Agnieszka Matkowska

PhotoSpecial Collections and Rare Books bids a fond farewell to Agnieszka Matkowska. Matkowska has been in residence during the past academic year to consult the Lord collection. The late Albert Bates Lord (1912-1991) was a professor of Slavic and comparative literature at Harvard University best known for his contribution to the understanding of the world’s oral traditions, especially those of the former Yugoslavia. His family donated his library to Mizzou in the Spring of 2011. It comprises a collection of almost 2000 books, articles, and even artifacts, many of which are in the closed stacks of Special Collections and Rare Books.  The A.B. Lord  Fellowship in Oral Tradition  makes these volumes available to international scholars by allowing them to remain in residence at Mizzou for a semester or longer. Matkowska,  PhD candidate from Poznan, Poland, was the award’s first recipient.

[Click on any of the images to enlarge.]

Among Buryat Performerslg

 

Buryat performer at the annual "Yerd Games" festivalMatkowska studies the oral legends of the Buryat people, a group of 450,000 individuals spread across Siberia, Mongolia, and Inner Mongolia. The Buryat people have a rich heritage of oral tradition, though the current generation of performers might be the last. According to Matkowska,   “When in 2011 I was doing my fieldwork in the Irkutsk Oblast’, a region bordering Lake Baikal, it was sometimes hard, so I became doubtful few times. In those moments Galina Vitalievna Afanasyeva-Medvedeva, a befriended professor and an expert in the field of Baikal folklore always raised my spirits emphasizing that what I do is of extreme importance as the folklore of that area is in decline and these processes are irreparable.”

Shaman Rock, in Lake Baikal, is considered sacred by the Buryat people.Matkowska, is writing a dissertation that investigates the factors contributing to variation that occurs across multiple tellings of Buryat oral legends. Before coming to Columbia, Missouri, she undertook fieldwork in southern Siberia along the shores of Lake Baikal. While there she recorded performances and interviewed performers. She was even invited to observe a shamanistic ceremony, a privilege seldom granted to an outsider.  While in residence at University of Missouri, Matkowska has taken advantage of the many comparative and theoretical studies in the Lord collection, gaining insight into the different methodological approaches she could take: “There are many ways to bite the cake,” she says “I just have to figure out which way will make it taste the best.” Matkowska will defend her dissertation in February at Adam Mickiewicz University.

Shamanistic ceremony, Tulunzha near Ulan-Ude, November 2009

 

home Resources and Services, Special Collections and Archives Skin white as snow, hair black as ebony

Skin white as snow, hair black as ebony

The evil queen, disguised as an old woman, offers Snow white an apple in Walter Crane's illustration from Household stories from the collection of the brothers Grimm (New York, 1896).Snow White's been busy lately. This year alone she’s starring in two movies while also appearing in a television series.

First published by Jacob and Wilhem Grimm as part of their Children’s and Household Tales (Kinder-und Hausmӓrchen), the brief story introduces all the familiar faces: Snow White, her evil stepmother, the huntsman, and the dwarves.  The elements and characters have been adapted in many ways over the years, from films and books to ballets and opera.  Many of the narratives stick close toSnow White- deputy mayor that original tale, while others take a bit of creative license.

In Special Collections we see Snow White in very recognizable tales.  A copy of Grimm’s Household Stories from 1896 and Grimm’s Fairy Tales from 1962 both contain the story as recorded by the Grimm brothers. The illustrations present a young girl with dark hair.

The comic series Fables catches up with Snow White in the present. The action takes place well after the adventures found in the Grimm's tale, with Snow White serving as deputy mayor for a community of relocated fairy tale characters.  She is joined by other familiar faces, including Cinderella and the wolf who appears in many tales.

 

Click on any of the images below to see a few illustrations from some of the many works featuring these characters in our collection. You'll find both the well known versions of their stories and some with creative twists.

Lucille Corcos, illustrator of Grimm's Fairy Tales (New York, 1962) captures the moment when the dwarves find Snow White in their house.

The Big Bad Wolf and Red Riding Hood from Arthur Rackham's illustration in Hansel and Grethel (London, 1920).

The wolf appears in the comic The Gingerbread Man, originally drawn in 1943 by Walt Kelley and republished in Little Lit (New York, 2000).

Now known as Bigby Wolf, the Big Bad Wolf is the sheriff in Bill Willingham's Fables (New York, 2002).

Snow White marries Bigby Wolf in Bill Willingham's Fables (New York, 2006).

Cinderella learns the batik method of dying fabric from her fairy godmother to make her own ballgown. Illustrator Jessie M. King had just learned the process herself, and wrote How Cinderella was able to go to the ball (London, 1924) to introduce others to “the wonderland of batik.”

Cinderella owns a show store but also works undercover as a spy in Bill Willingham's Fables (New York, 2002).

Earth Day, 1648

Happy Earth Day!

April 22, 2012 marked the 42nd celebration of Earth Day.  The first celebration was a grass roots event focusing on education and legislative responses to pollution and ecological concerns.

titlepg_lgEarth Day gives us a chance to appreciate our planet.  In 2012, amazing photos are available from every corner of the globe (and beyond).  But what if you lived over 500 years ago?  The Americas were full of flora and fauna unknown to Western eyes.  Special Collections is home to many volumes that recorded these new discoveries.

Published in 1648, Historia naturalis Brasiliae records the botany and zoology of Brazil.  With sections on animals, plants, fish, insects, and tropical medicine, the book introduced a wealth of information about the natural world.

Willem Piso was sent by the West India Company as physician  to the governor of the Dutch colony in Brazil.  While there, he learned about herbal medicines used by the indigenous people. His knowledge of medicinal plants, local poisons and tropical illnesses is recorded in Historia naturalis Brasiliae.

In addition to Piso’s contributions, the Historia contains information gathered by Georg Markgraf on plants, fish, birds, animals, snakes, and insects.  Markgraf died before the book’s publication.  Johannes de Laet edited his notes and illustrations for final publication.

The Historia naturalis Brasiliae is full of illustrations, and many of these were the first representation of animals and plants from the new world seen in the Old World.  While some of the volumes were hand colored, Special Collections copy is not.

See the full text of a hand colored copy.  This volume is from the collection of the Missouri Botanical Garden.

Click on an image below to see a gallery of selected pages from Historia naturalis Brasiliae.

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home Events and Exhibits, Special Collections and Archives Preservation Week April 22-28, 2012

Preservation Week April 22-28, 2012

Preservation Week Logo

Today begins Preservation Week in libraries across the country.  One of our primary jobs at the Special Collections Department is to identify materials that need certain preservation measures.  One of the most basic measures is producing phase boxes for books with aged bindings.  A simple phase box, which can take as little as five minutes to produce, can protect books from all sorts of harm including:

  • Wear and tear – Rather than grasping the book when pulling it off the shelf, the box is grasped.
  • Fire damage – Books have been saved because they were preserved in a phase box, plus the box saves the book from soot damage.
  • Humidity damage – Phase boxes insulate the book.
  • Water damage – In cases of flooding or the sprinkler system going off, books have a better chance of staying dry in phase boxes.
Damaged Books
Damaged Books

The first step in the process is to select books that are in the most need of phase boxes.  The spine of the book might be split or tearing off, or the book has become too brittle, or one of the covers might be completely torn off at the hinge (near the spine).

Once a book has been selected, accurate measurements of the length, width, and depth of the book must be taken.  We use the metric system in the Special Collections Department.

After a group of twenty-eight books have been measured, we send those measurements to the Preservation Department at Ellis Library.  Librarians and student assistants then work together to produce the boxes, making sure to follow the old saying “measure twice and cut once”.  Once finished, the new boxes are sent back up to the Special Collections Department where we perform the final step of placing the rare books into their new enclosures.  The entire process for each batch of books takes about two to three weeks.

A row of Phase Boxes
A row of Phase Boxes

Confederate Currency

The Special Collections Department holds many treasures; most items are books and microforms. However, we do have some miscellanea specimens one would not expect to find in our collection. One such holding is our set of Confederate currency. These monetary notes of the Confederate States of America were given to the MU Libraries in 1912 by the U.S. Treasury department as a teaching tool. In all, there are 135 specimens.

Confederate currency was first issued at the beginning of the Civil War and used widely in the South as a legitimate means to purchase goods and services. Some currency was printed by the Confederate States of America as a whole, some by individual states, and some by private banks. The bills in our collection were all issued by the Confederate States of America. Due to various printers, confederate currency tended to vary from printing to printing and state to state. Bills issued by the C.S.A. were hand signed and individually numbered by the Treasurer and Register, however, the duty became taxing with the number of bills produced, so secretaries were hired to sign the bills in later printings. It was not uncommon for notes to be printed on a single side or cut unevenly. Ultimately, by the end of the war, Confederate currency was nearly worthless, in part due to forgery as well as the loss of confidence in the Confederacy.

The following image file numbers correspond to the reference book "Criswell's Currency Series Vol. 1", RARE-R HG526 .C7 1957

Criswell 402-7 large

Criswell-402-7-back-large

Criswell 75 front large

Blog criswell back large 75Criswell-376-large

Criswell-376-back-large

 

 

 

Happy Birthday, Charles Dickens!

So Handsome!Charles John Huffam Dickens was born on this date in 1812. Dickens, one of the most famous and most belovPickwick Papers, 1837ed of all English novelists, created some of the most powerful characters in fiction. He is known all over the world, and, unlike most great authors, he was rock-star famous in his own time. He moved around a lot as a child and was forced to quit school at twelve years old to work in a factory. Those early memories, however, would later inspire settings both fantastic and real; characters both legendary and sympathetic.

Friends and family described Dickens as full of energy, almost frenetic, and he was able to focus this power into an amazing literary output. He began writing journalism at age 15, and by 24 he had finished the Pickwick Papers and was famous on both sides of the Atlantic.

When Dickens began writing A Christmas Carol, perhaps his most well known work in the U.S. today, he was 31 and already the author ofDickens-919 Sketches by Boz, The Pickwick Papers, Oliver Twist, Nicholas Nickleby, The Old Curiosity Shop, Barnaby Rudge, and American Notes.

Early in his career he adopted various pen names, the most popular of which, Boz became a nickname as well as a marketing tool. Boz knew how to play to the public and controlled not only his public appearances and persona, but also the illustrations that accompanied his work. From the beginning, Dickens worked very closely with illustrators and vetted every sketch before it went to press. In fact, more than one illustrator claimed later that they had been responsible for story elements, though the author denied this.

 

Dickens-1114The first of these pairings was with George Cruikshank, a popular cartoonist at the time. The author and illustrator became great friends, though their relationship soured due to many factors including Cruikshank’s growing obsession with the Temperance movement.

Seymour

Dickens started working with Robert Seymour when publishers hired him to provide the words for a series of engravings featuring cockney sporting life. Dickens argued successfully that the words should take precedence over the art. Seymour mimicked Cruikshank’s style for the occasion but was of a depressive sensibility and often in conflict with Dickens over the artwork. He had a nervous breakdown in 1830, and committed suicide upon completion of the second installment.


Perhaps the most popular collaborator, HablotDickens-212 Knight Browne worked with Dickens for over 23 years. He adopted the nickname Phiz to complement Dickens’ Boz.

H. K. Browne“No other illustrator ever created the true Dickens characters with the precise and correct quantum of exaggeration.”

– G.K. Chesterton on H.K. Browne

 

Charles Dickens changed the face of literary history, revolutionized popular fiction and fame, and left behind immortal masterworks that still resonate with a world of readers.

Dickens-1111Celebrate his 200th birthday by dropping by Special Collections in Ellis Library to read the stories as Dickens so meticulously intended. We have many of his greatest works, some beautifully bound, dating from the beginning of the author’s literary career. Experience what created this pop sensation first-hand!

 

Dickens @ MU Special Collections!

home Resources and Services Newspaper Archive Summit white paper suggests next steps for stakeholders

Newspaper Archive Summit white paper suggests next steps for stakeholders


A mandate to preserve — a white paper (PDF) — was produced for the Newspaper Archive Summit Network by Victoria McCargar, veteran journalist, archivist and digital curation consultant.

Read more at the Reynolds Journalism Institute blog: Newspaper Archive Summit white paper suggests next steps for stakeholders

home Resources and Services, Special Collections and Archives Descartes…L’Homme the Journey to Print

Descartes…L’Homme the Journey to Print

René Descartes (1596-1650) was a French thinker of the empiricist thinker. Descartes was born in la Haye, in Touraine. He was the son of a provincial governor, Joachim Descartes, and his wife Jeanne Brochard.  After a short career of practicing law he went to fight under Maurice of Nassau, in the rebellion against the Spanish. In 1619, he had a series of visions that compelled him to devote his life to science. Shortly thereafter, he moved to the protestant Dutch republic where his teachings and experiments would be more accepted. While there he corresponded and tutored a number of pupils that followed and studied his Cartesian teachings and his traité des passions, the study of emotions.

 

L'Homme cover with acid specklingThe copy in the collection is bound in calf skin, a common binding of the 17th and 18th centuries. The speckling technique used on it was created by sprinkling acid over the leather and then wiping it clean after a period of time. This technique has created problems in some specimens in today’s world as the acid continues to erode the boards. The printer of this text, Jacques Le Gras, was the original publisher. Shortly afterward, the text was moved to a different printing house and released in a larger run from the printers Charles Angot and Théodore Girard.

The book itself is best described in the Heirs of Hippocrates (1974) text, “This first French edition is the original text as composed by Descartes and is edited by his good friend, Claude Clerselier (1614-1684). This edition also contains the first printing of his treatise ‘De la formation du foetus,’ completed just before his death. The fine woodcuts in this edition were partly based on Descartes’ drawings from the manuscript and partly prepared by the co-editors, Louis de la Forge (1632-1666?) and Gerard van Gutschoven (fl. 1660) … Descartes was prepared to publish this book in 1633 but decided to withhold it when he learned of Galileo’s condemnation by the Church. As a result, the first edition was not published until 1662 [in Latin], twelve years after Descartes’ death … It is sometimes called the first book on physiology, and that could be argued, but there is no doubt that the Cartesian philosophy exerted a tremendous effect on the evolution of medicine.”

Eye with muscle purportedly drawn by DescartesDescartes decision to withhold this text from the public may have spared him from the kind of persecution Galileo endured upon the publication of his Dialogs, 1632. However, Descartes did not escape allegations that his beliefs were atheistic and pelagianistic, which is the idea that people, can avoid sin without God’s grace. These accusations started in the 1640s when the rector at the university at Utrecht began making these charges. These denunciations regarding his atheistic thoughts become more heated as scholars from Leiden, a university town, became involved.  At one point in the summer of 1647, Descartes returned to France for the second time in that decade, where he contemplated staying to escape these charges. He did return to the Dutch republic, but by the end of the decade he had traveled to Stockholm to tutor Christina of Sweden. The arrangement for tutoring her was extremely strenuous, she required sessions before dawn in the brisk air of the Swedish winter. By February 1650, he had fallen ill and ultimately died from pneumonia.

Image from L'Homme drawn by an illustrator other than Descartes.The journey to publish L’homme was led by Claude Clerselier, a staunch Catholic, who came into the ownership of Descartes’ papers via his brother-in-law, the French ambassador to Sweden. Clerselier edited this text and considerable correspondence, which helped shape Descartes’ image in the following years. The quality of the 1664 French edition made Clerselier the understood guardian of Descartes’ body of manuscripts. The book itself is interesting because Descartes’ essay is the smallest portion of the over four hundred page text. The accompanying essays, forwards and remarks make up the majority of the pages. Clerselier’s remarks include, among other things, a reasoning of the illustrations included, of which many were provided by Florentius Shuyl and Clerselier himself. One image of particular interest was drawn by Descartes. Clerselier kept the original drawing, an eye held by muscle, to prove it was Descartes work. However, there is a notable difference in the artistic styles between the eye and some of the other pieces, particularly in their background detail.  The additional contributions to the text include Louis de La Forge’s remarks that expand on the Descartes text and attempt to clarify the conceptual leaps Descartes makes in L’Homme.

This exceptional text was purchased in the spring of 2010 by University of Missouri Ellis Library Special Collections and Rare Books, through a donation by Mr. Richard Toft.

 

Bibliographic Information:

L’homme

A Paris: Chez Iacques Le Gras, au Palais, à l’entrée de la Gallerie des Prisonniers, MDCLXIV, [1664]

QP29 .D44 1664

 

Russian Maps Digital Exhibit!!!!

Russian Map Banner

 

Mapping the Past: Rare Russian Maps from Special Collections has been created as a digital highlight of books and maps on the website of the Special Collections and Rare Books department.  This virtual exhibit describes the cartographic trade and the exploration of the Russian empire from the 16th through the 18th centuries. The display was originally mounted as a physical exhibit in the Ellis Library colonnade at the University of Missouri in April 2011.

 

home Resources and Services Rescuing digital content: Notes from the Newspaper Archive Summit

Rescuing digital content: Notes from the Newspaper Archive Summit


On April 10-12 scholars, journalists, newspaper publishers, librarians, digital archivists and digital newspaper vendors gathered at RJI for for “The Newspaper Archive Summit: Rescuing orphaned and digital content.”

Read more at the Reynolds Journalism Institute blog: Rescuing digital content: Notes from the Newspaper Archive Summit