https://library.missouri.edu/exhibits/files/original/792e8ddfdd6d40e89968ac930c46d54d.jpg 7e819de352fa0d9b71bd779bcee26cf1 https://library.missouri.edu/exhibits/files/original/157d7bb32076a8d0530d07298e55f598.jpg e16cddbcf0586c421565d644eed23e52 https://library.missouri.edu/exhibits/files/original/1267fff0a53d9e2ffe5be13b1e09f761.jpg a10291dfe50697eec6ee474e487e0a38 https://library.missouri.edu/exhibits/files/original/19c59fb1aad5065da8fcb3730573d8f0.jpg 28115ef1f87a3d27d95584c990c10224 https://library.missouri.edu/exhibits/files/original/2d9f849c4b63e05a517969372d7a7548.mp4 b74e51eb3ea9803eba240322aa233665 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS2021 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foundation Creator An entity primarily responsible for making the resource Sheldon, Tristan Date A point or period of time associated with an event in the lifecycle of the resource 2021 Rights Information about rights held in and over the resource Rights held by author. Identifier An unambiguous reference to the resource within a given context 21VADS - 022 Abstract A summary of the resource. Artist Statement: My work is primarily an exercise of thorough observation and exploration of the innateaesthetic qualities that are unique to the two-dimensional world around us. I make work thatutilizes the reductive qualities of photography to create art out of the mundane and ordinary. Iuse techniques that isolate my subjects from context and emphasize their form and compositionwithin a frame in order to give my pictures a sense of completion that the real-world subjectswould not otherwise have. Photographers are inherently limited to working in two dimensions,so I look for subjects that, when seen the right way, are elevated by the monocular nature of themedium. This practice questions the values behind what makes a “good” photograph, and theextent to which the picture-making technique informs the interpretation of the image whendivorced from the reality and cultural significance of the subject. Relation A related resource Part of the VADs 2021 Digital Exhibition