home Resources and Services, Special Collections and Archives Celebrating 75 Years of the Man of Steel

Celebrating 75 Years of the Man of Steel

Image-1It’s a bird!  It’s a plane!  It’s Superman’s 75th birthday!  On June 30, 1938, Superman debuted in Action Comics #1, marking the unofficial birth of superheroes in comic books.  Through decades of films, TV shows and comics, the Last Son of Krypton has permeated our culture and become as American as baseball and apple pie.

The creation and history of Superman is as fascinating and heartbreaking as Kal-El’s own fictional backstory.  In 1932, a young Jerry Siegel’s father died of a heart attack brought on by the robbery of the family’s small clothing store.  Within a few years, he and his artistically-minded friend Joe Shuster created Superman – an orphan who is virtually invincible, and who fights tirelessly to rid Metropolis of evildoers.  Siegel and Shuster are eventually commissioned to tell the character’s story in Action Comics. They agree to sell the rights of Superman for $130.

Superman radio serialThe Man of Steels, television shows and motion pictures soon followed.  While the radio was Superman’s preferred medium in the 40’s, come 1951, Iowa-born actor George Reeves donned the red and blue suit to portray the first live-action Man of Steel in the TV series, “The Adventures of Superman.”  Reeves stood for Truth, Justice and the American Way for the better part of a decade until he was killed in 1959 by a single gunshot wound to the head.  The circumstances surrounding his death are still a mystery.

After a twenty year absence, the Man of Tomorrow returned, this time played by Christopher Reeve in Richard Donner’s classic 1978 film, “Superman.”  Not only was the film a commercial and critical success, it holds a significant historical importance – “Superman” was the first major superhero movie ever released, paving the way for future blockbusters like “Batman”, “Spider-Man”, “Iron Man”, and “The Avengers.”  Reeve held the role for three more films, consistently surrounded by an all-star cast including Marlon Brando, Gene Hackman, Terence Stamp and Richard Pryor.  Tragically, the Man of Steel proved to be all too human off screen, as a horseback riding accident in 1995 left Reeve paralyzed and confined to a wheelchair until his death in 2004.

Our Worlds at War

The 1990’s and 2000’s were a transitional period for Superman.  He appeared in two very successful television series, first in “Lois and Clark: The New Adventures of Superman”, starring Dean Cain as Clark Kent, and then in “Smallville”, with Tom Welling taking the reins.  Both series took root in the hearts and minds of a new generation of Americans, and once again, Superman was soaring. In 2006, Brandon Routh took the lead in Bryan Singer’s “Superman Returns.”  Cast partly for his likeness to the late Christopher Reeve, Routh’s Superman faced off against his arch nemesis Lex Luthor, portrayed by Academy Award-winner Kevin Spacey.  While the film was critically successful, it didn’t resonate well enough with audiences’ wallets to warrant a sequel.  For the last seven years, Americans haven’t seen much of Smallville’s favorite son.  Even the most recent actors to portray him – Dean Cain, Tom Welling and Brandon Routh – have all but faded from memory, as they struggled to find quality roles in Hollywood.

Kneel Before ZodBut that all changed last week with the record-breaking release of Zack Snyder’s “Man of Steel”, starring Henry Cavill as Superman and Michael Shannon as the villainous General Zod.  The blockbuster proved that Americans’ fascination with Superman is only growing.  That love for the character will only continue to grow in the next few years, as star Cavill and director Snyder have both signed on for a sequel.  Additionally, Superman is slated to appear in the upcoming “Justice League” film, surrounded by fellow superheroes Batman, Green Lantern, the Flash and Wonder Woman.

If your own interest in the character was piqued by the movie, feel free to fly in to Special Collections and check out our awesome assortment of Superman comics, graphic novels and books.  Everything you see here, and so much more, is available to you.  And unless you have X-Ray vision, you’ll need to get here faster than a speeding bullet and take a look yourself!

Custer’s Last Battle

Cover, Custer's Last Battle by Charles Francis Roe, published in 1925 by Robert Bruce

“Lieut. Bradley sends word that he has counted 196 dead cavalrymen on the hills to the left; what appeared yesterday in the distance like buffalo lying down are dead troopers and horses.”

So reads the journal of Edward J. McClernand, 2nd Lieutenant of the Montana Column. The scene he describes is the aftermath of the Battle of Little Bighorn. On the afternoon of June 25th, 1876, George A. Custer, Lieutenant-Colonel of Seventh Cavalry, along with five companies of the Seventh Cavalry had faced a force of Sioux and their allies near a tributary of the Big Horn River. All of Custer’s forces perished, save for a single horse. The battle was part of the Sioux War, the outcome of the United States government’s failure to honor the Treaty of Fort Laramie, which granted territory in the Dakotas, Wyoming, and Montana to the Sioux nation.

A horse named "Comanche" was the lone survivor of the Battle. Now stuffed, the horse remains on display in Lawrence, Kansas. Photo courtesy of the Musuem of Natural History, University of Kansas.

 

Page 29, detail. Photograph of Gall, leader of Sioux forces at the Battle of Little Bighorn

Special Collections houses a copy of Custer’s Last Battle by Brigadier-General Charles Francis Roe. Our copy was signed by Custer’s widow, Elizabeth Bacon Custer. She presented this copy to late MU professor John Neihardt, whose entire library is now housed in Special Collections. The library is an especially rich source of Americana. Custer’s Last Battle (Rare JGN  E 467.1 C99 R7 1927) presents the reports of Charles Roe and other veterans of the Sioux War, accompanied by photographs and maps.

 

 

 

Page 1, detail. Autograph of Custer's widow, Elizabeth B. Custer
home Resources and Services, Special Collections and Archives F. Scott Fitzgerald and The Great Gatsby

F. Scott Fitzgerald and The Great Gatsby

The Great Gatsby is seen by critics and the general public as F. Scott Fitzgerald’s quintessential novel, and is the novel he is most famous for.  It tells the story of a rich man named Jay Gatsby and his quest to regain a past love. As its most recent movie adaptation is currently playing in theaters, Special Collections invites you to take a look back on the novel and the man that created it.

The frontispiece of an edition of The Great Gatsby featuring Gatsby himself.

Francis Scott Key Fitzgerald was born on September 24, 1896 in St. Paul, Minnesota and named after his second cousin three times removed, the Francis Scott Key of national anthem fame. While on academic probation at Princeton, Fitzgerald enlisted in the army in 1917.  In June 1918, he was assigned to a camp near Montgomery, Alabama, where he met and fell in love with Zelda Sayre.  In late 1919, after being discharged from the army and quitting his job in advertising, Fitzgerald began his career of writing short stories for magazines and other publications, with The Saturday Evening Post becoming his best story market.  He published his first novel, This Side of Paradise, in March 1920 and married Zelda Sayre soon after.  His success and the extravagant lifestyle of the young couple soon earned him a reputation as a bit of a playboy.  He also became known as a heavy drinker, though he always wrote sober.  After the publication of his second novel, The Beautiful and Damned, and the birth of his child, Frances Scott (Scottie) Fitzgerald, in 1921, the Fitzgeralds moved to Long Island where F. Scott wrote short stories to cover the family's debt after his play, The Vegetable, failed to make it into production.  The family moved to France in the spring of 1924 so that F. Scott would be able to focus on his newest project, the novel that would become The Great Gatsby.

Before it became The Great Gatsby, Fitzgerald’s novel went through many revisions and forms. Special Collections has in its possession a facsimile of one such early edition, entitled Trimalchio. This is an allusion to a Roman novel, The Satyricon by Petronius.  In this novel, Trimalchio is a freedman who has amassed power and wealth and shows this off by hosting exceedingly lavish dinner parties for his numerous guests.  This copy includes correspondence between Fitzgerald and a man by the name of Perkins, Fitzgerald’s friend and an employee of his publishers, in which Perkins makes suggestions for revision and suggests using a different title (pictured below right).

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Shortly after this, Fitzgerald rewrote several aspects of his novel and reordered key scenes, such as the one where Gatsby’s past is illuminated.

Fitzgerald restructured the plot to make certain elements more meaningful.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Gatsby we know today comes in many different forms and editions.  One of the more unique Gatsbys at Special Collections comes in the form of a fantastical graphic novel adaptation by Nicki Greenberg, in which Jay Gatsby is portrayed as a seahorse
and the others as any number of creatures.

Votes are now being taken for guesses as to what kind of creature Daisy is.

 

There are also a number of more conventionally illustrated editions of The Great Gatsby in existence, such as the 1980 Limited Editions Club which is illustrated by artist Fred Meyer, whose recognizable style brings the Jazz Age to life on the page.

An illustration by Fred Meyer of Gatsby's mansion during one of his famous parties.

 

Most people are familiar with The Great Gatsby after having spent some time studying it at either a high school or college level.  From Professor Lago’s collection, we have her copy of The Great Gatsby, which has been heavily annotated for use as a teaching tool.  Her extensive notes comment on such key themes as morality and hope.  On the page shown here, she notes the importance of color symbolism, among other things.

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In the years after The Great Gatsby was published, Fitzgerald began work on his fourth novel, Tender is the Night.  Work on this novel was put on hold throughout the years due to Zelda Fitzgerald’s declining mental and physical health.  During her stay in a clinic in Switzerland, F. Scott returned to writing short stories for income.  He completed Tender is the Night in 1934, though it was ultimately a commercial failure.

In the summer of 1937, Fitzgerald went to Hollywood to work as a screenwriter.  It was there that he began an affair with columnist Sheilah Graham.  After MGM Studios dropped his contract at the end of 1938, he worked as a freelance script writer and continued writing short sories.  He began work on his last novel, The Love of the Last Tycoon, in 1939 and had more than half of it written when he died of a heart attack on December 21, 1940.

Though Fitzgerald was not much of a commercial success during his lifetime, he is now considered to be the author of one of the “great American novels” and is esteemed for his accurate portrayals of the Jazz Age.  Many of his works, including collections of his short stories, are available for use by patrons in the Reading Room of Special Collections.

 

Bruccoli, Matthew J. "A Brief Life of Fitzgerald." Biography of F. Scott Fitzgerald. The F. Scott Fitzgerald Society, n.d. Web. 21 May 2013. http://www.fscottfitzgeraldsociety.org/biography/index.html.

"Trimalchio." Trimalchio. N.p., n.d. Web. 23 May 2013.
<http://www.princeton.edu/~achaney/tmve/wiki100k/docs/Trimalchio.html>.

Spring brings things

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And spring things bring people who collect them –naturalists and artists such as Maria Sibylla Merian (1647-1717), the first to hitch entomology to fine art and to make a living doing so. Her interests were not limited to European species; she spent two years stalking the insects of Surinam, a colony the Dutch had acquired from the English in exchange for Manhattan about thirty years earlier. She devoted an equal amount of attention to giant flying roaches as to seemlier species, but there is no question that she had a special passion for caterpillars.

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Merian's interest in metamorphosis led her to develop a new form of composition. She would depict a single species at each distinct phase simultaneously. She arranged these in a composition on and around the plant that formed its principal food source. In the image on the left several saw-fly specimens pose on a tulip. The caterpillar sits atop a gooseberry at the bottom center, while the adult fly prepares to land on a petal at the top right. In between on a stem and leaf are the pupa and larva. As Ella Reitsma, curator of a recent exhibit, observes about Merian's work, "In the details the drawing is realistic; as a whole it is anything but. The beautifully balanced composition conjures up a seeming realism, for the successive stages in the development of an insect can never be found together!  Tricks have been played with time and place” (15)

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Despite such innovation, Merian’s work languished for a long time under the misnomer “minor art.’ It has only recently come into its own, with exhibitions in Los Angeles and Amsterdam, and a digital exhibit hosted by The Dumbarton Oaks Research Library Rare Book Collection. She is even the subject of a children’s book. Ingrid Rowland notes her “crystalline accuracy, ” her “incomparable precision,” and the “electric intensity” of her use of color. She asserts, “there is no question that she was an artist. Her disquieting view of life in all its forms has carefully, cleverly shaped every one of the images that seem, so deceptively, to present intimate, dispassionate snapshots of reality.”

Pervading her works is a healthy Aristotelian sense that something must be known in all its variousness. Working alongside this cognitive disposition, and perhaps encouraging it, was a habit that she shared with many contemporaries: collecting. Her life-like compositions conceal the artificial taxonomizing and categorizing that lie behind them, making it appear as if she had discovered, rather than created the scene depicted.

These are qualities that Peter the Great evidently appreciated; he was an avid collector of her work, much of which remains in the Russian Academy of Sciences in St. Petersburg. In 1974  The Leningrad Watercolours is a facsimile edition featuring fifty of the works housed there. It is a large-format edition limited to 1750 copies.  Several prints from the collection  are available to view in our reading room. The entire collection collection (RARE QH31 .M4516 .A34 1974) is also available to consult.

 

Select Bibliography

Reitsma, Ella, Maria Sibylla Merian and Daughters: Women of Art and Science. Amsterdam : Rembrandt House Museum, 2008.

Rowland, Ingrid. “The Flowering Genius of Maria Sibylla Merian.” New York Review of Books. April 9, 2009.

Todd, Kim. Chrysalis: Maria Sibylla Merian and the Secrets of Metamorphosis. Orlando: Harcourt, 2007.

home Resources and Services, Special Collections and Archives Economic Frustration – Then and Now

Economic Frustration – Then and Now

In a tough economy, it's easy to forget that millions of Americans before our time have struggled as well. Cartoonist John T. McCutcheon's comics show that high unemployment and turmoil in the stock market aren't unique to this generation of Americans.

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The Unemployed (click to enlarge)

Our McCutcheon comic collection contains original pen-and-ink drawings that date from 1903 to 1944, many of which were published in the Chicago Tribune. While he covered a range of issues of the day, McCutcheon's wit and biting satire shined in his depiction of economic hardships.

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1913 Bread Line: He Kept Us out of Work (click to enlarge)

Figure 1 and Figure 2, from 1913 and 1916, both show the depression and struggle of being unemployed. McCutcheon demonstrates his mastery over the medium by using merely a few darker lines to show how isolated and alone his unemployed man is, compared to the happy and joyful families walking down the street.

We've seen a roller coaster ride in the stock market recently, but nothing compares to the Crash of 1929, which led to a decade-long Great Depression. Our last cartoons, Figures 3 and 4, show two instances of men who lost it all on Wall Street, and wonder if they'll ever get it back. Little do they, or McCutcheon know – the worst economic downturn in history is only beginning.

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The Bursting of the Stock Bubble (click to enlarge)

John McCutcheon's comics captured the mood of the day, and sometimes it's surprising how much relevance 100-year old sketches can have to our own time. His entire collection of over 300 cartoons and drawings is available to all patrons.

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The Sun of Prosperity… (click to enlarge)

home Events and Exhibits, Special Collections and Archives New exhibit! Beyond Words: Visual Narratives from the Block Book to the Graphic Novel

New exhibit! Beyond Words: Visual Narratives from the Block Book to the Graphic Novel

Yesterday I posed a question on Facebook: What do Albrecht Durer, Thomas Rowlandson, Frans Masereel, and Art Spiegelman have in common?  The answer: they all published works of sequential art, which are now on view in our latest exhibition, Beyond Words: Visual Narratives from the Block Book to the Graphic Novel.

If, as the popular saying goes, a picture is worth a thousand words, then pictures and words together form an even more powerful tool for communication, expression, and storytelling than either would alone.

The materials in this exhibition are from the Rare Book Collection and the Comic Art Collection. In each, artists and writers have used sequential art to construct narratives that are complex, subtle, sophisticated, and powerful. Rather than presenting an evolutionary history of visual storytelling, these selections allow us to situate woodcuts, engravings, comic strips, and graphic novels in a long tradition of word- and image-making, in order to consider the roles of image and narrative in our culture.

Beyond Words will be on view in the Ellis Library Colonnade May 3-31, 2013.

home Events and Exhibits, Resources and Services, Special Collections and Archives Papers of Pulitzer Prize-winning Playwright Lanford Wilson in Special Collections

Papers of Pulitzer Prize-winning Playwright Lanford Wilson in Special Collections

We're happy to announce that an exhibition of selected materials from the Lanford Wilson Collection, curated by our colleagues at the University Archives, is on view in the Ellis Library Colonnade.

Pulitzer Prize-winning playwright Lanford Wilson made a legacy gift of his papers to the University of Missouri in 2011.  Wilson grew up in Springfield and Ozark, Missouri, and spent most of his life in New York.  He began his career at Caffe Cino, a pioneering Off-Off Broadway theater run by Joe Cino that produced plays by many young, aspiring playwrights.

Wilson wrote plays for La MaMa Experimental Theater Club and the Circle Repertory Company, a project organized by Wilson and three of his associates from the Caffe Cino and La MaMa.  Plays that premiered at the Circle Repertory Company included Talley's Folly, Serenading Louie, The Mound Builders, Fifth of July, and The Hot l Baltimore.  Wilson's plays were critically acclaimed and won several awards and nominations.  In 1980, he was awarded the Pulitzer Prize for Talley's Folly. Wilson was elected to the Theatre Hall of Fame in 2001 and to the American Academy of Arts and Letters in 2004.

Lanford Wilson displayThe Lanford Wilson Collection includes 53 linear feet of correspondence, manuscripts, notebooks, posters, photographs, and over 100 books.  Researchers can access the finding aid online, and the collection is available for use in the Special Collections reading room.

The Lanford Wilson exhibition is presented in conjunction with a conference, "Angels in Performance: Documenting LGBTQ Lives in Theatre & Performance," hosted by the MU Department of Theatre, April 24-28.  The conference will feature guest artist and award-winning playwright and screenwriter, Tony Kushner. The exhibition will be on view through the month of April.

home Resources and Services, Special Collections and Archives Happy birthday, Thomas Moore Johnson!

Happy birthday, Thomas Moore Johnson!

Today is the 162nd birthday of Thomas Moore Johnson, the namesake of the Thomas Moore Johnson Collection of Philosophy here in Special Collections.  What's in the collection?

The graphic above is a Wordle of all the Library of Congress subject headings in the collection – so you can see that it really is a collection of philosophy.  Johnson was interested in Plato and focused his collecting in that area.  The oldest imprint is 1494, and there are several hundred volumes with publication dates from the sixteenth and seventeenth centuries. The majority of the collection dates from the eighteenth and nineteenth centuries.

Thomas Moore Johnson (1851-1919) was an attorney, collector, and student of philosophy in Osceola, Missouri. Johnson began collecting Greek texts while a student at the University of Notre Dame and his library eventually grew to about 8,000 volumes.

A portion of his library was presented to the University of Missouri-Columbia Libraries in 1947 by his son, Franklin P. Johnson. Another part of the collection remains in Osceola as the Thomas Moore Johnson Library.

What’s in the box?

Last week I posted a picture on our Facebook page of a 320-pound special delivery we received.  Are you dying to know what's in the box?

It's a wonderful collection of rare Kipling first editions and other Kiplingiana, donated to the Libraries by the estate of a generous donor, Helen Jenkins.  Staff members took a first look at the collection yesterday and found some great materials, including first editions, pamphlets, ephemera, and limited editions.

We will be working on cataloging this collection and making it available to researchers in the Special Collections reading room.  Email SpecialCollections@missouri.edu with any questions.

Historic Doodles


The week before spring break is traditionally a difficult time for students to remain focused on their books. Our collection of historic textbooks offers evidence that this trend is not new. Wide margins have always provided opportunities to practice one's signature. The bald pates of historic personages have always asked to be filled in with comb-overs.

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pastedown1707smHistoric textbooks are an excellent resource, not only for those investigating the history of pedagogy, but also for those interested in getting a picture of the values and ideologies of any given historical moment. Ours is a diverse collection, comprising volumes from 1770 to 1929 and representing such core subjects as Arithmetic, and "Rhetorick," as well as less conventional subjects.  American Handy Book of the Brewing, Malting, and Auxiliary Trades sits next to a handwriting manual. Some textbooks defy disciplinary boundaries altogether. The title page of Thomas Wise's The Newest Young Man's Companion of 1770 (right) announces that it includes "a compendious English grammar, letters on compliment, arithmetic and bookkeeping, a compendium of geography, the management of horses, and the art of painting in oil and water colours."

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Though in many respects historic textbooks differ from their modern counterparts, in one respect they are the same. They all bear witness to their owners' distraction. Paste downs can be filled in with faces. Margins provide space for recording personal notes that will perplex later generations, such as "This is a day of days," (below) scrawled next to the life cycle of the mosquito.

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In between reading about the Monroe Doctrine and the history of the American flag, a student using an 1885 edition of A Brief History of the United States found time to compose the following message to the reader: "Before you find out what I have got to say, page 28 you'll have to see." On page 28, the student continues, "It grieves me to think of the trouble you have taken but look on page 4." There follow a total of seven directions until the final injunction concludes, "You fool don't you know better than to chase this book from cover to cover?"

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One wonders if amidst so many pages of instructions, students liked to issue some of their own. Ella Allen was a seventh grader at Potts School in 1920. She provides the following instructions on the pastedown of Primer of Sanitation, Being a Simple Textbook on Disease Germs and How to Fight Them.  "If this book should go to Rome, Just give it a kick and send it home." Her book did not make it to Rome–Potts School was in Columbia, Missouri. But maybe Ella made it to Italy one spring. One would hope she had paid enough attention to her primer to avoid the Roman fever that did away with so many of her headstrong, fictional contemporaries.

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