home Resources and Services, Special Collections and Archives Monday manuscript: Weird and wonderful images from artist J.J. Grandville

Monday manuscript: Weird and wonderful images from artist J.J. Grandville

This Monday's manuscript offering is a scrapbook of original sketches and notes by French artist J. J. Grandville (1803-1847), a caricaturist and proto-Surrealist.  Grandville was the pseudonym of Jean Ignace Isidore Gérard. Along with cartoonists such as Honoré Daumier, Grandville lampooned the political and aristocratic rulers of France in the pages of Le Caricature and Le Charivari and became well known as a caricaturist.  Unlike Daumier, Grandville abandoned political caricature for book illustration after censorship laws were reinstated in 1835. His first book-length work was a satirical study of the class system called Les Metamorphoses du Jour.   Grandville’s book illustrations feature elements of the symbolic, dreamlike and incongruous, and they retain a sense of social commentary.   His art often blends human features with the characteristics of animals or inanimate objects in order to make a satirical point.  

The scrapbook in Special Collections was assembled from clippings and fragments of original notes and sketches; some appear to have been taken from a day planner.  A study of the sketchbook was recently published by Clive Getty: The diary of J.J. Grandville and the Missouri album : the life of an opposition caricaturist and romantic book illustrator in Paris under the July monarchy (2010). Special Collections also has several published titles by Grandville, including French and English editions of Les fleurs animéesUn autre monde, and Les métamorphoses du jour.

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home Resources and Services, Special Collections and Archives 5 Women Printers and Booksellers of the 17th Century

5 Women Printers and Booksellers of the 17th Century

In honor of Women's History month, this post takes a look at five women printers and booksellers from the seventeenth century in Special Collections.  Women during this period sometimes inherited printing offices or booksellers' shops from their fathers or husbands. Once in charge of their establishments, they were able to operate as independent businesswomen, responsible for operations, finances, and the supervision of pressmen and compositors.

The book below was printed by a woman printer for a woman bookseller! Mary Clark was the widow of Andrew Clark, a printer.  She maintained a printing business in Aldersgate, London, from 1677 to 1696.  Ann Mearn (also spelled Mearne) was part of an influential family of booksellers and bookbinders.  Her husband, Samuel Mearne, was a former warden and master of the Stationers' Company, stationer to Charles II. Her sons and husband were part of the group book historians refer to as the "Queen's Binder," known for the high quality and intricacy of their gold tooled designs.

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Life and Reign of Henry VIII

Hannah Allen was born into a family of booksellers and bookbinders, and she married Benjamin Allen, a bookseller, when she was probably in her early teens.  After the death of her husband in 1646, Hannah Allen inherited his business.  Her name appears on imprints as the proprietor for about five years.  She published works by radical puritan authors and worked with a wide variety of stationers, a fact that suggests her press was successful and financially independent.  After freeing her apprentice, Livewell Chapman, in 1650, she married him, and her name disappears from the press's imprints. Legally, the business became his upon their marriage, although it's likely she was still involved.

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Sarah Griffin had a longer career than Hannah Allen, and rather than being a radical printer, she was at the head of an established printing house founded in 1590.  Her mother-in-law, Anne Griffin, was in charge of the business from 1634 to 1643, and she gradually transferred the business to her son Edward (Sarah's husband), beginning in 1638.  Sarah in turn inherited the business when Edward died in 1652, and began printing jointly with her son, Bennett, in 1671.  She is recorded as a printer in the Stationers' Company records until 1673.

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Anne Seile (also spelled Anna and Ann) inherited the bookselling business of Henry Seile when he died in 1661.  She published books under her own name until 1667.  This edition of Heylin's Cosmography, with its large size and engraved maps, would have been expensive to produce.  Anne Seile must have been one of the primary financial backers of this publishing venture, since her name is the only one listed on the engraved title page.

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There are works by many other women authors, booksellers, printers, and artists in Special Collections. Come by and take a look!

home Resources and Services, Special Collections and Archives “The Bottle” by Stopford Brooke

“The Bottle” by Stopford Brooke

In honor of St. Patrick's Day, this week's manuscript is by Stopford Brooke, an Irish writer whose humorous poem, "The Bottle," is now part of the Mary Lago Collection.  While on a picnic with George and Rosalind Howard, Earl and Countess of Carlisle, Brooke threw a wine bottle into a pond at Hampton Court Palace. The Howards became obsessed with sinking the bottle, but failed to do so.

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Mizzou Superhero Challenge

home Resources and Services, Special Collections and Archives Bejamin Franklin Shumard’s field notebooks

Bejamin Franklin Shumard’s field notebooks

This week's manuscripts are the field notebooks of Benjamin Franklin Shumard.  Shumard and G.C. Swallow (the namesake for Swallow Hall) completed a geological survey of Missouri in 1855-1858.  The notebooks were donated to the MU Libraries by a relative, Miss Shumard, in 1910.

Shumard was a medical doctor who focused on geology for the first part of his career; working in various states on geological surveys beginning in 1846.  In 1858, he left Missouri for Texas, but he returned in 1860 and lived in St. Louis until his death in 1869.  He was a professor of obstetrics at the University of Missouri medical school (located in St. Louis at the time) and president of the St. Louis Academy of Science. (From the Handbook of Texas Online)

We're not sure to what extent these notebooks have been published.  Shumard left the Missouri Geological Survey before the work was completed, but his observations are noted in later publications.  There are papers relating to Shumard's work at the Missouri State Archives, the Missouri State Historical Society, and the Texas State Archives.

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home Resources and Services, Special Collections and Archives New Acquisition! A Line by Suyeon Kim

New Acquisition! A Line by Suyeon Kim

We recently purchased an artist's book entitled A Line by Suyeon Kim. A Line tells the story of a blind fisherman and his dog through linocut and woodcut illustrations, using very few words.  The images form a continuous strip of narrative, over sixteen feet long, which is accordion folded into the binding.  Special Collections has copy number 83, signed by the artist.

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Leigh Hunt letters

Leigh Hunt was a poet, journalist, and essayist who was influential among the Romantic poets, including Byron, Keats, and Shelley.  Special Collections has a small collection of Leigh Hunt's correspondence dating 1823-1959, with the bulk of the material falling between 1831 and 1861.  The collection contains letters to and from various correspondents, including Leigh Hunt's oldest son, Thornton. A large portion of the correspondence consists of transcribed letters, for which the originals are lacking.

These materials are in the process of being digitized.  We're sharing a few scans below; look for the rest in the MU Digital Library soon.

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home Resources and Services, Special Collections and Archives God’s Trombones by James Weldon Johnson

God’s Trombones by James Weldon Johnson

This month's final post in our series celebrating African-American artists and writers brings together two greats of the Harlem Renaissance: James Weldon Johnson and Aaron Douglas.  Johnson was multi-talented: an educator, writer, attorney and musician, he was the author of "Lift Every Voice and Sing," a leader of the NAACP, and the first African-American professor at New York University.  God's Trombones is considered one of his most important works.  Douglas was one of the leading artists of the Harlem Renaissance.  He developed a distinctive style that blended modernism with African influences and was highly influential in the development of later African-American artists.

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home Resources and Services, Special Collections and Archives A fragment of a fifteenth-century gradual

A fragment of a fifteenth-century gradual

The Fragmenta Manuscripta collection is again the source of this week's feature.  It's a fragment from a fifteenth-century gradual in Latin, possibly from England.  Note the square musical notation on a four-line staff.  The staff here agree that we particularly like the face in profile added to the large initial.  More information at the Digital Scriptorium.

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home Resources and Services, Special Collections and Archives The Black Christ by Countee Cullen with illustrations by Charles Cullen

The Black Christ by Countee Cullen with illustrations by Charles Cullen

This post is the third in our series highlighting the work of African-American artists and authors in Special Collections.  Countee Cullen was one of the leading poets and intellectuals of the Harlem Renaissance.  This book of poetry, published at the height of his career, examines the relationships between faith and injustice.  Cullen draws parallels between the suffering of the crucified Christ and the suffering of African Americans in the climate of racial violence that characterized the 1920s. The copy in Special Collections is inscribed by Cullen to Frank Luther Mott, who was Dean of the School of Journalism from 1942 to 1951.

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