home Cycle of Success, Special Collections and Archives The Lucubrations of Vicesimus Knox

The Lucubrations of Vicesimus Knox

This post is part 5 of our continuing series on Dr. Juliette Paul's English 4300 class and their research on an early American manuscript in Special Collections.

by Erik Wasson

One of the reasons that The Lucubrator seems so strange is the range of topics the manuscript covers, as is promised in its subtitle, Containing Essays on Various Subjects. However, influential writers of the eighteenth century commonly published literature on “various subjects.” In my research, I have focused on the famous essayist Vicesimus Knox: specifically, his two published essay collections, Winter Evenings; or, Lucubrations on Life and Letters (London 1788; New York 1805) and Essays Moral and Literary (London, 1778; Philadelphia 1792).

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Winter Evenings covers a variety of subjects just as does The Lucubrator. Besides having the word “lucubrator” in their titles, both works have a table of contents that lay out similar topics of interest. The Oxford English Dictionary defines the word “lucubrator” as “a nocturnal student,” and the word “lucubrations” as “the product of nocturnal study and meditation; hence, a literary work showing signs of careful elaboration. Now somewhat derisive or playful, suggesting the notion of something pedantic or overelaborate.” This definition of the word “lucubrator” gives a clue as to the purpose of The Lucubrator and the reason for why the contents of the manuscript are so wide-ranging, from discussions of female education to living in the countryside. The author’s mission was to create a manuscript, which, told through an apprehensive narrative voice, had intellectual thought and moralistic and societal concern as its structure.

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In his prefaces to Essays Moral and Literary and Winter Evenings, Knox discusses lucubrations as if they were a genre all on their own. He claims that their literary footprint is significant to his culture and to the education of readers. What is most interesting about Essays Moral and Literary is found in the preface. Here Knox writes:

An unknown Writer who sends his lucubrations into the world, and solicits public favour, is exactly in the condition of a new man aspiring to hounours among the ancient Romans. They who have established their fame, are jealous of an intruder; they who are competitors, are angry with a rival; and the unconcerned spectators will seldom withdraw their eyes from the contemplation of allowed merit, to examine the pretentions of doubtful excellence.

Perhaps to avoid being criticized by other writers and readers of his day, Knox attempted to publish his essays anonymously. In the preface to the second edition of Essays, Knox wrote: “The Author of the following Papers can truly say, he never meant to claim them” (ix). This statement made by Knox gives strong evidence towards why The Lucubrator was never published. Knox calls his essays “the unguarded production of his leisure hours.” Perhaps the author of the manuscript thought, too, that lucubrations were too private or personal for publication.

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home Cycle of Success, Special Collections and Archives All About Alecia McLean, Special Collections social media intern

All About Alecia McLean, Special Collections social media intern

Hello, everyone!

My name is Alecia McLean and I am the newest social media intern for the Special Collections portion of Ellis Library. I am a senior english and anthropology major here at MU. Here's a little bit more about me:

1.) I am an avid reader. I've been enthralled with literature since I was a little girl, so much so that I chose to study it at university. I have an expansive reading list that I am trying to amble my way through. I'm currently reading Far From the Madding Crowd which is a novel by 19th century British novelist Thomas Hardy. My favorite genre is fiction and my favorite book is The Bell Jar by Sylvia Plath. 

2.) I love writing! My ultimate dream is to one day become a successful novelist. I used to write short stories in my childhood and I still write a few today. In eighth grade, I did a project on J.K Rowling because she was and continues to be one of my biggest inspirations.

3.) I aspire to see the world. The premature anthropologist in me is desperate to explore Earth's every corner. I am originally from Kingston, Jamaica, and having relocated to the United States as a child I got exposure to two cultures. My love of world cultures grew from that initial exposure and had just become bigger and bigger as a grew older! Some of my most desired places to visit are Italy, Greece, Thailand and Ireland. 

4.) Music, music, music. I love listening to music. It's my main inspiration when I write and for life in general. My favorite genre is alternative but I will give anything a try. Top 5 bands are The Black Keys, alt-J, Arctic Monkeys, Mumford and Sons and Coldplay. Honorable mentions: The Killers, Imagine Dragons, The Lumineers and The War on Drugs. 

The featured imagine is "selfie" I took in the car before going to a Mumford and Sons concert. 

P.S. I really look forward to my semester interning under the wonderful staff of Special Collections!

home Cycle of Success, Special Collections and Archives Searching for James Noyes: Published Author and Patriot of Post-Revolutionary America

Searching for James Noyes: Published Author and Patriot of Post-Revolutionary America

This post is part 2 of our continuing series on Dr. Juliette Paul's English 4300 class and their research on an early American manuscript in Special Collections.

by Mackenna Arends and Zack Schwartz

The Lucubrator is an early American manuscript comprised of a collection of essays written by a James Noyes, as the decorated title page tells us. As a class, we have had the opportunity to study this manuscript held in our Special Collections and Rare Books Library and to become the first readers to transcribe the manuscript to prepare it for digitization. Upon reading and analyzing the essays, we have found that the manuscript is quite mysterious because, while the author shares useful knowledge and insights on various subjects such as the discovery of the planet Uranus, the moral dangers of learning to dance, and the virtues of patriotism, we cannot be certain of the identity of James Noyes himself.

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Searching for information on James Noyes led us to multiple candidates for the manuscript’s authorship. After perusing several databases and conducting research, we have found three possible authors: James Noyes of Stonington, Connecticut (1723–1806), Lieutenant James Noyes of Atkinson, New Hampshire (1745–1831), and the young author, James Noyes (1778-1799), who also resided in Atkinson during the same period.

James Noyes of Stonington (1723–1806) was the son of John (1685-1751) and Mary (née Gallup) Noyes (1695-1736), as well as the descendant of the Reverend James Noyes (1608-1656), the founder of Newbury, Massachusetts. Noyes’s great grandfather, the Reverend James Noyes, moved to Stonington after its residents asked the governors of Massachusetts Bay Colony to send them a minister. This James Noyes became pastor of the First Congregational Church of Stonington in 1664, a position later occupied by his son, James (1685-1751), who became one of the first trustees of Yale College, later known as Yale University. Examining a partial genealogy of Reverend James Noyes’s family reveals that his great grandson, James, would have been alive when the manuscript was written (Noyes, Noyes' Genealogy 9). In 1794, James Noyes was 71 years old, so he would have been at an age at which writing the essays in the fair hand of the manuscript was still possible. This James Noyes lived in Stonington, but other than his age and the town in which he lived, little about him is known. Still, the occupation of James Noyes’s grandfathers as learned clergymen suggests that he, too, might have been preoccupied with the subjects discussed in The Lucubrator, such as education, morality, and religion.   

The next James Noyes who is a candidate for the manuscript’s authorship is a Lieutenant James Noyes of Atkinson, New Hampshire (1745–1831). Noyes was a soldier in the American Revolutionary War who finished building a family homestead in Atkinson in 1794, the year of The Lucubrator’s first dated entry. Noyes would have been 49 years old when he wrote the manuscript. Perhaps at that point in his life, he began to write reflections on his society as he saw his community changing around him. Having served in the Revolutionary War and having lived to see a new country rise around him, Lt. Noyes could have decided to record all the changes and his thoughts on them. The manuscript may be a diary or a commonplace book used by Noyes to keep his thoughts as private or as public as he wanted. Additionally, the manuscript mentions the opening of a dancing school in the town of the author’s residence, and there appears to be proof that one dancing master, Nathan Allen, started a school in Portsmouth, near Atkinson, before 1799 (Van Winkle Keller 17). This information leaves open the possibility that Lt. James Noyes could in fact be the author of The Lucubrator.  

Another candidate for The Lucubrator’s authorship is James Noyes of Atkinson (1778-1799). This Noyes lived to be only twenty-one years old. At the age of eleven, he was crippled “by wading in a brook near his home,” an explanation that suggests he was a victim of polio (Noyes, Genealogical Record 390). After the incident, Noyes was “confined to the house and to the use of crutches” until his death. Nevertheless, he made several major accomplishments in his short lifetime. In 1794, at just sixteen years old, Noyes published an almanac entitled The New Hampshire and Massachusetts Almanac, which is made up of calendars marking the phases of the moon and maps of New Hampshire and Massachusetts towns. In 1797 he also published a 128-page book entitled The Federal Arithmetic, which for the first time included multiplication tables and other mathematical rules and examples. In The Lucubrator’s essay entitled “The Dancing School,” the author writes that a person should know “reading, writing, and arithmetic.” Arithmetic is important to the author of The Lucubrator as well as James Noyes of Atkinson, hinting that they may be the same person.

This James Noyes also wrote an almanac entitled An Astronomical Diary or Almanack, for the Year of Christian Aera, which was published in New Hampshire in 1797. The Lucubrator includes an essay, “On The Planets Being Inhabited Worlds,” in which the author discusses the planets and astronomy. We can assume the author has an interest in astronomy so it is very possible that he was the same James Noyes who wrote the astronomical diary. The federal arithmetic and two almanacs were all published in New Hampshire, increasing the likelihood that they were authored by the same person: a writer who may have written The Lucubrator as well.

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Although we may never know for certain who wrote The Lucubrator, evidence suggests that James Noyes of Atkinson, the almanac and arithmetic book writer, is the most likely candidate. By researching the lives of multiple James Noyeses, we learned more about early American authorship than we would have if we were just writing about it. Through primary sources, we can compile evidence of things we want to know about literary history. Our experience has given us a deeper appreciation for the research tools and digital books that our library provides.


Works Cited

Barnum, Louise Noyes. Atkinson: Then and Now. Atkinson Historical Society, 1976.

Noyes, Henry E. and Harriette E. Noyes. Genealogical Record of Some of the Noyes Descendants of James, Nicholas, and Peter Noyes. Vol. 1. Boston: 1904.

Noyes, Horatio N. Noyes' Genealogy. Record of a Branch of the Descendants of Rev. James Noyes, Newbury, 1634-1656. Cleveland: 1889.

Van Winkle Keller, Kate. Early American Dance and Music: John Griffiths, Eighteenth-     Century Itinerant Dancing Master. Sandy Hook: Hendrickson, 1989.

home Cycle of Success, Special Collections and Archives Uncovering Culture Shifts in a Mysterious Manuscript: Introducing The Lucubrator

Uncovering Culture Shifts in a Mysterious Manuscript: Introducing The Lucubrator

To celebrate the first week of classes, we're sharing a series of student work completed last semester. Students in Dr. Juliette Paul's English 4300 class undertook a transcription and research project on an early American manuscript that has been in our collections for decades, but that we knew very little about.  We'll share their discoveries and insights here over the next nine weeks. -KH

by Emma Quinn

Post 1_Emma at her bookPeople often forget about the multitude of manuscripts that are forever lost, which is why discovering one previously unknown seems all the more incredible. Unearthing a mysterious manuscript entitled The Lucubrator (1794-97) is exactly what our class did this semester (English 4300, Spring 2016). As we studied early American literature, it made sense for us to examine the strange, little-known manuscript held in our Special Collections and Rare Books Library. Filled with essays illustrating the culture of the early United States, The Lucubrator seems to belong to the literature we studied. We believe the manuscript was once owned by James Noyes (1778-99), a young, patriotic, and accomplished New England writer whose name appears on the title page.

The University of Missouri’s copy of The Lucubrator is the only one known in the world. It consists of essays dated between 1794 and 1797 and includes titled such as “On the Planets being inhabited worlds,” “Oration on the American Independence,” and “Reflections on the Month of December.” The experience of studying the manuscript felt almost unreal—to be the first group of students to study a one-of-a-kind, handwritten, and heartfelt text. I was amazed to think that a real historical person had carved his pen ink into the delicate curled letters of the manuscript, and transcribed his thoughts and opinions into the form of essays, creating the book that we can now hold in the palm of one hand. Studying the faded and cracking pages in Special Collections made the author and his or her writings feel so much more present and real to me. How did the manuscript get here? Who was James Noyes, and why did he decide to write The Lucubrator, if he is indeed the author?

These are the questions we looked to answer; and it seems very likely that we have answered some of them. We can now imagine who James Noyes might have been and what he and other authors of his time liked to study, what their society was like, and what they aimed to accomplish during their lifetimes. We have found evidence that the manuscript was written in America; its author celebrates the creation of the United States, makes use of the American spellings of words, and quotes from a book published only in Philadelphia when the entry was made.[1]

We also discovered how important The Lucubrator’s essays were—both culturally and historically in the eighteenth century. For example, in the essay “On Female Education,” the author argues that women have similar rights to knowledge as men. Though this idea is not revolutionary today, it was so after the American Revolution. This manuscript might remind us that thinking differently can catch on and change an entire culture.

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[1] The epigraph in the essay “On Female Education” is taken from James Neal’s An Essay on the Education and Genius of the Female Sex (Philadelphia, 1795).

home Cycle of Success, Resources and Services, Special Collections and Archives Consolatory epistle of Warm, Cool, & Lukewarm & together a lie: An Analysis by Mary Parker

Consolatory epistle of Warm, Cool, & Lukewarm & together a lie: An Analysis by Mary Parker

Mary Parker, a student in Dr. Rabia Gregory's History of Christianity class, is sharing her paper on an incunable from Special Collections. We're using her words and images with permission. – KH

Girolamo Savonarola, author of this epistola, was born to a well off family from Padua with his grandfather being a physician and professor at a medical college. Girolamo planned to study medicine as his grandfather had after getting his bachelor’s degree, but instead dropped out to join a Dominican monastery in Bologna without informing his family of his decision until he was already gone (Kirsch 2015).

From early in his life Girolamo felt strongly about the “depravity” of the era that he was living in. After years of study in the monastery and in Ferrara, he was sent to Florence to preach. His career took off after he became prior at the monastery of San Marco. While there, he preached strongly against paganism and the immoral life of many Florentines, as well as against the Medici’s, current rulers of Florence (Amelung 2015).

When Lorenzo de ’Medici died, Savonarola developed into a political as well as a religious leader and began thinking of setting up a theocracy of sorts. His sermons were often very biting and intense as he preached against the immoral life of members of the Roman Curia, against Pope Alexander VI, and against the evils of princes and courtiers. The Medici family was driven out of power due to the people’s hatred of the family’s tyranny and immoral lives. The French king ended up coming to Florence and setting up a theocratic democracy with Christ being the King of Florence and a council that represented all citizens. Girolamo was not directly involved with the government but his sermons and teachings held large influence in the city. Eventually, a sort of moral police force was set up that spied on and denounced people who did not follow the moral guidelines put forth by Girolamo (Kirsch 2015).

His daring and passionate sermons eventually lead to a conflict with Pope Alexander VI. In 1495, the pope commanded Girolamo to go to Rome and defend himself against all of the accusations held against him. He declined saying that his health prevented him and that the journey would be too dangerous. Shortly after, the Pope declared that Girolamo was no longer allowed to preach and that he also could no longer be the prior of the San Marco monastery. Girolamo attempted to justify his actions; and when it came to his preaching, he said he always submitted himself to the Church. A new papal Brief was written that maintained his ban on preaching but judged easily his actions (Encyclopædia Britannica Inc. 2015).

Girolamo disobediently still preached in Florence with sermons that were strongly against the so called crimes of Rome. All this lead to a possible schism in the Church; therefore, the Pope needed to step in and do something. Girolamo was eventually excommunicated in 1497, but this did not stop Girolamo from celebrating Mass on Christmas Day, distributing Holy Communion, and then subsequently preaching in the cathedral. While all this was occurring, opponents to Girolamo were becoming more powerful and after an attempt at an ordeal by fire; the general people began to turn against Girolamo. The San Marco monastery was attached and he was taken prisoner and eventually condemned to death "on account of the enormous crimes of which they had been convicted". He was then hanged and after his body was burnt at the stake (Kirsch 2015).

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Epistola consolatoria de Caldi, Freddi, & Tiepidi & una frottola insieme is thought to have been published in 1496 by Lorenzo Morgiani and Johann Petri, which means that Girolamo most likely preached this sermon after the second papal Brief commanded him to no longer preach. The epistola is largely speaking about being a lukewarm Christian or even falling prey to Satan’s deceit as can be seen in the later part of my attempt at a translation of the first page of the epistola.

The prophets of Jerusalem went forth: Hyere. xxiii. I Pensado, in happy mood, turn to judge you and see what creatures you are, and the misnomers of this problem should be finally resolved. That what each man deserves to be attributed to him, he will surely now know. To see whether to his benefit he will be shown as great by the creator, the power of the infinite glory of Heaven eternal and its benefits; but being such brutish animals man lives in denial and his mortal needs cause him to undergo more uncomfortable dangers and miseries than other animals undergo. Whereupon complaining Pliny said, sometimes double barked trees have to protect themselves from the heat and the cold found in nature. But man does not have this protection and from birth is naked, wailing and crying in such an excellent fashion. Neither does man have any thoughts from birth. But the nanny stays close like a magnet and protects the child above all else and sympathizes with the baby, protects them from many deadly things, guides them to discover their fate, and tries to get them to avoid fighting and conflicts. Fighting leads to such brutality. But no man should arise into a place of so many evils. However, that Lucifer being deprived of the Glory immortal designs for all humans to live mediocrely and hence end up in deadly misery for a thousand years: after ones first actions it is easier to warn them of the decline that leads to the eternal and deep abyss. Wherefore, be sober and watchful in prayer: surround yourselves with the few nurturing less our adversary Satan as lion come bellowing and devour you. And some said the apostle: Do you know the height of Satan himself is transformed into an angel of light (Savonarola 1496).

From this translation, it appears that Girolamo is fighting against the Catholic Church becoming corrupted by those who have no zeal for Christianity. He is angry not only with the church but also with members of the public who were perhaps not protecting themselves against the worldliness of the time. He was strongly concerned with God’s judgement on the city of Florence for its wickedness and was passionate about the Church regenerating to Holier form (Passaro 2006). He was also extremely zealous regarding the salvation of lost souls and was obviously willing to risk his life for this task. From this sermon, he also felt that Christians and non-Christians alike needed to watch and prepare for Satan’s temptations lest they be taken and destroy for falling prey to them (Kirsch 2015).

clark2clark3The Epistola Consolatoria De Caldi Freddi & Tiepi is bound in brown leather decorated with gold leaf of which Dr. Barabtarlo spoke about during her lectures. The inside cover has a red flowered, stamp design that is simple and beautiful. The book was used often as seen by the external binding being rather beat up on the edges and the internal markings from users’ fingers. One of the original pages is torn out and has been replaced by a printed copy of the original page. There are no comments from anyone besides librarians. There are a total of twelve printed pages with seven of those being Girolamo’s sermon and the other four being a frottola, Italian secular song popular in the late 15th and early 16th centuries.

There were only approximately fifteen printers in Florence during the decade of 1490 with only four of these printing prolifically (University of Minnesota n.d.). The epistola by Girolamo was printed by one of these, namely the firm of Lorenzo di Morgiani and Giovanni di Piero di Maganza (Johannes Petri of Mentz). In 1495, Morgiani and Petri were working for Pacini, who commissioned what is said to be the greatest Florentine illustrated book of the century (Hoyt 1939). The epistola referenced here was not of this luxurious quality however. It is more likely that it was used to spread Girolamo’s preaching to the middle class citizens of Florence.

At the start of Girolamo’s career he was full of zealous desire for the renewal of religious life in Italy. His strong preaching and teachings led him to offend many powerful people including the pope. He was an extremely notable religious leader during the pre-Reformations era, and this can be seen through his printed documents such as the one analyzed here.  

Bibliography

Amelung, Dr. Peter. 2015. BRILL. November 2. http://www.brill.com/girolamo-savonarola-religious-and-political-reformer.

Encyclopædia Britannica Inc. . 2015. Encyclopædia Britannica Online. November 2. http://www.britannica.com/biography/Girolamo-Savonarola.

Hoyt, Anna C. 1939. "BULLETIN OF’ THE MUSEUM OF FINE ARTS ." VOLUME XXXVII , August : 62.

Kirsch, Johann Peter. 2015. Girolamo Savonarola. November 3. http://www.newadvent.org/cathen/13490a.htm.

Passaro, Anne Borelli and Maria Pastore. 2006. Selected Writings of Girolamo Savonarola. New Haven and London: Yale University Press.

Savonarola, Girolamo. 1496. Epistola consolatoria de caldi, freddi, & tiepidi & una frottola insieme. Florence: Lorenzo Morgiani and Johann Petri.

University of Minnesota. n.d. "Portfolio Artistic Monographs, Issue 12." 54-55. Seeley and Co., 1894.

 

home Cycle of Success, Resources and Services, Special Collections and Archives Student work on the Notarial Registry of Bernard de La Turade

Student work on the Notarial Registry of Bernard de La Turade

Will Black, a student in Dr. Rabia Gregory's History of Christianity class, chose to write this personal reflection on his work with the fourteenth-century notarial registry in Special Collections. We're sharing his thoughts and images with his permission. – KH

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On Thursday, October 29th, I walked into the Special Collections room in Ellis Library. I requested to see a notarial registry kept by Bernard de La Turade during the late fourteenth century. La Turade was a French notary, which meant he handled the wills, marriages contracts, sales, etc. for his town. It was a rather important position, considering it was the only form of recording that sort of information in the town during his day. People would come to La Turade for all different purposes, and it’s the surviving artifacts of common life that gives researchers a glimpse into the daily life of what France might have been like during the middle ages. It displayed prices of goods, legal documents, ages at which people were married, and all sorts of other little facts that expand upon the picture of daily life that ultimately end up completing the picture of history.

Upon first glance, the registry was unimpressive. It was roughly the size of my hand, slightly bigger. I’d estimate it was eight inches high, five inches across, and an inch and half thick. There were two volumes, the first of which had been aggressively chewed through by mice on the top left hand corner. Both books were a dark tan color, with the color and texture of the book resembling that of a pig ear treat one might give to their dog. According to Dr. Barabtarlo's lecture, the cover was likely animal skin for its protection and durability. Scrawled on the cover of Vol. 1 “1393”, the date of publishing by La Turade. According to a booklet on various binding methods put together by the special collections department at Yale University, the notary had a binding that was considered Gothic. The Gothic method closely resembles modern books of the day, with loose-leaf paper bound to a cover made of thicker parchment or skin. This method of binding was popular from the early fourteenth century until the end of the seventeenth century.

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When I opened the first volume, it was in poor condition. Mice had eaten through the spine on the top left portion of the book, meaning the first 36 pages of the book had to be handled more delicately due to the lack of binding. There was plenty of water damage on the first pages of the book, but this faded about a third of a way through the notary. This book may have been face up in a damp or humid environment and years of water resting on its cover seeped through to the parchment. Before paper became easy to make, parchment was the choice for writing books. Parchment is made out of sheep’s skin and was chosen because it was super durable. During Medieval times, there was no way to have climate controlled rooms and traveling was harsh, so books were required to stand the test of the elements. On blank spaces between entries, one can see the watermarks from the making of the paper. This particular parchment maker had his frame set up so that lines supporting the paper were about two centimeters apart from each other.

By looking at the pages, it’s easy to tell that this book was used quite a bit. The fact that there are two volumes is telling in the fact that there were quite a bit of entries. The pages in both books were well smudged on the margins, resulting from the flipping of pages back and forth to find certain entries. There were also several pieces of scrap paper that had been added to pages via glue or other sticky substances. There were also many, many comments in the margins, entries crossed out, and various other edits to previous entries. This means that this book was used quite a bit over an extended period of time. Another indication that this book had extensive use comes from the fact that the ink recipe changes multiple times in the book. During my time examining the book, I asked Dr. Barabtarlo about the ink changes, and she said the ink recipe the author used a recipes alternating between being heavy in rust or lampblack.

More important than the book itself is the author and his uses for the book. Clearly, as a notary, Bernard de La Turade’s job was to simply be a record keeper. The local lord or other authority in the area likely employed him in the castle or other official building. According to the National Notary Association, notaries in the middle ages/medieval times could have had a role in the clergy. This would make sense considering a notary had to be of high moral character, but there’s no way to know if La Turade was a member or not. This becomes even more confusing as La Turade lived during the period when the clergy started to separate themselves and the role as notaries. Prior to his lifetime, notaries were exclusively clergymen, and after his lifetime it had become a secular business. La Turade was caught between these two eras. La Turade may or may not have been a clergyman, but we do know he was someone who was held in high moral regard. We can say though, that there’s a good chance La Turade got at least some part of his education from a person involved with the clergy in some way, considering they were the main teachers in the middle ages.

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From what we know about social structures in Medieval France, where La Turade is from, he likely lived somewhere in the middle of the social ladder. La Turade could read, write, and do simple arithmetic, so he was obviously an educated man. This would save him from having to do hard labor in fields for the entirety of his life. La Turade also interacted with people in important positions, such as governors, lords, dukes, or even kings. His interactions with these people likely moved him up the ladder a couple of rungs. Even though La Turade did hold a position of importance within the town and he likely made a living better than other folk, he never would be confused with someone who would have been in the highest tax bracket. Books were still expensive during this time period, and were a labor to produce. Even though this book contained no writing or artistry when La Turade bought it, the parchment maker still had to skin a sheep, dry the skin, scrape it, and go through the whole tedious process of making usable parchment. The fact that La Turade was able to purchase this book says something about his wage, considering the price of books of the era.

The reality of this book is beautifully underwhelming. This was a simple notary written by a nondescript Frenchman in the late 1300’s. However, it gives insight into the daily life of the people of La Turade’s region. The documentation this book provides is the sole reason historians have jobs. The notarial registry also sheds light on the writing practices of the region and time period. Often these varied from place to place and era-to-era, and the book offers yet another link in the long chain of history. From a mice-bitten, water-damaged book, one infer as to how people of a completely era and culture survived.

– Will Black

home Resources and Services, Special Collections and Archives On the Eleventh Day of Christmas in July…

On the Eleventh Day of Christmas in July…

… we give you The Singer of Tales written by Albert Bates Lord, a large part of whose library came to us in a donation in the Spring of 2011.

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Gifted in 1960 by the author, this book contains a fun little surprise inside that we found when paging through it prior to this post:  the paper tag from a tea bag!

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"There is no greater power than the power of the word."  This message is doubly appropriate when considering that Lord was a prominent scholar in oral composition and performance and this book in particular is about epic poetry and oral tradition.  A more fitting message on an impromptu bookmark would definitely be hard to come by.

Stay tuned for the final book in our 12 Days of Christmas in July series tomorrow!

home Resources and Services, Special Collections and Archives On the Tenth Day of Christmas in July…

On the Tenth Day of Christmas in July…

… we give you ten gems from a Bibliography of Rudyard Kipling.

"Ten Gems" as in Ten Gems from Kipling, a collection of ten stories from Kipling.  It is featured in an entry in this rather thorough bibliography of the author.

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Interestingly enough, this book was given as a Christmas gift in 1927 from Flora Livingston (the author)  to someone who may have also been a Kipling enthusiast.

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What's also interesting about this book is the gilt top edge.  While very pretty and eye-catching in itself, gilding the pages of a book (applying gold powder or leaf, or in some cases gold-colored paint to the edges of the page and sometimes the covers and spine as well) serves a practical purpose too.  When the gold powder is applied with glue it helps to protect the pages from dust, moisture, and browning.

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Pretty and practical.  Check back tomorrow for more pretty and practical gift books in our 12 Days of Christmas in July series.

home Resources and Services, Special Collections and Archives On the Ninth Day of Christmas in July…

On the Ninth Day of Christmas in July…

… we give you this edition of Hans Christian Andersen's Fairy Tales.  (No nines in this one, it was a really hard day to find a book to fit…)

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Given to Bertie in 1884, this volume contains the collected works of Andersen's fairy tales, including the ever popular "The Little Mermaid."

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Many other stories also have illustrations to go with them, like this one from "The Snow Man" about a snowman that melts in the sun.  Much like one would if it were outside in today's mid-July weather.

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If you're melting in the heat today, come visit us in the cool air-conditioning of the library!  And check back tomorrow for Day Ten of the Twelve Days of Christmas in July series.

home Resources and Services, Special Collections and Archives On the Eighth Day of Christmas in July…

On the Eighth Day of Christmas in July…

… have a book gifted in 1888.  (Okay, it's a stretch, but that's a lot of eights.)  This copy of Mad Cap, a book of short illustrated children's tales was given either to or by Harry D. Silsby on Christmas 1888.

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Though the pages are in a delicate condition now, the illustrations remain a beautiful example of a great Christmas gift, as you can see for yourself below.

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Drop us a comment below and tell us your favorite book as a child.  And stay tuned for more in our Christmas in July series!