Some new thoughts for the new year

Here are some New Thoughts for your New Year, courtesy of our extensive collections of seventeenth- through nineteenth-century British pamphlets.  This one was printed in 1796.

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The Cheap Repository Tracts series was created by the British poet, playwright, and philanthropist Hannah More, whose writings often dealt with religious themes.  They were printed in large quantities for distribution to the poor.  Although there must have been thousands of original copies, they were ephemera – not meant to be preserved.  Only six copies of this tract are recorded in libraries around the world. 

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Many of the tracts deal with people in trades or in domestic service.  This one shows "How Mr. Thrifty the great Mercer succeeded in his Trade, by always examining his Books soon after Christmas, and how Mr. Careless, by neglecting this rule, let all his affairs run to ruin before he was aware of it."  The pamphlet ends with a hymn for the new year.

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Find it in the MERLIN catalog.

Missale Romanum, 1701

We're always making new discoveries in Special Collections, and this is one exciting find.  This Roman missal was published by the Plantin-Moretus Press in 1701.  It's bound in red velvet with silver clasps and decorations, gilt edges, leather tabs, and red silk bookmarks.  The text is printed throughout in red and black, and there are amazing engravings after works by Rubens. Interestingly, the name of a previous owner is engraved on one of the clasps: "HAC Defresne Possessor – 1817."

There are six copies in WorldCat.  Three, including ours, are in North America (two in the United States, and one in Canada).  The others are in the Netherlands. 

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Find it in the MERLIN catalog.

home Resources and Services, Special Collections and Archives Unsolved Mystery #6: The Lucubrator by James Noyes

Unsolved Mystery #6: The Lucubrator by James Noyes

Our final unsolved mystery of the semester is a manuscript donated to the MU Libraries by Mrs. Edwin Ball in 1974.  Its title page attributes the work to James Noyes, but we know very little else about it.  It consists of a series of essays on a wide variety of topics.  Titles include "On Female Education," "On Bad Neighbors," and "On the Utility of Dancing," to name a few. The essays are dated between 1794 and 1797. James Noyes (1778-1799) wrote a mathematics textbook and a couple of almanacks around 1793-1794, but we have not been able to establish whether he and the author of this manuscript are one and the same.

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Who was James Noyes?  Is this manuscript in his hand?  Where was it created?  Were the essays ever published?

As always, email us at SpecialCollections@missouri.edu with your thoughts on this unsolved mystery.

home Resources and Services, Special Collections and Archives Unsolved Mystery #5: Latin Manuscript

Unsolved Mystery #5: Latin Manuscript

This manuscript came to us as a part of a larger acquisition made in 2006.  The text is unidentified, although we think it may have something to do with the writings of Thomas Aquinas.  The front flyleaves contain a library shelfmark for Dupplin Castle, and the inscription "collat. & perfect. p. J. Wright," dated December 31, 1723.  Stephen Ferguson at Rare Book Collections @ Princeton has a very informative blog post about J. Wright and the books he collated as librarian for the Earl of Kinnoull.

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Can you identify the text?  When was it produced, and by whom? 

Email us at SpecialCollections@missouri.edu with any information.

home Resources and Services, Special Collections and Archives Unsolved Mystery #4: Palm Leaf Manuscripts

Unsolved Mystery #4: Palm Leaf Manuscripts

After a short break, Unsolved Mysteries is back!  Two Asian manuscripts on palm leaves are this week's mystery material. One is a single leaf, and the other is a bound book.

The single leaf was acquired as part of the Pages from the Past portfolio in the 1960s.

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 Like the other items in the portfolio, this leaf has a short explanatory text – but we've haven't been able to verify it.

From the great paritta, a translation in Burmese on a "palm leaf book."  In an area of the world where paper and even leather rots almost overnight, strips of palm have long been used as a writing material.  Note the two holes in the leaf where a vine cord bound the book and allowed the pages to be turned.  The "colophon" states that this translation was completed on the 7th waxing of the month of Tawthalin of the Burmese year 1237 (September 1875).  The circular characters are first inscribed on the leaf with a sharp instrument, such as an iron stylus, then an ink of oil and charcoal is wiped over the characters, to make them legible.  The Burmese round characters developed because the thin fragile leaf of palm would not take inscribing where long straight lines might split the fiber.

We know even less about the palm leaf book, except that it's been identified as Javanese.  It came to us from the collection of Walter Williams, the founding dean of the School of Journalism and President of the University of Missouri from 1931 until his death in 1935.  The book was allegedly given to him by Ben Robertson, Jr., a J-School graduate and war correspondent whose resume included brief stints at the Honolulu Star-Bulletin and The News of Adelaide, Australia.  It's not clear where Robertson would have acquired the book, but it must have come to MU in the early twentieth century.

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Is the palm leaf book authentic?  What is the text?  Is the information about the single leaf correct?

As always, email us at SpecialCollections@missouri.edu with information about these materials, or any of our other unsolved mysteries.

Halloween Hoodoo

"To catch a spirit, or to protect your spirit against catching, or to release you caught spirit – this is the complete theory and practice of hoodoo."

The above quote opens the five volume set of books entitled Hoodoo–conjuration–witchcraft–rootwork : beliefs accepted by many Negroes and white persons, these being orally recorded among Blacks and whites by Harry M. Hyatt that can be found in Special Collections.  Published in 1970, these books represent the culmination of years of interviews conducted by the author over a large portion of the Southern United States.

Not to be confused (as it commonly is), with voodoo or vodou, which are both religions derived from West African religions with a dash of Christianity thrown in, hoodoo is often classified as folk magic and is practiced mainly in the Southern United States.  The difference between hoodoo and voodoo and vodou is similar to the distinction between Wicca and witchcraft.  Also similar to Wicca and witchcraft is the fact that people often use all these terms interchangeably, though they have different meanings. Thus, one can belong to the voodoo religion and practice hoodoo, but they don't have to, and vice versa.

In hoodoo, a practitioner draws upon the spiritual power residing within them to perform a ritual to bring about power or success.  Today's mainstream culture often portrays hoodoo as a negative thing because of the common misconception that all who practice it are greedy or corrupt.

Hoodoo–conjuration–witchcraft–rootwork is a record of people's interactions with hoodoo, containing many accounts about how the interviewee was affected by a conjure or how someone they knew was affected.  One woman relates the experience she had when her neighbor put a conjure on her by burying a bottle containing  sulfur, hair, a bluestone, and roots of some sort.  According to her, this was the reason she was unable to stay up past ten o'clock each night.  She proceeds to relate how she destroyed the bottle and its contents and was able to stay up much later the following night while the next day the woman next door had to go to the hospital due to a major problem with her leg.  Another interviewee tells the author about a common practice of putting sulfur and ashes from the fireplace in a bag and keeping it in your pocket to ward off those that would do you harm.

Whether or not you believe that hoodoo works, these books make for interesting reading and are a comprehensive relation of a common practice here in the United States that most of us are largely unfamiliar with.  So if you get a chance between your Halloween celebrations, come see us at Special Collections where you can find the books mentioned here along with many others!

 

"Difference Between Hoodoo and Voodoo | Difference Between | Hoodoo vs Voodoo." Difference Between Hoodoo and Voodoo | Difference Between | Hoodoo vs Voodoo. N.p., n.d. Web. 29 Oct. 2013. <http://www.differencebetween.net/miscellaneous/culture-miscellaneous/difference-between-hoodoo-and-voodoo/>.
"Haitian_Vodou." Reference.com. N.p., n.d. Web. 29 Oct. 2013. <http://www.reference.com/browse/wiki/Haitian_Vodou>.
"Louisiana_Voodoo." Reference.com. N.p., n.d. Web. 29 Oct. 2013. <http://www.reference.com/browse/wiki/Louisiana_Voodoo>.

 

home Resources and Services, Special Collections and Archives Halloween Costume Ideas in Special Collections

Halloween Costume Ideas in Special Collections

Are you tired of wearing that same old zombie costume year after year?  Fed up with being lost in the crowd of witches and ghouls?  Special Collections is here to help, with costume inspiration by the book!  Here are a few ideas for Halloween inspired by our collections.

Go Medieval or Go Home

If you're limited on time or materials, you can't go wrong with the Middle Ages.  All you need is a long bathrobe, a large scarf or sheet, a pair of pointy-toed shoes, and a pageboy wig.  Voila!  Tell all your friends you're a character from the Roman de la Rose.  Add a red hat, a fake beard, and a book, and you could be St. Jerome.


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Find a New Trade

Forget dressing up like a doctor, firefighter or astronaut.  How about a Victorian butcher, milkman or baker – or better yet, a cat'smeat-man, park-keeper or waterman?  You could be dressed as a sixteenth-century German piscator or a French marchande de poissons.  The numerous books of occupations and street cries in Special Colllections are a field guide to the merchant and artisan classes from the sixteenth through the nineteenth centuries

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Be a Fashion Plate

Halloween and Homecoming are less than a week apart this year, so party like it's 1839.  Fashion magazines like Allgemeine Modenzeitung can give you an idea of what was in style back then. 

Dapper gentlemen from Allgemeines Modenzeitung, 1839

Dapper gentlemen from Allgemeines Modenzeitung, 1839

Dress like a Peasant…

Special Collections has numerous eighteenth- and nineteenth-century ethnographic studies of the native dress of Europe, Asia, and the Americas.  Little did those ethnographers know they were creating a treasure trove of obscure Halloween costume ideas for us early 21st-century folk.  Here are a couple of examples of Italian peasant dress.  Choose your time and place; with our collections, the possibilities are endless. 

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…or like Royalty

Of course, if you're more ambitious, you could impersonate a famous king or queen for the day.  How about Elizabeth I?  Or maybe someone from the court of Marie Antoinette

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Embrace the Surreal

Perhaps you're looking for something more, shall we say, fanciful? The work of illustrators like J. J. Grandville and Walter Crane should provide ample inspiration for weird and wonderful costumes of all kinds.

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Or Dress Like your Favorite Author

How about Leonhart Fuchs?  Or Charles Darwin!  Of course, here in Missouri, we're partial to Mark Twain.

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Mark Twain 

We can't guarantee you'll win any costume contests, but it's a pretty safe bet that you'll be the only one dressed as a sixteenth-century botanist or French fishwife at your Halloween party this year.  Happy Halloween!

Happy Birthday Arthur Rackham!

Last week marked the 146th anniversary of the birth of Arthur Rackham, illustrator extraordinaire. Best known for his work on children's books, fairytales, and classics, Arthur Rackham's distinctive style continues to be recognized and admired by modern illustrators, art lovers, and readers alike.

Arthur Rackham was born on September 19, 1867 to Anne and Alfred Rackham.  One of twelve children, Arthur grew up to follow in his father's footsteps and began work as a clerk with an insurance company when he was eighteen.  He soon grew bored with that and began taking night classes at a nearby art school.  In 1892, he began work as a full time illustrator with the Westminster Budget where his drawings of everyday life in London and famous personalities were a hit.  They were so popular that he often was assigned to draw royal events, such as the wedding of the Duke and Duchess of York in 1893, who would later be known as King George V and Queen Mary.

As photography began to become more popular in the newspapers, Rackham turned to book illustrations, contributing for several travel books and developing his style by contributing to other works before his first major success in the form of the illustrated Brothers Grimm Fairy Tales in 1900.  The book that really put him on the map, as it were, was his 1905 illustrated Rip Van Winkle by Washington Irving.  In this book, Rackham's iconic style is fully developed and becomes enormously popular with each successive year seeing at least one new work published with illustrations by Arthur Rackham.

Rackham is known for various elements that combine in his work such as:

  • flowing lines
  • muted watercolors
  • backgrounds with hidden images or "surprising information"
  • a balance between sensuousness and chastity in his fairies and nymphs
  • just the right amount of ugliness to not be frightening in his trolls
  • forests filled with twisted trees
  • the juxtaposition of the frightening with the beautiful in a single image

In addition to his stunning watercolor prints, Rackham would more frequently do black and white line drawings.  Occasionally he would experiment with silhouette, and this is showcased beautifully in his illustrated The Sleeping Beauty (shown below).

The Sleeping Beauty

Rackham continued his illustrative work until his death from cancer on September 6, 1939.  His last work, completed just before his death, was an illustrated Wind in the Willows that was published posthumously in 1940.

We have a wide range of books and folios showcasing Arthur Rackham's work, including those from the Limited Editions Club and some first editions.  So if you get the chance, come celebrate the life of one of the most beloved children's/fairytale illustrators with us here at Special Collections.

Sources used:

"About Arthur Rackham." The Arthur Rackham Society. N.p., n.d. Web. 16 Sept. 2013. <http://arthur-rackham-society.org/about_the_artist.html>. 
"Arthur Rackham." Arthur Rackham. N.p., 1998. Web. 16 Sept. 2013. <http://www.bpib.com/illustrat/rackham.htm>.
"Rackham 101." Aleph-Bet Books. N.p., n.d. Web. 16 Sept. 2013. <http://www.alephbet.com/arthur-rackham-101.php>.
Scott, LaRue. "Arthur Rackham Illustrations." British Heritage 24.4 (2003): 52. EBSCOhost. Web. 18 Sept. 2013. <http://ehis.ebscohost.com/ehost/detail?sid=9321715c-f7d8-456c-a626-c6de6fb3fc32%40sessionmgr11&vid=1&hid=5&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=f5h&AN=9676268>.

Author Self-Portrait:

http://www.art-prints-on-demand.com/kunst/arthur_rackham/self_portrait.jpg

home Resources and Services, Special Collections and Archives Unsolved Mystery #3: Extrait des Registres du Parlement

Unsolved Mystery #3: Extrait des Registres du Parlement

You might think I'm cheating a bit with this week's Unsolved Mystery.  After all, this manuscript is catalogued; it's even fully digitized!  We know where it came from, how we got it, and we have a general outline of its contents.  Not much of a mystery, right? 

Well, like most of our Unsolved Mysteries, there are more pieces of the story to uncover.

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This manuscript on the laws of Paris and the French Parliament is attributed to Monsieur Drouyn de Vandeuil, the first President of the Parliament of Toulouse, and contains a history of France and a register of French royalty. There is also an extract of the minutes of the French Parliament.  The manuscript seems to have been written by two separate scribes.  We assume it's a fair copy of minutes and other working documents.

This manuscript belonged to the French lawyer and bibliophile Jacques Flach. His collection was purchased by the University of Missouri in 1920, and the manuscript has been here ever since.  It is available through the University of Missouri Digital Library.

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To our knowledge, the manuscript has never been published or studied – so we have an outline of the text, but we don't know its contents in detail. 

How did Flach come across the manuscript? Is the attribution correct? Has the text ever been published?  What information does it contain?

If you have information about this or any other of our unsolved mysteries, email us at SpecialCollections@missouri.edu – and stay tuned for another Special Collections mystery next week.

home Resources and Services, Special Collections and Archives Unsolved Mystery #2: The Book of Ruth

Unsolved Mystery #2: The Book of Ruth

IMG_6313_smThanks for the interest in our first Unsolved Mystery post!  We're presenting these items as great opportunities for students or faculty to do some original research – so if you'd like to work on any of these materials, let us know.

The next item in the series is a small Hebrew scroll with a wooden handle.  We refer to it as the Book of Ruth, since that's the identification of the text on its label.  But since none of us reads Hebrew, we haven't verified whether Ruth is actually the text.  Mr. David Birnbaum, a Hebrew Biblical text scholar from the University of Chicago Law School, confirms that our scroll manuscript is indeed the Book of Ruth. [added 10/31/2013]

IMG_6305_smThis Hebrew text is manuscript on parchment and is clearly the work of two scribes.  The entire piece measures about 7 inches tall, including the handle.  We assume that its small size and humble materials indicate that it was used for personal study, but that's just our conjecture. 

Where was the scroll produced?  How old is it?  And how did it get here?

As always, feel free to email us at SpecialCollections@missouri.edu with any information – and stay tuned next week for another Unsolved Mystery from the Special Collections vault.