Happy Birthday, Gesenius

Today is the birthday of Heinrich Friedrich Wilhelm Gesenius (1786-1842). He was a Hebraist and later a professor of theology at Halle, where his lectures were popular among students because of his irreverent tone toward more traditional approaches to Scriptural problems. He pursued a purely philological approach to Hebrew Scriptures at a time when Biblicists were sharply divided between rationalists and the neo-orthodox.

Gesenius published numerous works on Semitic languages, among which is the two-volume work we are featuring today.

Scripturae linguaeque phoeniciae, was published in 1837 in Leipzig by F.C.G Vogel. It treats the Punic and Phoenician languages and includes tracings of inscriptions and coins, the two sources of evidence for these languages. It also included tables that collated the letter forms several other languages, as well as a very learned-looking discussion in Latin.

Now, who wants to join me in "Happy Birthday"? Anyone know it in Punic?

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Scripturae linguaeque phoeniciae..,
by  Wilhelm Gesenius.
Published in  Leipzig,  1837, by F.C.G. Vogel

Rare  PJ419 .G5

Shells, Snails, and Peacocks

A selection of decorated papers from Ellis Library Special collections is now on display now in Ellis 401.Decorated paper must be one of the most visually striking elements of rare books. They are found as endpapers, pastedowns, and on the covers of books produced in Europe from the 17th century onward. With a little background you can begin to appreciate their textures and patterns, and to identify the papers found in our collection and beyond.

Of the many kinds of decorated papers, marbled papers are the best represented in our collections. The art of marbling paper was invented in Japan and spread to Europe by the early 17th century. Though no two sheets are alike, certain designs became traditional. These designs are sometimes named after a formal resemblance, such as the “peacock,” sometimes after the country of origin, as the “Turkish” pattern, or both, such as the “French curl.”

Histoire naturelle : générale et particulière
Volume 12
by Georges-Louis Leclerc, Comte de Buffon
published in 1749 in Paris by l'Imprimerie royal 
Rare QH45 .B78 
 

Traditional artisans create these designs in oil-based pigments that float on the surface of water. In a carefully orchestrated sequence, they rake and comb the pigments to rake to achieve a design whose swirls and veins resemble those observed in polished marble. The design “lifts” as paper absorbs the pigment.

Marbled papers are enjoying a resurgence in popularity. Artists such as Ann Muir create traditional as well as original designs. In a surprising twist, new technology has created a new demand for decorated papers; luxury cases for mobile devices sometimes incorporate them to create a book-like effect.

Vida de Miguel de Cervantes Saavedra
by Martín Fernández de Navarrete 
published in Madrid by la Imprenta Real in 1819
Rare PQ6337 .N27
 

These and many other examples of decorated papers from our collections are on display now in 401 Ellis and can be viewed between 9-5.

Further Reading
Link to an article by Joel Silver with a bibliography:
https://www.finebooksmagazine.com/issue/0306/marble.phtml
Link to a guide at Washington University
https://content.lib.washington.edu/dpweb/patterns.html

Apotelesmata astrologiae Christianae, by Pedro Ciruelo.

Published in Madrid, by Arnaldi guillelmi Brocarij, 1521
RARE QB26 C5

home Events and Exhibits, Resources and Services, Special Collections and Archives William Osler, W. J. Calvert, and MU’s Vesalius

William Osler, W. J. Calvert, and MU’s Vesalius

This post is by Amanda Sprochi, Health Sciences Cataloger at the J. Otto Lottes Health Sciences Library.

Often called "the Father of Modern Medicine," William Osler was a Canadian physician, pathologist, and internist who established the programs of clinical clerkship and medical residency still in use in medical schools today. One of the four founders of Johns Hopkins University School of Medicine in Baltimore, Maryland, he continued his career as the Regius Professor of Medicine at Oxford University and later was conferred a baronetcy and knighted.

Osler was from an early age a lover of books, and as his career advanced (and his salary along with it) he became a collector of rare medical volumes, such as the De Humani Corporis Fabrica he donated to the University of Missouri Medical School. He was known to buy works for libraries whose collections were lacking particular volumes, or to encourage other philanthropists to donate them. His own library eventually numbered 8,000 volumes, which he detailed in an extensive bibliography called the Bibliotheca Osleriana. Osler's collection was donated to McGill University upon his death where it forms the core of the Osler Library of the History of Medicine.

Sir William Osler donated a copy of Vesalius' seminal work, De Humani Corporis Fabrica, to the University of Missouri Medical School Library in 1909. In his entry on Vesalius in the Bibliotheca Osleriana, he mentions donating a copy to the University of Missouri "to my old student and friend Calvert, at that time Professor of Anatomy." He indicates in the Bibliotheca that at the time, copies of the Fabrica were "numerous and very often appear in sale catalogues at prices ranging from 10 to 20 varying with the condition." It is safe to say that the days of buying a first edition of Vesalius' work for $30-$40 are long over.

There is a bit of mystery involved with the MU Fabrica. In his original letter to the Medical Faculty, Osler mentions that he is sending a first edition, published 1543. In fact, the volume he sent was a second edition, published in 1555, as evidenced by the frontispiece and the number of lines per page. The 1543 edition has 57 lines per page; the 1555 has 49. There are also differences in the frontispiece between the first and second editions, the most notable being the staff held by the skeleton in the center of the image, which changes from a pole to a scythe, as well as content differences between the two editions. The MU Fabrica was rebound sometime in the 18th or 19th century, however, and the spine was stamped 1543 in Roman numerals. Whether this was a mistake or was done to fool unwary buyers is unknown.

Osler purchased a number of Fabricas in his lifetime, and was a well-known and expert collector of rare medical texts. It is unlikely that he would not have known the difference between the 1543 and 1555 editions of the book. It is equally unlikely that he would have deliberately sent one volume masquerading as the other. Perhaps he simply grabbed and sent the wrong one. At any rate, the gift was a priceless one in honor of a much-favored student and friend, and is a wonderful addition to the MU Library collection.

The volume in its current conservation binding by Jim Downey at Legacy Bookbindery.

home Resources and Services, Special Collections and Archives Blessed are the Merciful…, or Missouri to the Rescue

Blessed are the Merciful…, or Missouri to the Rescue

Only a few days separate us from Christmas, and at this time we especially remember people in need, and perhaps try to do something to help them. I wanted to recall a story of great generosity and humanity.

Russia, a major exporter of grain in the 19th century, in 1891-92 suffered one of the most disastrous famines in its history. It was a combination of inclement weather and severe drought that struck the Russian South. People starved, many died.

It was estimated that about 35 million people were affected. The exact death toll is not known, but Richard Robbins, an American historian, put it at about 300,000.

The government, and especially the royal family, did everything to alleviate the disaster; the Emperor himself gave half of his income, around five million rubles, to relief funds; he also appointed the heir to the throne, Grand Duke Nicolas, the future Emperor Nicolas II, as chairman of one of the major relief committees; many wealthy people generously donated money and personally participated in the relief efforts. Anton Chekhov, the famous writer who was a physician by training, went with other doctors to the regions stricken by cholera and typhus to treat the sick and needy; Leo Tolstoy collected and distributed relief donations and organized food stations for peasants.

Leo Tolstoy and the relief committeeLeo Tolstoy (center) and the relief committee

The United States responded swiftly and generously. Millers of Minneapolis organized a gift of flour; Nebraskans contributed one-and-a-half million pounds of corn meal; besides, Americans collected through charities about a million dollars in addition to several shipments of humanitarian aid. First to the Russian shores (the Baltic port of Libava, now in Latvia) came the steamer Missouri with the cargo of grain. Two more U.S. ships followed later.

The future Emperor Nicolas II said:” We are all deeply touched by the fact that America sent us ships full of foodstuff.” A special resolution prepared by the distinguished representatives of the Russian public stated: “The United States show us the most moving example of brotherly feelings by sending bread to the Russian people at the time of such privation and need.”

One of the most famous marine artists, Ivan Aivazovsky, depicted the arrival of the Missouri to the Russian shores.

Ivan Aivazovsky. Arrival of the ship Missouri with grain to Russia

 

And here is a depiction of the joyful reception of the American help in the Russian village by the same artist.

Aivazovsky, American help arrived

 

Ice Creatures

In honor of the official first day of winter and the recently fallen snow here on MU's campus, this week's installment of the Fantastic Beasts series highlights creatures that live and breath the ice and snow of the Arctic.  The first two images below show different depictions of Jack Frost, who, in these folk tales from Russia, saves a young girl whose step-mother threw her out in the cold to die.  The image to the right is of a creature from Japanese folklore called the Yuki-Onna (or, Snow Woman) that kills travelers with her icy breath, leaving them frozen.  In other legends, she breaks down the doors of houses with a fierce wind and then kills its sleeping residents (like she is in this picture).  The final three images depict the Frost Giants of Norse mythology.  in the first, the X-Men prepare to go up against the recently resurrected Ymir, progenitor of the Frost Giants.  In the last two, comic book hero Conan battles two such Frost Giants as he pursues their sister across the ice.

jackfrost0006  jackfrost0005  jackfrost0004  jackfrost0003  jackfrost0002

If the weather isn't cold enough for you yet, or you just want to help celebrate the first day of winter, come see us at Special Collections, where we've got all these ice creatures and more waiting to be discovered in the warmth of our reading room.

An Aztec Remedy for Mental Stupor

For Mental Stupor:

He whose mind is in this condition should drink the juice of the tlahtlocotic root crushed in warm water so that he will vomit.  A few days later both the bark and roots of the flowers yolloxochitl and cacauaxochitl are to be crushed in water; he is to drink the juice before lunch…His forehead, moreover, is to be anointed with the brain of a stag and the feathers of a dove, crushed and put in water, and human hair. On his neck he shall carry the stone found in the stomach of the swallow.

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Plate 98 (left) and Plate 98, detail (right)

This remedy appears in a very special manuscript known as the Badianus Manuscript (Codex Barberini, Latin 241), now housed at the Vatican library. This manuscript was created in 1552 by two individuals of Aztec descent. One, Martinus de la Cruz,  was a physician; the other, Badianus, rendered the former's pharmacological knowledge into Latin. The manuscript, decorated with pigments made of native materials,  is not only astoundingly beautiful, but an important witness to Aztec medicine at the time of the conquest. Special Collections owns a facsimile, edited by  Emily Emmart.

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Plate 68

The Badianus Manuscript, Codex Barberini, Latin 241, Vatican Library: An Aztec Herbal of 1552

John Hopkins Press, 1940

Rare Folio RS169 .C7 1552a

Nessie

The Loch Ness Monster (or Nessie for short) is one of the most elusive cryptids in modern folklore.  In fact, the Loch Ness monster is so elusive, we have only one confirmed sighting on our shelves here in Special Collections.  It comes in the form of The Loch Ness Monster Watchers, a 1974 essay by Victor Perera about an expedition he and a collegue took to Loch Ness in Scotland to try to spot Nessie for themselves.

Many theories about the Loch Ness Monster exist in modern legends.  One of the most common theories surrounding the Loch Ness Monster is that Nessie is some form of plesiosaur, whose line has somehow survived into modern times within the loch.   This image from Robert McCann's short comic "Ocean Blues", featured in Disappointing Circus, shows such a creature.  You can certainly see the family resemblance.

Whether or not you believe in Nessie or think it's all just a hoax, the legend continues to be a huge draw for cryptozoologists, adventurers, and the simply curious, all hoping to catch a glimpse of the mysterious creature.  If you can't afford the trip to Scotland to seek out Nessie for yourself, come see us at Special Collections, where you can read all about one such a trip and decide for yourself – is the Loch Ness Monster real or just wishful thinking?

home Events and Exhibits, Special Collections and Archives Vesalius at 500 exhibit opens today at Ellis Library

Vesalius at 500 exhibit opens today at Ellis Library

December 31, 2014, will mark the five hundredth birthday of Andreas Vesalius, one of the most important anatomists in the history of medicine. The MU Libraries will commemorate this historic occasion with an exhibition entitled Vesalius at 500: Student, Scholar, and Surgeon, on view November 5-30 in the Ellis Library Colonnade.

Andreas Vesalius is frequently called the father of modern human anatomy. Born in 1514 in modern-day Belgium, he studied at the Universities of Louvain, Paris, and Padua before becoming a professor of anatomy and surgery at the University of Padua. His primary contribution to the history of medicine was his emphasis on dissection and firsthand observation. Vesalius differed from his colleagues because he used his observations to challenge ancient and often inaccurate Greek and Roman medical writings, which formed the basis of all medical knowledge for over a thousand years.

esalius at 500 showcases materials from the Libraries’ collections that helped to shape Vesalius’ career, including medieval manuscripts and early printed books on medicine. The centerpiece of the exhibition is Vesalius’ most famous work, De Humani Corporis Fabrica. The Libraries hold two copies of this important book, a second edition printed in 1555, and a later edition from 1568. Recognizing MU’s strength in human and animal medical research, the exhibition considers Vesalius’ effect on the history of veterinary medicine with several early illustrated works on animal anatomy. Works of Renaissance science are also included in order to situate Vesalius within the world of sixteenth-century scientific thought.

In conjunction with the exhibition, Dr. Gheorghe M. Constantinescu, a professor of veterinary anatomy in the College of Veterinary Medicine at MU, will present “Andreas Vesalius: On the 500th Anniversary of His Birth” on November 12 at 12:00 pm. Dr. Constantinescu is a medical illustrator and author investigating the gross anatomy of domestic and laboratory animals. His presentation will be held in room 4f51a in Ellis Library.

Vesalius at 500: Student, Scholar, and Surgeon is curated by a team of rare book librarians from the J. Otto Lottes Health Sciences Library, the Zalk Veterinary Medical Library, and Ellis Library’s Special Collections and Rare Books department. The exhibition draws on MU Libraries’ special collections of more than 100,000 original artworks, manuscripts, rare books, and historic documents. The collections, exhibition, and lecture are all free and open to the public.

The gallery below contains a selection of images from De Humani Corporis Fabrica, and we will share more materials from the exhibition over the course of November.

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Demons

To finish out October, here's an extra special Halloween edition of Fantastic Beasts and Where to Find Them in Special Collections.  Today's featured beast is the demon, which is usually defined as an evil spirit or fiend.  Nearly every religion has a form of demons that populate whatever version of Hell that particular religion believes in, often trying to influence the people of our world into committing evil acts and causing general chaos.  Mephistopheles (pictured above) is one of the more well-known demons and is the one that Faust sells his soul to in the legend of Faustus, recorded most famously by Goethe.

In other classic literature, this edition of Dante's Inferno illustrated by Gustave Dore beautifully shows some of the residents of Hell that Dante and Virgil encounter on their journey through the nine circles of Hell.

This image depicts a scene from the Russian folk tale The Soldier's Midnight Watch, in which a soldier hides on top of the stove while an undead witch summons a crowd of small demons to search him out.

In more modern media, demons have taken on other roles as well, such as in the comic Fray by Joss Whedon, in which the demon Urkonn plays trainer to a futuristic vampire slayer named Melaka Fray.

A more light-hearted take on a demon occurs in The Demon of the Eiffel Tower, an English translation of a French comic in which Adele Blanc-Sec solves mysteries and has grand adventures in a fantasy version of the 1900s.  (Spoiler Alert:  in true Scooby-Doo style, the demon is eventually revealed to be a woman with a nefarious plot in a costume.)

 

Switching from comics to poetry, the above image is from Arthur Rimbaud's collection of poems entitled A Season in Hell.  With several photographs like this by Robert Mapplethorpe, this edition of Rimbaud's poetry certainly takes an added turn for the creepy.

 

Speaking of creepy, these terrifying creatures are from Leonard Baskin's work Demons, Imps, and Fiends.  The rest of the book is filled with drawings of demons you definitely wouldn't want to meet on the street at night, much less enter into any form of agreement with.

Happy Halloween everyone!  If you need help getting into the spirit of the holiday, come see us in Special Collections.  Our stacks are haunted by books with all kinds of creatures guaranteed to help.

Vampires Suck

(Your blood, that is.)  How does one even begin to write about vampires with any sort of completeness?  Every culture's got one – some version of a creature that rises from the dead and preys on the life force of the living (either the blood or something more abstract, such as energy or the soul) to sustain itself.  Reflecting this, Dracula and his brethren abound on the shelves of Special Collections – particularly our comics collection where the dramatic nature of the vampire lends itself perfectly to a graphic medium.

While vampires have been around for ages, it was Bram Stoker's 1897 novel Dracula that made them much more prevalent in literature and popular culture.  In more modern times, vampires' popularity has spiked again with television series such as Buffy the Vampire Slayer and bestselling book series like Anne Rice's The Vampire Chronicles, Stephanie Meyer's Twilight series, and the Sookie Stackhouse Novels by Charlene Harris.

Let's start with Dracula then, shall we?

This 2004 adaption of Stoker's Dracula presents the comic in a dramatic black and white contrast that plays up the drama of the story.

Another series featuring the Count is Apple Comics's Blood of Dracula, where each issue contains an installment of three different stories featuring Dracula in his own time, in the future, and anywhere in between.  This issue even comes with a record of songs composed to supplement the stories!

Not to be outdone, Warp Graphics (which later turned over most of its titles to Apple Comics) pitted Dracula against Jack the Ripper in its 1986 mini-series Blood of the Innocent.

In addition to its large spread in comics, the story of Dracula has also been taken to the stage over the years, as seen in these scenes from a 1978 production of Dracula starring Frank Langella as the titular feind and famous illustrator Edward Gorey designing the scenery and costumes. 

Stoker wasn't the only one to write about vampires, though.  Folk stories teemed with different versions of the vampire.  This image from a book of Russian folk tales shows the warlock from the tale "The Soldier and The Vampire" who comes back from the dead each night to terrorize a town by cursing a newlywed couple and drawing their blood until he is outwitted and killed by a clever soldier.

In modern vampire culture, many vampires choose to live among us and forgo the drinking of human blood for that of animals.  Two such "vegetarian" vampires are main characters in Vertigo's series Blood + Water.  Adam Heller, a man slowly dying of AIDS finds out his friends are actually vampires when they turn him into one to cure him and save his life.

Men aren't the only ones to play large roles in vampire stories.  Vampirella, the vampire superheroine from the planet Drakulon, fights evil vampires on our world in an effort to save her own.  She appears in a number of comic series and a direct to video movie.

Laurell K. Hamilton's Anita Blake Vampire Hunter book series was adapted by Marvel in 2006.  The leading lady, Anita Blake, lives and works in St. Louis, Missouri as a professional zombie raiser, vampire hunter, and consultant for the police's supernatural department.

Including the scores of other stories both modern and old as Dracula himself, it's clear that no matter what way you slice it, vampires have a powerful prescence in cultures throughout the world.  So this Halloween if you're finding yourself going batty for vampires, come see us at Special Collections.  We've got plenty of vampire stories you can really sink your teeth into.