home Resources and Services, Special Collections and Archives Celebrating 75 Years of the Man of Steel

Celebrating 75 Years of the Man of Steel

Image-1It’s a bird!  It’s a plane!  It’s Superman’s 75th birthday!  On June 30, 1938, Superman debuted in Action Comics #1, marking the unofficial birth of superheroes in comic books.  Through decades of films, TV shows and comics, the Last Son of Krypton has permeated our culture and become as American as baseball and apple pie.

The creation and history of Superman is as fascinating and heartbreaking as Kal-El’s own fictional backstory.  In 1932, a young Jerry Siegel’s father died of a heart attack brought on by the robbery of the family’s small clothing store.  Within a few years, he and his artistically-minded friend Joe Shuster created Superman – an orphan who is virtually invincible, and who fights tirelessly to rid Metropolis of evildoers.  Siegel and Shuster are eventually commissioned to tell the character’s story in Action Comics. They agree to sell the rights of Superman for $130.

Superman radio serialThe Man of Steels, television shows and motion pictures soon followed.  While the radio was Superman’s preferred medium in the 40’s, come 1951, Iowa-born actor George Reeves donned the red and blue suit to portray the first live-action Man of Steel in the TV series, “The Adventures of Superman.”  Reeves stood for Truth, Justice and the American Way for the better part of a decade until he was killed in 1959 by a single gunshot wound to the head.  The circumstances surrounding his death are still a mystery.

After a twenty year absence, the Man of Tomorrow returned, this time played by Christopher Reeve in Richard Donner’s classic 1978 film, “Superman.”  Not only was the film a commercial and critical success, it holds a significant historical importance – “Superman” was the first major superhero movie ever released, paving the way for future blockbusters like “Batman”, “Spider-Man”, “Iron Man”, and “The Avengers.”  Reeve held the role for three more films, consistently surrounded by an all-star cast including Marlon Brando, Gene Hackman, Terence Stamp and Richard Pryor.  Tragically, the Man of Steel proved to be all too human off screen, as a horseback riding accident in 1995 left Reeve paralyzed and confined to a wheelchair until his death in 2004.

Our Worlds at War

The 1990’s and 2000’s were a transitional period for Superman.  He appeared in two very successful television series, first in “Lois and Clark: The New Adventures of Superman”, starring Dean Cain as Clark Kent, and then in “Smallville”, with Tom Welling taking the reins.  Both series took root in the hearts and minds of a new generation of Americans, and once again, Superman was soaring. In 2006, Brandon Routh took the lead in Bryan Singer’s “Superman Returns.”  Cast partly for his likeness to the late Christopher Reeve, Routh’s Superman faced off against his arch nemesis Lex Luthor, portrayed by Academy Award-winner Kevin Spacey.  While the film was critically successful, it didn’t resonate well enough with audiences’ wallets to warrant a sequel.  For the last seven years, Americans haven’t seen much of Smallville’s favorite son.  Even the most recent actors to portray him – Dean Cain, Tom Welling and Brandon Routh – have all but faded from memory, as they struggled to find quality roles in Hollywood.

Kneel Before ZodBut that all changed last week with the record-breaking release of Zack Snyder’s “Man of Steel”, starring Henry Cavill as Superman and Michael Shannon as the villainous General Zod.  The blockbuster proved that Americans’ fascination with Superman is only growing.  That love for the character will only continue to grow in the next few years, as star Cavill and director Snyder have both signed on for a sequel.  Additionally, Superman is slated to appear in the upcoming “Justice League” film, surrounded by fellow superheroes Batman, Green Lantern, the Flash and Wonder Woman.

If your own interest in the character was piqued by the movie, feel free to fly in to Special Collections and check out our awesome assortment of Superman comics, graphic novels and books.  Everything you see here, and so much more, is available to you.  And unless you have X-Ray vision, you’ll need to get here faster than a speeding bullet and take a look yourself!

Custer’s Last Battle

Cover, Custer's Last Battle by Charles Francis Roe, published in 1925 by Robert Bruce

“Lieut. Bradley sends word that he has counted 196 dead cavalrymen on the hills to the left; what appeared yesterday in the distance like buffalo lying down are dead troopers and horses.”

So reads the journal of Edward J. McClernand, 2nd Lieutenant of the Montana Column. The scene he describes is the aftermath of the Battle of Little Bighorn. On the afternoon of June 25th, 1876, George A. Custer, Lieutenant-Colonel of Seventh Cavalry, along with five companies of the Seventh Cavalry had faced a force of Sioux and their allies near a tributary of the Big Horn River. All of Custer’s forces perished, save for a single horse. The battle was part of the Sioux War, the outcome of the United States government’s failure to honor the Treaty of Fort Laramie, which granted territory in the Dakotas, Wyoming, and Montana to the Sioux nation.

A horse named "Comanche" was the lone survivor of the Battle. Now stuffed, the horse remains on display in Lawrence, Kansas. Photo courtesy of the Musuem of Natural History, University of Kansas.

 

Page 29, detail. Photograph of Gall, leader of Sioux forces at the Battle of Little Bighorn

Special Collections houses a copy of Custer’s Last Battle by Brigadier-General Charles Francis Roe. Our copy was signed by Custer’s widow, Elizabeth Bacon Custer. She presented this copy to late MU professor John Neihardt, whose entire library is now housed in Special Collections. The library is an especially rich source of Americana. Custer’s Last Battle (Rare JGN  E 467.1 C99 R7 1927) presents the reports of Charles Roe and other veterans of the Sioux War, accompanied by photographs and maps.

 

 

 

Page 1, detail. Autograph of Custer's widow, Elizabeth B. Custer
home Resources and Services Attend from your desk – Ovid MEDLINE workshop, Monday 6/24 @Noon

Attend from your desk – Ovid MEDLINE workshop, Monday 6/24 @Noon

Gain tips & techniques to improve your searches in MEDLINE. Register at https://healthlibrary.missouri.edu/secure/webforms2/workshopRegistration/Registration.cfm or contact Rebecca Graves

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Ask MU Libraries

home Resources and Services New art display: photographs of Alaska

New art display: photographs of Alaska

Please stop by and view our new art display featuring the photography of Jim Jones. The pictures, which were taken on a trip to Alaska, are displayed on the 2nd floor west wall of the library.



Jim Jones

“I have taken photographs almost as long as I can remember. One of the oldest memories I have of taking pictures took place the year I graduated from the eighth grade. My family took a trip from Wisconsin to North Carolina to see one of my aunts. We were going through the coal mining area of Kentucky and there were all these piles of coal and shale along the road and the train tracks were right next to the road. Growing from the shale were some gorgeous roses and I wanted to get pictures of them. Somehow I talked Dad into stopping the car to let me go across the tracks to get a picture. Once I got over there and got a picture and went to come back across the tracks, there was a coal train going by.  I couldn’t get back to the car and it was June and hot; this was long before many cars had air conditioning. Everyone in the car had to be sweating like crazy. There were over 300 cars in that train, all hauling coal.  I don’t know what happened to that photo, but I have been taking pictures ever since.” ~Jim Jones

home Resources and Services Billie Stock Art Exhibit

Billie Stock Art Exhibit

home Resources and Services, Special Collections and Archives F. Scott Fitzgerald and The Great Gatsby

F. Scott Fitzgerald and The Great Gatsby

The Great Gatsby is seen by critics and the general public as F. Scott Fitzgerald’s quintessential novel, and is the novel he is most famous for.  It tells the story of a rich man named Jay Gatsby and his quest to regain a past love. As its most recent movie adaptation is currently playing in theaters, Special Collections invites you to take a look back on the novel and the man that created it.

The frontispiece of an edition of The Great Gatsby featuring Gatsby himself.

Francis Scott Key Fitzgerald was born on September 24, 1896 in St. Paul, Minnesota and named after his second cousin three times removed, the Francis Scott Key of national anthem fame. While on academic probation at Princeton, Fitzgerald enlisted in the army in 1917.  In June 1918, he was assigned to a camp near Montgomery, Alabama, where he met and fell in love with Zelda Sayre.  In late 1919, after being discharged from the army and quitting his job in advertising, Fitzgerald began his career of writing short stories for magazines and other publications, with The Saturday Evening Post becoming his best story market.  He published his first novel, This Side of Paradise, in March 1920 and married Zelda Sayre soon after.  His success and the extravagant lifestyle of the young couple soon earned him a reputation as a bit of a playboy.  He also became known as a heavy drinker, though he always wrote sober.  After the publication of his second novel, The Beautiful and Damned, and the birth of his child, Frances Scott (Scottie) Fitzgerald, in 1921, the Fitzgeralds moved to Long Island where F. Scott wrote short stories to cover the family's debt after his play, The Vegetable, failed to make it into production.  The family moved to France in the spring of 1924 so that F. Scott would be able to focus on his newest project, the novel that would become The Great Gatsby.

Before it became The Great Gatsby, Fitzgerald’s novel went through many revisions and forms. Special Collections has in its possession a facsimile of one such early edition, entitled Trimalchio. This is an allusion to a Roman novel, The Satyricon by Petronius.  In this novel, Trimalchio is a freedman who has amassed power and wealth and shows this off by hosting exceedingly lavish dinner parties for his numerous guests.  This copy includes correspondence between Fitzgerald and a man by the name of Perkins, Fitzgerald’s friend and an employee of his publishers, in which Perkins makes suggestions for revision and suggests using a different title (pictured below right).

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Shortly after this, Fitzgerald rewrote several aspects of his novel and reordered key scenes, such as the one where Gatsby’s past is illuminated.

Fitzgerald restructured the plot to make certain elements more meaningful.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Gatsby we know today comes in many different forms and editions.  One of the more unique Gatsbys at Special Collections comes in the form of a fantastical graphic novel adaptation by Nicki Greenberg, in which Jay Gatsby is portrayed as a seahorse
and the others as any number of creatures.

Votes are now being taken for guesses as to what kind of creature Daisy is.

 

There are also a number of more conventionally illustrated editions of The Great Gatsby in existence, such as the 1980 Limited Editions Club which is illustrated by artist Fred Meyer, whose recognizable style brings the Jazz Age to life on the page.

An illustration by Fred Meyer of Gatsby's mansion during one of his famous parties.

 

Most people are familiar with The Great Gatsby after having spent some time studying it at either a high school or college level.  From Professor Lago’s collection, we have her copy of The Great Gatsby, which has been heavily annotated for use as a teaching tool.  Her extensive notes comment on such key themes as morality and hope.  On the page shown here, she notes the importance of color symbolism, among other things.

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In the years after The Great Gatsby was published, Fitzgerald began work on his fourth novel, Tender is the Night.  Work on this novel was put on hold throughout the years due to Zelda Fitzgerald’s declining mental and physical health.  During her stay in a clinic in Switzerland, F. Scott returned to writing short stories for income.  He completed Tender is the Night in 1934, though it was ultimately a commercial failure.

In the summer of 1937, Fitzgerald went to Hollywood to work as a screenwriter.  It was there that he began an affair with columnist Sheilah Graham.  After MGM Studios dropped his contract at the end of 1938, he worked as a freelance script writer and continued writing short sories.  He began work on his last novel, The Love of the Last Tycoon, in 1939 and had more than half of it written when he died of a heart attack on December 21, 1940.

Though Fitzgerald was not much of a commercial success during his lifetime, he is now considered to be the author of one of the “great American novels” and is esteemed for his accurate portrayals of the Jazz Age.  Many of his works, including collections of his short stories, are available for use by patrons in the Reading Room of Special Collections.

 

Bruccoli, Matthew J. "A Brief Life of Fitzgerald." Biography of F. Scott Fitzgerald. The F. Scott Fitzgerald Society, n.d. Web. 21 May 2013. http://www.fscottfitzgeraldsociety.org/biography/index.html.

"Trimalchio." Trimalchio. N.p., n.d. Web. 23 May 2013.
<http://www.princeton.edu/~achaney/tmve/wiki100k/docs/Trimalchio.html>.

home Resources and Services Lights may be turned off briefly in portions of the building today

Lights may be turned off briefly in portions of the building today

…as electricians work on the first floor renovation.

Spring brings things

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And spring things bring people who collect them –naturalists and artists such as Maria Sibylla Merian (1647-1717), the first to hitch entomology to fine art and to make a living doing so. Her interests were not limited to European species; she spent two years stalking the insects of Surinam, a colony the Dutch had acquired from the English in exchange for Manhattan about thirty years earlier. She devoted an equal amount of attention to giant flying roaches as to seemlier species, but there is no question that she had a special passion for caterpillars.

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Merian's interest in metamorphosis led her to develop a new form of composition. She would depict a single species at each distinct phase simultaneously. She arranged these in a composition on and around the plant that formed its principal food source. In the image on the left several saw-fly specimens pose on a tulip. The caterpillar sits atop a gooseberry at the bottom center, while the adult fly prepares to land on a petal at the top right. In between on a stem and leaf are the pupa and larva. As Ella Reitsma, curator of a recent exhibit, observes about Merian's work, "In the details the drawing is realistic; as a whole it is anything but. The beautifully balanced composition conjures up a seeming realism, for the successive stages in the development of an insect can never be found together!  Tricks have been played with time and place” (15)

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Despite such innovation, Merian’s work languished for a long time under the misnomer “minor art.’ It has only recently come into its own, with exhibitions in Los Angeles and Amsterdam, and a digital exhibit hosted by The Dumbarton Oaks Research Library Rare Book Collection. She is even the subject of a children’s book. Ingrid Rowland notes her “crystalline accuracy, ” her “incomparable precision,” and the “electric intensity” of her use of color. She asserts, “there is no question that she was an artist. Her disquieting view of life in all its forms has carefully, cleverly shaped every one of the images that seem, so deceptively, to present intimate, dispassionate snapshots of reality.”

Pervading her works is a healthy Aristotelian sense that something must be known in all its variousness. Working alongside this cognitive disposition, and perhaps encouraging it, was a habit that she shared with many contemporaries: collecting. Her life-like compositions conceal the artificial taxonomizing and categorizing that lie behind them, making it appear as if she had discovered, rather than created the scene depicted.

These are qualities that Peter the Great evidently appreciated; he was an avid collector of her work, much of which remains in the Russian Academy of Sciences in St. Petersburg. In 1974  The Leningrad Watercolours is a facsimile edition featuring fifty of the works housed there. It is a large-format edition limited to 1750 copies.  Several prints from the collection  are available to view in our reading room. The entire collection collection (RARE QH31 .M4516 .A34 1974) is also available to consult.

 

Select Bibliography

Reitsma, Ella, Maria Sibylla Merian and Daughters: Women of Art and Science. Amsterdam : Rembrandt House Museum, 2008.

Rowland, Ingrid. “The Flowering Genius of Maria Sibylla Merian.” New York Review of Books. April 9, 2009.

Todd, Kim. Chrysalis: Maria Sibylla Merian and the Secrets of Metamorphosis. Orlando: Harcourt, 2007.

home Resources and Services Congratulations Class of 2013

Congratulations Class of 2013