<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/258">
    <dcterms:title><![CDATA[Obstructions]]></dcterms:title>
    <dcterms:abstract><![CDATA[There are a few reasons why you’d put something in front of a camera: to say “no pictures!”, to obscure your face, or to stop the flash. Perhaps you’re the one taking the picture, in which case it could be in order to stop a glare, to stop the sun or a streetlamp from throwing off your meter reading, or maybe to break the visual hierarchy of the image. But why insist on pre-exposure manipulation in a time where all the same effects can be achieved ‘in post’, after you’ve taken the image? <br />
Perhaps you’re running out of time. <br />
In this project, I investigate a position I find myself in—both spatially and temporally. Born too late to have time to spare, I affirm the world via a lens, and raise the question: what is worth doing when you don’t have time to do anything?  ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Tramel, Amos]]></dcterms:creator>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
</rdf:Description></rdf:RDF>
