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Title A name given to the resource VADS2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource VADS2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Title A name given to the resource VADS2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Fly in the Ointment Creator An entity primarily responsible for making the resource Mathews, Zayda Date A point or period of time associated with an event in the lifecycle of the resource 2023 Relation A related resource Part of the VADS 2023 Digital Exhibit https://library.missouri.edu/exhibits/files/original/da62c45deb645fce4bf9cc2fa6af8e60.jpg e2890a05670847594a4ca2a4862c1025 https://library.missouri.edu/exhibits/files/original/92e3208bf3982332276c9f106cd3bad2.mp4 526217f163fb0c70f696611d8ea53c4b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Golden Air Creator An entity primarily responsible for making the resource Hardy, Danielle Date A point or period of time associated with an event in the lifecycle of the resource 2023 Relation A related resource Part of the VADS 2023 Digital Exhibit https://library.missouri.edu/exhibits/files/original/9aa0a8b84c85f4810cc856765f9bd1a6.mp3 df2d23de7940e5f79246262cc889895f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Whitney Manney Relation A related resource Part of the VADS 2023 Digital Exhibit https://library.missouri.edu/exhibits/files/original/5fa223f5592bb37f7802e305b251c7a2.mp3 69626655d9c2c8b4ab8a81b610d844fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS2023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Jason Lazarus Relation A related resource Part of the VADS 2023 Digital Exhibit https://library.missouri.edu/exhibits/files/original/8dfb621f7d850145754483ded34a6847.jpg b622f3f4b154e3f686375aebbd26c5a1 https://library.missouri.edu/exhibits/files/original/01a6bde0bf279524acd4247743265017.jpg 93466f34fc201ae377c269bf6c8c0b0b https://library.missouri.edu/exhibits/files/original/6793688fa31d1e1e9a282000620568ca.jpg e334bb4f6ff03e694325125ef068f6b4 https://library.missouri.edu/exhibits/files/original/e4897974149c5472309739cea0402d99.jpg 32943260ca522424c6cbb2ce389c0a0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS2024-Jury-ShelleyJordon-Headshot Date Submitted Date of submission of the resource. 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Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/536381f5a769656a519592e4bc896aad.jpg c11dc9dccc65485eda4089589991a37a https://library.missouri.edu/exhibits/files/original/ae703dfdff55b4a9bf3c3081ac70b35e.jpg dc16e7eda1652836fd84b25b89ea2948 https://library.missouri.edu/exhibits/files/original/f223dd66e256007b338fac3b417976b5.jpg b5d2199e462ff5ab49bfa6f836d10195 https://library.missouri.edu/exhibits/files/original/258f4a313062d579a6e3c93ebff9ba2f.jpg 91151230f41640604194688d1bb32726 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS2024-Jury-KimiKitada Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/e6ec4ca84b9982c119b5967a1a6b3e57.png 4dd7d7e022b90a98d1824ad47461cd10 https://library.missouri.edu/exhibits/files/original/e26c3588a2876df1f5ab0dddae666d8a.png 352af7291686c55efa7abe8dd976c4ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VADS-Sponsor-SagerReeves-Logo Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/807bf6bf8d2d53c1004d02f6f77e20ee.jpg f253568bea4a0235ce3d858dd8706d1c https://library.missouri.edu/exhibits/files/original/4789631f5dda350a00ffd742fad9c855.jpg ce3b3893920f3006e0e317bc660a8178 https://library.missouri.edu/exhibits/files/original/31df35f42010cd6700d3b023a26039f6.jpg c3a6bbb01b8c2a6a2d8fa595f12fc736 https://library.missouri.edu/exhibits/files/original/b93c1458fa9d0baef0ec67e3479bdfed.jpg 1031170624aad6e1d1abec715a4ecfd5 https://library.missouri.edu/exhibits/files/original/fc205af3809b2d51b88bd1512c6ff6d9.mp4 61da91a5c6a84b709b65c24f8aa35ed4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Hardest Part Creator An entity primarily responsible for making the resource Dixon, Avery Abstract A summary of the resource. This piece deals with the way faith is viewed and felt as a person grows up in the church. The stories we are told as children differ greatly from some of the stories we are told as we age. The arm is symbolic of engagement with the faith and the high and low points, twists and turns represent the varied trajectory of a person’s faith life. The imagery follows the story arc we are told growing up, starting at the origin of the piece with classic childhood tales of Moses and David and Goliath, moving gradually towards one of the scariest parts of the Bible, the book of Revelation. The highest point of sgraffito design reads “OBEY” on the knuckles. This is the command that is taught throughout the entirety of one’s life in the faith and it is the command that makes a person worry about the state of their soul. This is the hardest part. If they are not obeying well enough or lack faith in the grace of God, “obey” quickly becomes a daunting command. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/f9fcb466ec3ab52a32282338a67fdaed.jpg d215664193ed102f1a5a07ed8655e855 https://library.missouri.edu/exhibits/files/original/117793ce87625f268725ccbcd82977b3.jpg 10f8e828b19d91ba4f274c1cc09a5a9e https://library.missouri.edu/exhibits/files/original/ab3a4997dd937f9be4f8bb1c1d19ed69.mp4 94e020eeb344fd4abc0abed5e171c543 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bird Stories Creator An entity primarily responsible for making the resource Topham, Caroline Abstract A summary of the resource. The idea for Bird Stories came into being in the middle of a field on my weekly birdwatching trip, one week after the end of a deeply meaningful relationship. In each of this pair of colored pencil drawings, birds embody an emotional experience that I have gone through since that loss. Magpie, thief of shiny objects, brings me treasures from an old life to comfort me: little pearls, a door key, a single forgotten sock. He drops these crumbs of yearning around me as I crouch, vulnerable. My pose is more open in Winter Birds, a piece inspired by my love for the small plain birds that remain behind when their brighter cousins fly south. Their perseverance is echoed by the depiction of wild persimmons, which ripen after the first frost. Together they represent spots of simple beauty in the cold times. Bird Stories is intended to be dreamlike. My nakedness and the lack of a defined background deny any specificity as to time and place. These are feelings, not memories. Throughout the work I pay special attention to my body, especially the colors in my skin. I build form through repetitive hatched marks and layers of overlapping. The relationship between myself and the birds is central. My body is a site of attention, touch, and renewal, while the birds (my feelings embodied) come to me as a force outside of myself; they are the grief and the hope that have come to visit. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024 https://library.missouri.edu/exhibits/files/original/c2e823985741c02cedff8b311a5dc8e5.jpg 0b5acac5824265a1088a19f1c6431971 https://library.missouri.edu/exhibits/files/original/082ee97e873fc0d884fda94cd7d58abd.jpg 65d6eb40949079389ab20de34f1e0090 https://library.missouri.edu/exhibits/files/original/2dc0e0f68c4c2fbaf1b5df590d22a262.jpg c0c58b1d2bd7a3299c59b3053df9606b https://library.missouri.edu/exhibits/files/original/7f76bf66ca3b73d9cb712d1fa333f7e4.mp4 8f239056b5cea64a459eef2ca3b2084f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Opacity of Grief Creator An entity primarily responsible for making the resource Jackson, Esra Abstract A summary of the resource. The Opacity of Grief is a closed wooden coffin, where five transparent, acrylic panels slice through the structure at equal intervals. The familiar symbol of the coffin alludes to grief, while the plexiglass sheets act as both obstructions to and interruptions within that process. This plastic intrusion into grief can range from a lack of healthy coping mechanisms to engulfing life circumstances to rigid, prescriptive cultural norms surrounding death. On a personal level, this sculpture represents my experience grieving my mother, who died when I was fourteen. Left without any tools or people I trusted enough to help me through the depth of my grief, I found myself emotionally paralyzed, passing listlessly through the motions of living, or rather, surviving. As of recent, I’ve felt safe to begin embracing vulnerability and feeling, willing to actually bear her absence, and yet, my grief hides from me. Its ghostly inertia rests invisibly on my chest, heavy enough to register, but light enough not to impede. In this way, it’s opaque, unseeable in its transparency, there but not there, recognizable but intangible. Much of my work is an effort to reconnect to this lost grief and to my mother, to tangibly record their fleeting presences, to reconstruct a body that’s long passed on. I hope viewers will be moved to interrogate their own relationship(s) with grief, as both physical and spiritual, personal and collective, as well as with those for whom they grieve, the bodies whose presences they feel but can no longer touch. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2024 2024