago’s collection, we have her copy of The Great Gatsby, which has been heavily annotated for use as a teaching tool.  Her extensive notes comment on such key themes as morality and hope.  On the page shown here, she notes the importance of color symbolism, among other things.

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In the years after The Great Gatsby was published, Fitzgerald began work on his fourth novel, Tender is the Night.  Work on this novel was put on hold throughout the years due to Zelda Fitzgerald’s declining mental and physical health.  During her stay in a clinic in Switzerland, F. Scott returned to writing short stories for income.  He completed Tender is the Night in 1934, though it was ultimately a commercial failure.

In the summer of 1937, Fitzgerald went to Hollywood to work as a screenwriter.  It was there that he began an affair with columnist Sheilah Graham.  After MGM Studios dropped his contract at the end of 1938, he worked as a freelance script writer and continued writing short sories.  He began work on his last novel, The Love of the Last Tycoon, in 1939 and had more than half of it written when he died of a heart attack on December 21, 1940.

Though Fitzgerald was not much of a commercial success during his lifetime, he is now considered to be the author of one of the “great American novels” and is esteemed for his accurate portrayals of the Jazz Age.  Many of his works, including collections of his short stories, are available for use by patrons in the Reading Room of Special Collections.

 

Bruccoli, Matthew J. "A Brief Life of Fitzgerald." Biography of F. Scott Fitzgerald. The F. Scott Fitzgerald Society, n.d. Web. 21 May 2013. http://www.fscottfitzgeraldsociety.org/biography/index.html.

"Trimalchio." Trimalchio. N.p., n.d. Web. 23 May 2013.
<http://www.princeton.edu/~achaney/tmve/wiki100k/docs/Trimalchio.html>.