https://library.missouri.edu/exhibits/files/original/afe6594ae4d5e23a82c06dbb4d79d35a.jpg e0d69667f891838321a6c01d47767f71 https://library.missouri.edu/exhibits/files/original/a8111029f359ab2d6e4f74aa0ee2b743.jpg ff773beb6e1877c955a89f186ec6d7da https://library.missouri.edu/exhibits/files/original/08feddb264050bab8c1a136494fffcf6.jpg a018eaffadb87baf515db3a5b5261256 https://library.missouri.edu/exhibits/files/original/1518dbeb5a9f997021437f85194f9fdc.jpg d79bafc03718158bcfeed7480bdff3ee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS2025 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Obstructions Creator An entity primarily responsible for making the resource Tramel, Amos Abstract A summary of the resource. There are a few reasons why you’d put something in front of a camera: to say “no pictures!”, to obscure your face, or to stop the flash. Perhaps you’re the one taking the picture, in which case it could be in order to stop a glare, to stop the sun or a streetlamp from throwing off your meter reading, or maybe to break the visual hierarchy of the image. But why insist on pre-exposure manipulation in a time where all the same effects can be achieved ‘in post’, after you’ve taken the image? Perhaps you’re running out of time. In this project, I investigate a position I find myself in—both spatially and temporally. Born too late to have time to spare, I affirm the world via a lens, and raise the question: what is worth doing when you don’t have time to do anything? Date A point or period of time associated with an event in the lifecycle of the resource 2025