home Resources and Services, Special Collections and Archives Wild Pilgrimage, Lynd Ward’s 1930s graphic novel

Wild Pilgrimage, Lynd Ward’s 1930s graphic novel

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These are selections from Wild Pilgrimage (1932), a wordless novel by Lynd Ward. In this novel, Ward manages two plot threads by color-coding them. The real world is represented in black-and-white woodcuts, while the main character’s inner life is depicted in red and white. Ward's books deal with the role of the individual in society, the identity of the artist, and the hardships and exploitation suffered by the working classes.  Ward worked primarily in wood engraving, which allowed for a refined line and detail. His style combines the emotive elements of Expressionism with the monumental, muscular figures of Art Deco. Ward varies the use of space and even the dimensions of his images, providing the reader with a changing experience as pages are turned.

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home Resources and Services Latest Information on MU Libraries Offsite Mold Outbreak

Latest Information on MU Libraries Offsite Mold Outbreak

New Offsite Storage Facility for MU Libraries (May 9, 2014)

The MU Libraries has selected a new temporary storage facility for the materials that were stored in the UMLD2 (Subtera) storage facility at the time of the mold outbreak. The lease for this new facility began on May 1, and is renewable annually for five years unless another agreement is made before that.

Books held there or at our other storage facility must be requested through the libraries or our online catalog, to be picked up on campus or in the case of many journal articles, for electronic delivery, usually within 48 hours and often more quickly. The new facility will not be fully operational until later this summer, but the libraries are fulfilling requests for items through interlibrary loans. 

The climate controls at this facility are superior to those at the previous facility. This facility has heating, ventilation, air conditioning and cooling that meet library preservation standards. 

MU Libraries, Mold Update (April, 2014)

Background

In October 2013, MU Libraries staff members discovered mold growing on books and bound journals in the Libraries’ secondary offsite book depository, in underground caverns north of I-70 in Columbia. The mold growth likely occurred due to inappropriate environmental conditions, specifically a spike in both temperature and humidity in July and August. A private environmental recovery company was retained to investigate, and they reported that the entire collection of some 600,000 volumes is presumed to be contaminated.

Because mold is destructive to printed materials, any volumes to be retained for use in the library collections must be treated to remove the mold before they can be used. Over the past several months, library staff members have been determining what portions of the contaminated volumes should be treated and retained and what portions must be permanently withdrawn and destroyed in order to remove any chance of contaminating other collections of print materials.

In order to meet the considerable costs involved in addressing this disaster, the MU Libraries will be using a special insurance fund established eight years ago to deal with such losses. However, estimates to decontaminate the collections, and to obtain new and more secure storage for materials retained for use, amount to far more than the current total on hand in the fund. With special insurance funding and potential added revenues from gifts and grants, the MU Libraries expect that approximately 400,000 volumes will be salvaged from the total volumes contaminated by mold.

Disposition of Collections

MU Libraries staff have identified three broad categories of materials to guide decisions in prioritizing items either for mold remediation or for permanent withdrawal from our collections. It is important to note that these categories are tools for informing decisions, rather than prescriptions for identifying items for either treatment or destruction. Likewise, examples listed are intended as illustrations of what kinds of materials will be considered for a given category, not rigid rules that will govern final disposition.

Category 1 – rare, distinctive and scarcely-held items to be treated and retained.

Examples in this category include:

·         Materials published prior to 1871

·         Materials that have unique characteristics or that form part of a distinctive collection

·         Materials that have local significance or value

·         Materials held by 10 or fewer libraries worldwide (as determined by OCLC analysis)

·         Materials with distinctive characteristics (e.g., non-English language works; graphic arts, illustrations or photographs; mathematical formulae; etc.)

 

Category 2 – multiple copies or readily accessible items that may be withdrawn permanently.

Examples in this category include:

·         Materials duplicated elsewhere in the MU Libraries, or in UM Library Depository.

·         Materials duplicated at one or more of the other three UM System libraries.

·         Materials duplicated within the MOBIUS consortium of Missouri libraries.

·         Materials not in MOBIUS, but readily available via interlibrary loan from Greater Western Library Alliance (GWLA) and other regional partners.

·         Materials duplicated electronically in trusted digital repositories of academic journals and books (e.g., JSTOR, Hathi Trust, etc.)

·         Federal documents published post-1950. (Other libraries in the state have generously offered to replace mold-damaged copies with documents from their collections.)

Category 3 – decision deferred until more information is gathered and consultation is completed.

Materials not immediately placed into categories 1 or 2 will be retained until final decisions can be made either to retain or to withdraw permanently. We will be leasing a new space in which to hold these volumes while awaiting final decisions on their disposition. Because we are committed to having MU faculty assist in selecting materials to be salvaged and retained for our collections, having this holding space is essential.

Recent Developments

The MU Libraries have received many expressions of sympathy and support since news of the mold outbreak was released. A special fund has been established to assist in salvaging the thousands of books and journals that require special treatment to eradicate the mold, and a challenge gift of $5,000 has been offered by an anonymous donor to match any donations up to that amount. Individuals can contribute to the “Collection Enhancement Fund” via the MU Libraries website:

https://donatetomu.missouri.edu/givedirect/GDItem.aspx?item_id=117

In March, a proposal was submitted to a major private foundation seeking grant funding to pursue the plan to remediate contaminated volumes. We expect to learn in early June whether the proposal is accepted, and if so, the funding will begin July 1.

With guidance and approval from MU Facilities Planning and the UM Procurement Office, steps have been taken to obtain a contractor for treatment of volumes identified for salvage and to secure new and environmentally stable storage space for treated materials.

Proposals from mold-remediation contractors were solicited over the past two months, and seven bids were received on March 14. A preferred bidder has been identified and negotiations are now underway with the contractor. We expect to have a contract signed on or about April 1, with work to commence by the middle of the month.

After a search for suitable above-ground storage facilities in close proximity to the MU campus, three potential sites were selected for further review. From these, a preferred facility has been selected and negotiations for a lease are nearing completion. The new rental facility is above-ground, and the lease specifically addresses the need for stable climate control. We expect to have the lease signed soon and preparations underway to take occupancy on or about May 1.

Future Plans

This disaster has underscored the need to pursue purpose-built, environmentally secure space for long-term storage of our physical collections. Since 1997, the UM Library Depository (UMLD), the primary storage facility used by MU and the three other libraries of the UM System, has worked flawlessly in this capacity. Located on LeMone Blvd., off Highway 63 in Columbia, the UMLD contains about 1.2 million print volumes, which are used by the four UM campuses and are also available to all libraries in the state via the MOBIUS network. The facility was designed to accommodate an addition which would double the space of the original structure when it reached its maximum limit. Approaching that limit in 2006, a request was made to the UM academic officers to consider funding the UMLD addition, but that option was deemed to be cost-prohibitive. Instead, leased storage space was judged to be the preferred course of action.

The MU Libraries proposes to work actively with the campus administration to return the construction of the UMLD addition to the priority list for capital projects. The MU Faculty Council and the Library Committee have both expressed support for this option, and it is our hope that this request will be put before the University Board of Curators early in the new fiscal year.


Submitted by Jim Cogswell, Director of Libraries

April 3, 2014

Adopt a Book program update

We have a large batch of Adopt a Book materials to feature this time!  Thanks to the Friends of the Libraries, our generous donors, and conservator Jim Downey, the fragile, valuable and irreplaceable books in Special Collections can receive greatly-needed repairs and preservation treatment.  This program provides the main source of funding for rare book preservation and repair at the University of Missouri Libraries. Since the collections are heavily used, this is a vital service for MU researchers and students.  

The books featured below are just a few of the ones that have recently received conservation treatment through this program.  Take a look, and consider sponsoring a rare book through the Adopt a Book program website.


National Poetry Month: Octavio Paz

Octavio Paz would have been 100 years old on March 31, so we're honoring him and celebrating National Poetry Month with a look at his 1988 collaboration with artist Robert Motherwell.  In this volume, the original Spanish poetry is printed in red, with an English translation in black.  Paz and Motherwell respond to each other artistically throughout the volume; Motherwell's lithographs are inspired by Paz's poetry, while one of Paz's poems, "Piel, sonida del mundo," is a contemplation of Motherwell's artwork.  The book is quite large; the lens cap from our camera is included in one of the images below to indicate scale.

Three Poems / Tres Poemas was published by the Limited Editions Club in an edition of 750, signed by the author and illustrator.  Special Collections has copy number 263.  MERLIN catalog record.

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home Resources and Services Challenges of a Free Press in Myanmar

Challenges of a Free Press in Myanmar

 Photo of Nobel Peace Laureate Aung San Suu Kyi taken by Allison Wrabel, Missouri School of Journalism
Photo of Nobel Peace Laureate Aung San Suu Kyi taken by Allison Wrabel, Missouri School of Journalism
 

A group of Missouri School of Journalism students used equipment borrowed from the Journalism Library to cover the March 2014 East-West Center International Media Conference: Challenges of a Free Press in Myanmar, (formerly Rangoon, Burma).  View some of their videos, stories and images.

KBIA and Religion News Service also sent students to cover the conference.  Listen and view the KBIA videos and RNS stories .

Learn more about The State of Free Press from the Global Journalist.

home Resources and Services, Special Collections and Archives Monday Manuscript: How to teach yourself Italian in 1626

Monday Manuscript: How to teach yourself Italian in 1626

This week's manuscript is a book of Italian and English phrases that belonged to English merchant Charles Longland, according to the ownership inscription: "Questo libro appartene a mi Carlo Longland, April XXI, 1626." (This book belongs to me Charles Longland, April 21, 1626). Longland was a factor in Livorno in 1651 and died in Florence in 1688.  He also assisted with Mediterranean policy under Cromwell and after the Restoration.  The text contains numerous Italian phrases with English translations, and a few pages of Italian poetry in the same hand are signed by "Giovanni Aurelio, notario publico de Londra."

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Another interesting feature of this manuscript is that someone also inserted a section upside-down, or tête-bêche, in which they describe the voyages of three squadrons of ships.  This section is in English, leading us to wonder… Did Longland himself write this?  An assistant?  Or was it Giovanni Aurelio?

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You can browse the entire manuscript in the University of Missouri Digital Library.  Many thanks to Wayne Sanders, Head of Cataloging, for researching and making all the discoveries in this post!

home Resources and Services, Special Collections and Archives Were there steam engines in the Bible?

Were there steam engines in the Bible?

Yes, you read that title right – this week we're sharing a selection from the collection of British pamphlets, and it's a sermon claiming that the steam engine was revealed in biblical prophecy.  It appears to survive in only a few copies (perhaps unsurprisingly), and this is one of the few in the United States.  The author is Tresham Dames Gregg (1800-1881), a militant protestant clergyman who spent much of his career in the Church of Ireland campaigning against Catholicism.  Gregg was popular with the working class in Dublin and was consistently at odds with higher-ranking Church officials throughout his career.  Although known for his preaching style and his prolific writings, "in his later years he had strange ideas about the rule of the Antichrist, and his own personal immortality" (source).

Gregg's primary idea in this sermon is that various prophetic visions in the Bible are actually descriptions of steam engines.  He goes to great lengths to prove this, even paraphrasing the first chapter of Ezekiel, with the famous vision of God's heavenly chariot, to claim that it is in actuality a vision of a passenger train in the far future.  But Gregg doesn't end there.  He suggests that locomotives on earth are already  "partly realized by human skill…  why should we not, thus led, be by the divine goodness, at last enabled to construct locomotives that would connect the earth with the other planets?"

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home Resources and Services, Special Collections and Archives Monday manuscript: Weird and wonderful images from artist J.J. Grandville

Monday manuscript: Weird and wonderful images from artist J.J. Grandville

This Monday's manuscript offering is a scrapbook of original sketches and notes by French artist J. J. Grandville (1803-1847), a caricaturist and proto-Surrealist.  Grandville was the pseudonym of Jean Ignace Isidore Gérard. Along with cartoonists such as Honoré Daumier, Grandville lampooned the political and aristocratic rulers of France in the pages of Le Caricature and Le Charivari and became well known as a caricaturist.  Unlike Daumier, Grandville abandoned political caricature for book illustration after censorship laws were reinstated in 1835. His first book-length work was a satirical study of the class system called Les Metamorphoses du Jour.   Grandville’s book illustrations feature elements of the symbolic, dreamlike and incongruous, and they retain a sense of social commentary.   His art often blends human features with the characteristics of animals or inanimate objects in order to make a satirical point.  

The scrapbook in Special Collections was assembled from clippings and fragments of original notes and sketches; some appear to have been taken from a day planner.  A study of the sketchbook was recently published by Clive Getty: The diary of J.J. Grandville and the Missouri album : the life of an opposition caricaturist and romantic book illustrator in Paris under the July monarchy (2010). Special Collections also has several published titles by Grandville, including French and English editions of Les fleurs animéesUn autre monde, and Les métamorphoses du jour.

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home Resources and Services, Special Collections and Archives 5 Women Printers and Booksellers of the 17th Century

5 Women Printers and Booksellers of the 17th Century

In honor of Women's History month, this post takes a look at five women printers and booksellers from the seventeenth century in Special Collections.  Women during this period sometimes inherited printing offices or booksellers' shops from their fathers or husbands. Once in charge of their establishments, they were able to operate as independent businesswomen, responsible for operations, finances, and the supervision of pressmen and compositors.

The book below was printed by a woman printer for a woman bookseller! Mary Clark was the widow of Andrew Clark, a printer.  She maintained a printing business in Aldersgate, London, from 1677 to 1696.  Ann Mearn (also spelled Mearne) was part of an influential family of booksellers and bookbinders.  Her husband, Samuel Mearne, was a former warden and master of the Stationers' Company, stationer to Charles II. Her sons and husband were part of the group book historians refer to as the "Queen's Binder," known for the high quality and intricacy of their gold tooled designs.

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Life and Reign of Henry VIII

Hannah Allen was born into a family of booksellers and bookbinders, and she married Benjamin Allen, a bookseller, when she was probably in her early teens.  After the death of her husband in 1646, Hannah Allen inherited his business.  Her name appears on imprints as the proprietor for about five years.  She published works by radical puritan authors and worked with a wide variety of stationers, a fact that suggests her press was successful and financially independent.  After freeing her apprentice, Livewell Chapman, in 1650, she married him, and her name disappears from the press's imprints. Legally, the business became his upon their marriage, although it's likely she was still involved.

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Sarah Griffin had a longer career than Hannah Allen, and rather than being a radical printer, she was at the head of an established printing house founded in 1590.  Her mother-in-law, Anne Griffin, was in charge of the business from 1634 to 1643, and she gradually transferred the business to her son Edward (Sarah's husband), beginning in 1638.  Sarah in turn inherited the business when Edward died in 1652, and began printing jointly with her son, Bennett, in 1671.  She is recorded as a printer in the Stationers' Company records until 1673.

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Anne Seile (also spelled Anna and Ann) inherited the bookselling business of Henry Seile when he died in 1661.  She published books under her own name until 1667.  This edition of Heylin's Cosmography, with its large size and engraved maps, would have been expensive to produce.  Anne Seile must have been one of the primary financial backers of this publishing venture, since her name is the only one listed on the engraved title page.

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There are works by many other women authors, booksellers, printers, and artists in Special Collections. Come by and take a look!

home Resources and Services AMA Manual of Style now available online!

AMA Manual of Style now available online!

In response to user requests, the AMA Manual of Style is now available online. This handbook provides medical writers and editors with guidance in manuscript preparation, writing style, reference formatting, and more.   Take a quick tour of its features.