8 24 294 https://library.missouri.edu/exhibits/files/original/2596a6d34b8433921606fb5922766ae7.jpg 72bf9a1461bf9967664e25d57326f10a https://library.missouri.edu/exhibits/files/original/d17e9dfbfbc9038339ead8227b03e4b5.jpg c7cfdcee7e7f07e34a8a2a248f606d2d https://library.missouri.edu/exhibits/files/original/43285d1c5e10991f2bf673ffc123451c.mp4 3d6a22bc55271b8266c0c7ba342fd652 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ancestry Revived Creator An entity primarily responsible for making the resource Gundlach, Hannah Abstract A summary of the resource. The focal point of Ancestry Revived is a Czechoslovakian folk vase with embroidered edelweiss, a flower which symbolized German resistance against Nazism during the Second World War and the ability to grow in the toughest conditions. The background is composed of vibrant renditions of Italian, French, and Czechoslovakian folk art. The flowers were embroidered with thread from my great grandmother’s sewing kit, physically tying the piece to my family and bringing me closer to them through the act of making. The death of my grandparents acted as a catalyst for my interest in researching their lives and discovering more about my family’s countries of origin. Through this piece, I am able to feel connected to lost family members in a way that doesn’t feel sorrowful, but instead celebratory of their lives and the collage that makes me. In this work, ethnically significant icons are collaged and layered together, in the way that each person’s identity is created through generations of combining different cultures and traditions. The icons are layered with such an intensity that it is impossible to focus solely on the edelweiss and ignore the colorful background that tells so many more details about the complexity of my family history. The use of vivid colors brings joy and life back to the family history that can be lost over time if children and grandchildren don’t pay attention to the many stories their older relatives have to share. Date Submitted Date of submission of the resource. 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Title A name given to the resource “Honeymoon” Creator An entity primarily responsible for making the resource Richey, Jacob Abstract A summary of the resource. I translate stories from my music to a physical form with this artist’s book, which uses traditional bookbinding techniques and structure to draw a narrative from materials that may otherwise not seem storied. I explore the permanence of impermanence with the use of natural materials moderately preserved through papermaking and paired with a poetry-guided narrative. This book’s concept arose from my album “Honeymoon,” which is about the death of a former partner after a short but strong relationship — planting the concept of death within the idea of impermanence. I use found plant materials, including flower petals and roots, to analogize the quick bloom and death of springtime flowers with the loss of the relationship. I include lyrics from the album on the pages of the book — both handwritten and transferred — to blend these stories. The flowers that fill the pages are plucked from the ground, swept from the dirt, ridded of impurities, soaked in soda ash, swirled in pulp, and pressed into permanence — all in the effort to preserve a fraction of their life amid their death. Everything in this book is made of things that have died, from the plants in the pages to the content on top of them, drawing attention to life through the lens of impermanence. There will always be things that disappear, that die, that move on from us, that we are supposed to move on from. But this work finds power in preservation in an admission of what must be laid to rest. You can listen to the album "Honeymoon" at this link: https://ffm.to/honeymoon-jacobrichey Date Submitted Date of submission of the resource. 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Title A name given to the resource I’ve Discovered That it’s Mostly About Me Creator An entity primarily responsible for making the resource Jewell, Madolyn Abstract A summary of the resource. My artwork navigates the complex terrain of human connection and our capacity for both compassion and resentment towards those who cause us pain. I explore the nuances of these complex relationships through my depictions of archival familial photographs. My painting joins this conversation about family, exploring the absurdity and beauty of human behavior in close relationships. I extend empathy towards those close to me, as well as those who have hurt me. In a portrait, I study a person’s face, enter their mind, and embody their suffering. In this way, my art becomes a mirror for myself as I process my own emotions through understanding other’s pain. “I’ve Discovered That it’s Mostly About Me” demonstrates what a person’s modern day camera roll may look like, showing a variety of intimate moments with the self and others in each square. The painting invites the viewer to gaze at someone else’s life, despite a camera roll being a personal and guarded possession. The squares within the painting consist of varying emotional states and landscapes. This way of thinking reveals how multifaceted a person can be-blurring the lines of what makes a person ‘good’ or ‘bad’. These ambiguous expressions and diverse color palette encapsulate the intricate nature of a person shaped by their experiences, while showing the vulnerability encapsulated within one’s personal photographs. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/9daf11aaee997db10aca4c0fd04a11c4.JPG 057f3275b4c73b4f45313a7de2117cdb https://library.missouri.edu/exhibits/files/original/1cb8a75d4a589013cdd0f6e3eaa455a0.JPG 7642d5df7b1d9cce86ee2c00889e4531 https://library.missouri.edu/exhibits/files/original/0ec7b5b0f9af4897db28968ab1c94ff1.JPG 5756921519d4f004e0a8896c31fd5319 https://library.missouri.edu/exhibits/files/original/3ac8742b96efb504b1e56e5962fa6a02.JPG a21dc9d26641a3c0169e3c8a1a0bc09c https://library.missouri.edu/exhibits/files/original/558643a8e571102f86f7c741072e4678.mp4 e5229d3e327e720e29116bdfe33b979e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vessels of the Opus Creator An entity primarily responsible for making the resource Ibdah, Malik Abstract A summary of the resource. The alchemical concept of a "Union of Opposites" is the belief that all things in the universe are connected as one whole, and therefore, two polar opposites are actually one in the same. I apply this concept to the ceramic process, viewing it as its own union of opposites between the natural and artificial. Clay is a natural, organic material taken from the earth, and is intentionally manipulated to build a man-made artificial object, in the form of a vessel intended for functional use. Within my own work, I represent artificial and natural dual aspects of the ceramic process by creating functional, structured vessels, which are then altered from the inside to incorporate organic, textured shapes in the form. In these three ceramic vessels, I link my work back to alchemy by referencing the Magnum Opus through the use of color and texture. The first stage of the Magnum Opus is the blackening, and represents putrefaction. I chose this stage to represent the organic aspect within the first vessel. The second stage of the Magnum Opus is the whitening, and represents purification. I chose this stage to represent the inorganic aspect within the second vessel. The final stage of the Magnum Opus is the reddening, and represents the union of opposites. I chose this stage to represent the union of both organic and inorganic aspects within the third vessel. Together, these three vessels represent the nature of the ceramic process seen through the lens of alchemy. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/f7f72016da52c8174a619e23540ed684.jpg b4d74f5933d19a7509a1c113a136199f https://library.missouri.edu/exhibits/files/original/ec705aaadd03bc63d8c143e618f5c15d.mp4 fe42fa42cebaffe210eb7a0d8d9a837f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Garden Creator An entity primarily responsible for making the resource Smale-Murillo, Scott Abstract A summary of the resource. Garden strives to reconcile the physicality of garden plants with the expressive nature of paint. In this oil painting I borrowed colors from Van Gogh’s Irises in order to create my own version of a bed of flowers. The paint has been applied, pushed, pulled, smeared, removed, and applied again to destroy any visual resemblance to the work’s namesake, and yet a notion of the natural world still pervades it. Through a combination of happenstance and deliberate action, passages appear on the surface of the work that seem to flow into each other or float, but by contrast there are also places in which the paint appears to have been cut up or gouged into the piece. The dance of movements required to create this work are as much a part of Garden as the paint itself. Additionally, an overarching factor in the making of the piece was an attempt to capture the creative spirit which I believe underlies all works of art, and in this case is captured through the lens of an appreciation of the natural world. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/a85b955ec50cd4b783cd9a6027f6f931.jpeg e95b291e892773745fc6c0b6f3fc5d88 https://library.missouri.edu/exhibits/files/original/818016c2c4ed4659d6557682038dc643.mp4 6a0ca0644bfba6fe8aa17a8ac358d634 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sigo Rezando Creator An entity primarily responsible for making the resource Ortega, Sofia Abstract A summary of the resource. I use mixed mediums in my work to convey my experience of my cultural identity and familial history, using fibers and printing techniques to stitch together pieces of history like a puzzle. The mixed imagery of my family in Venezuela serves to highlight the themes of motherhood, religion, and family within Latinidad. This is largely inspired by the idea of believing your mother to be a Godlike all-knowing figure from which you sprouted, aiming to visually express my perspective of my childhood. Making sense of religion in the context of my life and investigating the root of my family’s devotion to Catholicism is something that I aim to convey. I feel that unfounded religious worship can lead to blind devotion in other aspects of your life, and the religious rituals learned at an early age can be mirrored by the repetition in the rituals performed while creating art (i.e. weaving, screenprinting, etc.), and learning devotion at a young age can complement and influence expression of devotion as an adult. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/cb2b2191f49a91ba7fa2c907a6ea2f1f.jpg 9ab68f9eef40edcfc906c5ce7fd916eb https://library.missouri.edu/exhibits/files/original/1b34f15cd6f081ef9d4ce02d9f091297.jpg fa7d5b1cdc185194b254b5d9a282b10c https://library.missouri.edu/exhibits/files/original/02a511ee6da950f9b4a9447d5f6dc45e.jpg 3d0601ed56898a5fe7c8682afc4480f8 https://library.missouri.edu/exhibits/files/original/0333b011dfcf088642c755b88da57e9e.jpg 706af53db26659b2d7d64a5966136c4c https://library.missouri.edu/exhibits/files/original/eeb4970fbebc3073132e37cf6086dc8b.mp4 6263936f45705377d32e6c8625c74117 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Building Blocks of a Great Workplace Creator An entity primarily responsible for making the resource Jennings, Dani Abstract A summary of the resource. BUILDING as both metaphor and practice, is the concept for this project. Not only does the company design and create buildings but, more importantly, they emphasize a variety of foundational elements, or blocks within the company to build upon. Building community, connections, value, inclusivity, ideas, and long-term success are just a few of the important principles that NEXT intends to nurture within its workplace. The idea that every employee within a company brings their own individual strengths and weaknesses to the greater whole is much the same as a building. Like each individual material in a building, each individual employee must collaborate and connect to create success. This is reflected in the design in a variety of ways. From the color palette being inspired by raw materials to the acoustic ceiling panel positioning, building systems imagery is woven throughout the entire office. The logo itself is a system of random blocks inserted into an empty steel frame spelling out NEXT. Without the wooden blocks, the frame would be hollow and cold. Date Submitted Date of submission of the resource. 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Title A name given to the resource Mizzou Sports Arena and Recreation Center Creator An entity primarily responsible for making the resource Jenkins, Grant Abstract A summary of the resource. Being new to Columbia and the University of Missouri in 2021, I was excited to expand my horizons and explore a world that was new to me. Having always lived in a small town, I was thrilled at the opportunity to explore my architectural creativity in a big, new world. I couldn't wait for the motivation I would get when moving into an environment that I thought would peak my craving for design. I was looking for design inspiration like that from Santiago Calatrava’s, The Oculus, or Rem Koolhaas’s, Seattle Public Library. I quickly realized however, that I was too naive, and Columbia lacked the inspiration and unique design I was hoping for. The campus's historical buildings, Memorial Union and Jesse Hall are exceptional, but provide no inspiration for a student like me. In my third year as an architectural studies major, after finally gaining adequate experience, I could show off my motivation. What better way to put my abilities to the test than to make a grand sports arena right here in Columbia. In my opinion a unique piece like a sports arena can define a city, a city like Columbia, which lacks such a piece. They are bold and extravagant and only one's imagination is the limiting factor. My design for the Mizzou Sports Arena and Recreation Center came from my motivation to provide Columbia with an awe-inspiring piece that sets it apart from the rest of the city. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/7f39e137df1104e4fdf71619ee3202f7.JPG 85de7e09f40861434ef5aa2fe658d134 https://library.missouri.edu/exhibits/files/original/847d4489c1a82f91ab331c3cd0cd4c42.JPG 01a73d8b17166c327edb9ba3f475c385 https://library.missouri.edu/exhibits/files/original/3c5d5c76b2de93d5e0b2692136634161.JPG 5fff27d4f40b2072e6052870518aef6b https://library.missouri.edu/exhibits/files/original/832dba62e562e2aa00567648a5fd14cb.JPG c4ad56768ddb8c2b1326d0ad71bfe8ed https://library.missouri.edu/exhibits/files/original/ea6f73aef8334e16aca90ad472e88b35.mp4 06431c282257ba36603ebcac24932f24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chrysalis – 2023 NEXT Student Design Competition Entry Creator An entity primarily responsible for making the resource Grade, Hannah Abstract A summary of the resource. My submission for the 2023 NEXT Student Design Competition consists of the transformation of an unoccupied office space in Dallas, Texas for NEXT, a fictional global architecture and interior design firm based in Los Angeles, California. The inspiration behind my design for the space was derived from a butterfly’s chrysalis and what it represents: growth, transformation, and rebirth. The aspiration behind my concept was for anyone who is visiting or employed at the office to enter feeling inspired and exit feeling fulfilled. The NEXT office is a hub of creativity and artistic exploration, and I aimed for the design to reflect that ethos. The office’s design draws from the chrysalis motif in several ways, including the color palette and metaphorical implications, symbolizing the potential for growth and transformation, akin to a caterpillar emerging as a butterfly. To develop my concept, I utilized evidence-based design principles, incorporating studies on color theory, biophilia, and ergonomics to ensure optimal benefits for all users of the space. One of the key priorities of the design was to ensure the office's accessibility and inclusivity for everyone, achieved through the use of a gender-neutral color scheme and compliance with regulations for those with physical impairments. The following boards illustrate my efforts in designing and developing this space to meet the client's desires and requirements. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/cdcf52b0b8ea6509ef62d3e0bacb0f9d.jpg 16d430761572633e16f941a76468ca8c https://library.missouri.edu/exhibits/files/original/4e6ef887e61fb666078d91d2e0aa3f77.jpg 30c2ab1d001c40017f28a6e14706869c https://library.missouri.edu/exhibits/files/original/cae4e7d9ea85fe6ad3bc1bbbb075c053.jpg ed59439480273f53f9904e8b7f7045b9 https://library.missouri.edu/exhibits/files/original/39c50b304eb73429334b7948c07c8340.jpg 8d303e5e516cac1213d6b39d33c2abef https://library.missouri.edu/exhibits/files/original/04eb4a07cd1c80a8b1c4c6e2a007df09.mp4 72bfe4b1bb15a508e85a71cc23e79f18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hawthorn Architectural University Creator An entity primarily responsible for making the resource Al-kharabsheh , Laila Abstract A summary of the resource. The building will be envisioned as a dynamic learning environment where education and nature intertwine. That is based on creating an organic fusion of the interior and the exterior spaces in Varied, flexible spaces that accommodate diverse learning styles. This will encourage a dynamic and interactive learning experience that adapts to the needs of each student. Also, the building will be envisioned as a living, breathing entity that coexists harmoniously with nature while actively nurturing the intellectual growth of its students. This project will aim to create a sustainable relationship between the earth and our built environment through the water collection system. The design is an abstract of the hawthorn flower. This native symbol is common in Missouri and is recognized in Columbia. It will enhance the aesthetic appeal and forge a profound biophilic connection rooted in cultural significance. The building's three distinct forms are an abstract of the flower's delicate petals and ingeniously house classrooms, service areas, and offices. Through the Hawthorn Architectural University, the school becomes a hub for knowledge and a nurturing space for students to flourish, innovate, and grow into the architects of the future, fostering a deep appreciation for sustainable design principles and creating a transformative learning experience. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/6551af68aa5211c24085c6d4807fa413.png 10529b3e642491b2ec226ed03fd966e8 https://library.missouri.edu/exhibits/files/original/4e080cb5156d764a99794a637f4f24cf.jpg 0a090d3ecb6a1a9228f9906909cf00ca https://library.missouri.edu/exhibits/files/original/18cd72a54951be518af1c951aab61a1f.jpg a04ff99ad9dc99fda64196bc16238224 https://library.missouri.edu/exhibits/files/original/e68e275bc391d7d190b5f54e6359d9aa.jpg 7d694f3135095a54cf53dd1928a3d6a9 https://library.missouri.edu/exhibits/files/original/9a49956bca5a828f60a842dae211a9d7.jpg a2424f02da83bb534a889f8a9a59fd6a https://library.missouri.edu/exhibits/files/original/ef519a273a53da13b82c43f9b4839bfc.mp4 41136537983b506367fb3d4bf61029fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vellum Digital Arts School Creator An entity primarily responsible for making the resource Frankenhoff, Riley Abstract A summary of the resource. This design is a magnet school for digital arts. When starting this project, I wanted to combine collaboration and nature. There are open spaces for students to sit and eat inside and outside. The roof facing west is accessible to walk up and view around the building. I also included walkways around the building's ground to explore the greenery north. The ramps were my way of showing movement and character in my building. Date Submitted Date of submission of the resource. 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Title A name given to the resource Tiger Rapture Creator An entity primarily responsible for making the resource Tobias, Cal Abstract A summary of the resource. The great sportswriter Steve Rushin once wrote a column, titled “Wrigley Rapture,” a beautiful first-person account of a Chicago Cubs day game at Wrigley Field, during which he hears this interesting exchange: A cell phone bleats behind first base, and the shirtless man who answers it says, "What? I can't hear you. No, I'm at Wrigley, watching these *&@#%! losers lose." But the complaint sounds insincere, halfhearted. Some are used to watching their team lose. Mizzou men’s basketball fans, who were treated to a 25-win season last year and an NCAA Tournament appearance, now are forced to endure a 14-game (and counting!!!) losing streak. If someone calls a Mizzou fan who is at a game, and the fan answers, “No, I’m at Mizzou Arena, watching these *&@#%! losers lose,” would it be insincere or halfhearted? Perhaps the losing has gotten so bad that the fan would be truthfully answering, meaning every bit of what he says, unlike the Cubbie fan. Those who, like me, who have watched every excruciating game, know what has taken place. We have seen the players lose hope. We have seen the coach cuss and scream in vain. We have even seen the mascot– joyous Tiger that he is– join in on the misery. In this photo series, gathered by me at the arena as I cover the men’s team for the sports blog Rock M Nation, I explore the experience as close to the action as anyone can get– as a credentialed press photographer on the court. Date Submitted Date of submission of the resource. 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Title A name given to the resource Behind the Curtian Creator An entity primarily responsible for making the resource Acton, Hunter Abstract A summary of the resource. I have always thought drag was a beautiful art form, but I didn’t know much about the process that went into its creation. In our current political climate where gender expression and performance are being criminalized, I wanted to bring the viewer behind the curtain into a drag performer’s personal space where they could see the creative aspects and artistry of crafting the persona. In Behind the Curtain, I explore the intimate parts of drag to capture not only the performer but also their environment. For this project I took inspiration from many sources including the photobook of Jess T. Dugan’s, Look at Me Like You Love Me. In this book Dugan combines portraits and still lives to tell a very personal story about relationships, solitude, family, loss, healing, and the transformations that define a life. I employed Dugan’s technique to include still lives of the drag performer’s room and the aftermath of the performance. Like in Dugan’s work, my photos capture the direct gaze of the subject, creating a connection with the viewer. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/3270a339934a480879d8da3bbf48bb25.jpg 140228487171d49a57b016b4d59f87a1 https://library.missouri.edu/exhibits/files/original/cd6f7eabec80ec9aa73797e41d6a502d.jpg 047327cd40012619f56da067a5529eaf https://library.missouri.edu/exhibits/files/original/047978e32e2687299ec1686cbbb82590.jpg 3c68ee1f14d83e6db5f2cc947fe9360e https://library.missouri.edu/exhibits/files/original/65b04bc0790f0ed43d74d4ad4aca3374.jpg 085e514c537497880af9127d8e5e614f https://library.missouri.edu/exhibits/files/original/deb241cedcc3f303c56c44892383a116.MP4 2050091e0258920e230d9f3a20ccadf9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Blue Moon Creator An entity primarily responsible for making the resource Forrest, Megan Abstract A summary of the resource. This series was documented during the Blue Moon lunar event that occurred on August 31, 2023. This phenomenon is documented in a way that aims to challenge the conventions of traditional documentary Photography by rejecting the impulse to capture the climactic event and instead using it as a condition to inform the work and observe indirectly. It considers the Blue Moon and its relationship to the landscape to be as extraordinary as the phenomenon itself. Date Submitted Date of submission of the resource. 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Title A name given to the resource Golden Bear Creator An entity primarily responsible for making the resource Fox, Molly Abstract A summary of the resource. As a bear crossed near me in a field in the Outer Banks of North Carolina, I peered out the sunroof of my car with a telephoto lens. I was able to produce a collection of captivating photos with the sunlight shining off of the black bear’s fur. While safe in an unfenced reserve, these wild bears could wander free, and it was amazing to see them approach us in a perfect position for golden hour photos. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/284ca69fe8b6d4b768f18d40be8e2bbc.jpg d59e8f40d55020cf239cbf2c544129bf https://library.missouri.edu/exhibits/files/original/1379345227fd9e63adc7588702adfcd4.jpg f7b363fc188914f048164c6ae08e0aa5 https://library.missouri.edu/exhibits/files/original/c2439d2957c6f4c3eea6d2c678462ded.jpeg 53ac85a2f1d92fd67894b6a50ca0d567 https://library.missouri.edu/exhibits/files/original/3242f223c9cb876ea1f5dd24d3d97cc4.jpg f0bc70b5afd987d77f683da8cb41516d https://library.missouri.edu/exhibits/files/original/b47455c68f1693a3e3d226ed9590e660.mp4 3ce010717280b72e4fd02137c8233ad3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Black Utopia Creator An entity primarily responsible for making the resource Davis, Trinity Date A point or period of time associated with an event in the lifecycle of the resource A Utopia is an imaginary community or society that possesses highly desirable or near perfect qualities for its members. In my work Black Utopia, I imagine this condition for women in my community. Inspired by artist Tyler Mitchell, my photographs describe self-love, empowerment, and intelligence. I am pushed to create lyrical, poetic, almost sculptural works, which foreground the elegance I see within the African American community. Knowing that a Black Utopia will never be obtained, I am inclined to create images with a futuristic, almost unsettling touch. Many of my photographs block or restrict visual access to the portrait subject by way of nature, referencing the impossibility of Black Utopia. I am highlighting African American women in a way which uplifts and counteracts negative stereotypes placed upon us by mass media. Date Submitted Date of submission of the resource. 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Title A name given to the resource MANifest Destiny Creator An entity primarily responsible for making the resource Thomas, Tyler Abstract A summary of the resource. This project is a part of a larger work that explores masculine vulnerability. Through this project, my goal was to capture and investigate the contrasting nature of the vulnerable man. College is the first taste of independence for many young adults. For this reason, the time young men spend at college are significant, as the relationships they build tend to be the most genuine and heavily relied upon. When these relationships are not formed, there can be dire consequences. Manifest destiny is a phrase that summarizes men’s desire to forge their own path to success. Some would suggest that the desire to avoid the formation of deep relationships is inherently masculine. As a result, men often self isolate. In my photos, I capture both sides of this coin, capturing soft flesh and thick skin; cold stares and pain-afflicted eyes; the broken and the healed. This is the masculine experience. Date Submitted Date of submission of the resource. 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Title A name given to the resource Midnight Creator An entity primarily responsible for making the resource Keys, Allison Abstract A summary of the resource. This garment, Midnight, was created from scratch, inspired by the American performer and icon, Ginger Rogers. Starting from initial inspiration drawn from her movies, dancing, photoshoots, and incredible fashion taste, I began exploring silhouettes from each decade Ginger thrived in through draping. I landed on a 1930s length and fit that emphasizes her sophistication and elegance through a sleek navy material enhanced with sheer embellished bell sleeves with a faux fur trim and added flare for dancing. Each of these features honors a different aspect of Ginger's inspiring personality that I felt connected to - elegance, sophistication, timelessness and youthfulness. When conceptualizing a new creation I strive to design a piece that aligns with the overarching theme, idea or person in question but also with my personal design aesthetic. After bringing my design and idea to life I hope the viewers are able to feel and understand the sparkling and inspiring presence of Ginger Roger, and even inspire them to embrace their own unique style with confidence. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/12939425264e84a27f0c16567d2cee5e.JPG 7f88e4e5c5608db79670665342c0636b https://library.missouri.edu/exhibits/files/original/f3de63daac5d1f9a4a349a6575b78779.JPG 590f0aa17ba5fdd0be598df108a6e187 https://library.missouri.edu/exhibits/files/original/4d8564e80af5e2374644d0cae7b32659.JPG 4c7e401925816bdd5119b908b419db7b https://library.missouri.edu/exhibits/files/original/ad9d916a40ef6f4702c7c6f758272611.JPG fd97139f7430941e509bf2d344c8106f https://library.missouri.edu/exhibits/files/original/71c30a97b1a2bd4ccd3e1442d3c9240d.mp4 b2b0668afdfe501b9db1ffece4a764bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Times Square Creator An entity primarily responsible for making the resource Biritz, Lauren Abstract A summary of the resource. My primary goal for this design was to showcase how unconventional materials can be given a second life through fashion. In my digital design course in the Fall of 2022, I was tasked to develop a digital concept for a sustainable apparel line. This led me to explore vinyl billboards and how they can be reused for apparel. Through my research, I discovered that about 25 million square meters of billboard fabric waste is generated annually in the U.S. While billboard vinyl can be recycled infinitely, they are still dumped into landfills and never break down. Since billboard vinyl is specifically designed to withstand harsh outdoor weather conditions, upcycling it when it reaches its intended end of life can create incredibly durable apparel products, limit landfill waste, and reduce pollution. Still fascinated by billboard vinyl after the semester ended, I decided to actualize my digital concept by purchasing a billboard. Times Square draws inspiration from 1960s styles, specifically the paper dresses, the space race, and mod styles. Featuring an A-line silhouette and color blocking, the dress leverages unique properties of the vinyl and transforms the wearer into an advertisement, reminiscent of Times Square itself. This dress not only highlights the potential for creativity in sustainable design but also emphasizes the need to reduce waste in the fashion industry. Through this dress, I hope to inspire others to think outside of the box, reconsider how they view the materials around them, and contribute to a more sustainable future. Date Submitted Date of submission of the resource. 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Title A name given to the resource Ginger Rogers X 1970 Wearable Decor Creator An entity primarily responsible for making the resource Funderburg, Will Abstract A summary of the resource. For my inspiration for this design, I wanted to take from the design elements of 1970s decor mixed with Hollywood actress, Ginger Rogers. From the 70s decor, I chose a floral wallpaper design and a corduroy chair, and used these textiles and design elements for my final design. I wanted to mix these 1970s elements of this with Ginger Rogers love of dance and movement created by her garments. For my design process, I wanted to take inspiration from both 70s fashion and Ginger Rogers fashions. Ginger's love of godets adding them into the classic 70s bell bottoms and lined bell sleeves helped add the movement and drama I was looking for. For my pattern making process, I drafted the shirt using paper manipulating the darts into princess seams, adding yokes, and adding fullness to the sleeves and collar to create drama. For the pants, I used CLO3D and drafted each piece using the software. I wanted to give the look of the chair in the pants with the appliqué on the side to give the same feel as the chair design style. Along with the use of the 70 floral print from the shirt to the pants back pockets and godets. I hope this garment portrays the whimsy and grooviness of the 70s, with the movement and flair of Ginger Rogers, to show the free expressive side of both in this piece. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/165875d01c53b285c17684966076dae2.jpg deeff6d271c0233478cc050128221fcd https://library.missouri.edu/exhibits/files/original/8ffd1ca3f2d8777fef99381117304bec.jpg 952ef8187e12b1c0464db3262d1f7657 https://library.missouri.edu/exhibits/files/original/a5d97cfeb97adc37915456e3f89138f9.jpg 57abf9e9aa8cdaf5ead9c55dad4bebd5 https://library.missouri.edu/exhibits/files/original/88350001b4be3946dd9ea220dfcf4746.mov 6d4256ff752aa09dfaf74dc180af14bd https://library.missouri.edu/exhibits/files/original/1f4c84c24e7bd698f100f442839b8f45.mp4 7852c28520c8f8ddb55bc7459063dc17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource PYROFUSION Brand Guidelines Creator An entity primarily responsible for making the resource Smith, Ally Abstract A summary of the resource. As the designer behind PYROFUSION, I embarked on a journey to craft not just a product, but an experience. At the heart of this endeavor lies the meticulous crafting of an entire ecosystem of identity and experience, as reflected in the comprehensive brand guidelines I have created. I began with a vision to redefine the boundaries of outdoor cooking, infusing each element of PYROFUSION with a distinct blend of tradition and contemporary flair. Drawing inspiration from elements of fire and smoke, I embarked on a journey of exploration and experimentation, manifested in the brand wheel, mood board, competition sheet, and concept ideas, all curated to embody the essence of PYROFUSION. PYROFUSION embodies a blend of rugged durability and sleek elegance, resonating with both the seasoned grill master and the aspiring culinary enthusiast. Every aspect of its design, from the sleek logo to the intricate brand guidelines, speaks to the ethos of craftsmanship and excellence. At the core of this project was the creation of comprehensive brand guidelines. From the precise specifications of the logo design to the color palette inspired by the hues of a blazing fire, every detail has been thoughtfully considered to ensure a cohesive and immersive brand experience. Through the lens of the brand guidelines, I aimed to encapsulate the essence of PYROFUSION, a celebration of craftsmanship, flavor, and community. It serves not only as a roadmap for design consistency but as a testament to the passion and dedication infused into every aspect of the brand’s identity. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/ee33ccd114f7bacdafe682893bf5da99.pdf 525a9f056331353eb21b23b97310b0cd https://library.missouri.edu/exhibits/files/original/6b9154c8dd231087d606848102d085f7.mp4 d2dcdd7f3f726095d7839827dd5b64cc https://library.missouri.edu/exhibits/files/original/1b98a7bf6aacee7aa97d3f50af359da8.png 9778f0d1ec96904567833cbae0395f2d https://library.missouri.edu/exhibits/files/original/a8d9f22eddd0009744910298e12e6259.png ec10daa1240685a1b9f56d4ec5796862 https://library.missouri.edu/exhibits/files/original/2038edca3467aa2cb62bd48aea1ebfb2.png e5a8d2bd81ffa40e0054a6846c746352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pitch Deck for Mockups and Mocktails Creator An entity primarily responsible for making the resource Radke, Grace Abstract A summary of the resource. The main idea behind Mockups and Mocktails is about creating a space for creatives to meet other people similar to them, being able to share ideas and reduce burnout. Mockups and Mocktails is a place for college graduates to make friends outside of work because there aren’t as many personalized spaces in the professional world like there is in college to meet people. This is a space for creatives to enjoy exciting, one-of-a-kind drink concoctions while making a friend or going out for a business meeting. Mockups and Mocktails is the place for creatives in their 20s-30s to unwind after work and enjoy good conversation and good ideas. In terms of branding, I wanted to put an emphasis on the ampersand sign, because the idea of the brand is merging two unlike concepts into a unified brand. Merging unlike concepts is something that artists do everyday, making this idea the perfect backdrop for a brand that is looking to engage with creatives. The original scope for this company was that it was a non-alcholic bar, with a 70’s, retro feel, which is why I chose the specific colors and typography featured in the pitch deck. I wanted the branding to feel sophisticated and creative, drawing in a crowd of artistic professionals looking for commonality in a shared space. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/98439988b9383e4cfcd9265a2e6c84d6.png b973bad9a4d469ea86a9271f5d1a26c0 https://library.missouri.edu/exhibits/files/original/60293fbbdb4ca0895b6fd6600ba8e5ae.png 8029dd7367be64d166d600cbf5afce01 https://library.missouri.edu/exhibits/files/original/b99d4b9e0cbba532295da1990207dfae.png a1523735a72f60bda8b14ae2ca7e622c https://library.missouri.edu/exhibits/files/original/4edbd0b183fc3ff1ad67b50bc2de949c.png 791a7add94c75fbe18536e3870d52af1 https://library.missouri.edu/exhibits/files/original/bb9eaebbeb292c7d9f48eb11ea1f78ed.mp4 86f7340d5132c97917bc5c94a3ac440e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Our Amazing Planet Creator An entity primarily responsible for making the resource Cowen, Jae Abstract A summary of the resource. Nature was so important and influential to me as a child, and as an adult, it is one of the only spaces that helps me with anxiety in a world that usually heightens it. As the author, illustrator, constructor, and designer of this project, I aimed to ignite the same sense of excitement and curiosity in young readers about the natural world that I have, while also instilling a sense of responsibility for its preservation. Through colorful illustrations and a rhyme pattern, the book invites children to explore different ecosystems and also hints at some ways to protect them. In a world increasingly dominated by technology, I believe it's essential to provide children with tactile, sensory experiences if you want to captivate their attention, hints the pop-up aspect. This process involved a lot of research, X-acto knives, and patience, but I am overall very happy with how it came out and think that the Pop-up format will help make this book hold children’s attention. It is so crucial for all humans, not just kids, to think deeply about the planet and how their actions can affect its future. This is why I included some “easter eggs” for adults who read the book to find as well. Through hidden graphs and extra text, more mature readers will see some more pressing data that isn’t so “kid-friendly” but gives a taste of how important switching to a more sustainable lifestyle and mentality is for everyone. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/b81cdf1ec8cc858b34926847dfe6419e.JPG c06edb21852dda5779a1d2c9ab075517 https://library.missouri.edu/exhibits/files/original/9df77e2dafee559a8f3467123b99cabc.JPG 6b1c8b837584fadb8541ff3cd4eb3260 https://library.missouri.edu/exhibits/files/original/fb876efa26dec3b5b262edd7e12c3d70.JPG cd6a6be6943cd05c85c02131a43211cf https://library.missouri.edu/exhibits/files/original/cd01c855a7b4f5f0337adb94e71825cc.mp4 ae5dec0c8b5a59e4bfcd39db34bd5be6 https://library.missouri.edu/exhibits/files/original/60aaf7cfc71f17bece71df36fc7285b6.mp4 dc6f828a1a2e083984f94f468815e642 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beautiful Moon Creator An entity primarily responsible for making the resource Gobble, Jordyn Abstract A summary of the resource. Beautiful Moon is a 16 page graphic design piece outlining the brand guidelines for a fictitious landscaping company of the same name. While it may not look like it at first glance, this project is rooted in the idea of healing. Firstly, it targets healing the earth through its use of native plants and rain garden techniques to ensure natural growth and strategic flooding. Secondly, it targets healing the mind of the consumer through providing a method of escapism in its transformative gardens that take you to alternate worlds and promote meditation through its configurations. The design elements outlined and utilized in this piece work to convey these sentiments. The name Beautiful Moon is derived from the phrase “The moon is beautiful, isn't it?,” a direct translation of the Japanese term for I love you; in having this name, it creates a silent exchange between the consumer and the earth, thanking each other for their help. This message is expressed visually through the company’s logo which depicts a leaf undergoing the phases of the moon, creating imagery of natural growth and conveying the concept of transforming into a new world, a new day. Lastly, the use of a muted color palette, yet vivid imagery, is used to emphasize the harmony between reality and fantasy. Altogether, the hope for viewers is to be able to visualize this company in actuality through not only the information provided, but the design and incorporation of these elements into the branding itself. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024