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                <text>All That Remains (and That Which Does Not)</text>
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                <text>All That Remains (and That Which Does Not) is a video art piece projection mapped onto a framed soft sculpture made of tumbled glass and hand-knitted ribbons of acrylic yarn. &#13;
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The imagery used within the projection contains documentation of an animation made from live EEG data and phone recordings of natural and man-made bodies of water. The EEG- based visuals are Illustrator vectors which were animated according to data on brain activity and facial expression, input from an EMOTIV EPOC headset through Touch Designer. &#13;
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                <text>A floral installation dedicated to the memories made with my grandma and how those moments of grief and time have molded my family into who they are today. Tints, tones, and shades of brown curly willow create movement and swirls within this floral tribute for the evolution of grief and growth after loss. &#13;
There are five well-known and recognizable stages of the grieving process: denial, anger, bargaining, depression, and acceptance. But I believe there is an unexpected sixth step, and that is remembrance. Remembrance makes us feel waves of emotion: sadness, frustration, and even happiness. No matter what time passes, there will always be small reminders of the person you love. Those memories, while they may be hard, will allow you to enjoy small pieces of who they were and how they made you who you are today. &#13;
My grandma was rooted in a kind of dedication and love for our family. She could be found baking fresh cinnamon rolls or taking steps to ensure that our family farm prospered for generations to come. She was grounding and she supported us. &#13;
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                <text>In this piece using the medium of modern dance, I explore the complexity of the performative aspects of our lives. Using movement that expresses the discomfort our body and soul experience when we are fitting into roles or norms that are limiting, I explore how silencing our authenticity is damaging to our psyche and spiritual need for self expression. Using a public space while filming this choreography, this piece experiments with the boundaries we draw to maintain our composure, to uphold conformity for safety even at our expense, consciously and subconsciously.</text>
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                <text>Our design highlights the craftsmanship of Vespa products through imagery and graphic style inspired by vintage Italian posters. Our goal is to showcase the brand’s heritage and longevity through thoughtful design choices. &#13;
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                <text>Benedek, Madddie </text>
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                <text>Seven Zero - Spirit Free Lounge is a seventies inspired bar serving zero proof cocktails. Seven Zero aims to create a welcoming atmosphere without the pressures of consuming alcohol.&#13;
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                <text>C. Howards, C. Heaven: Heaven is a Square</text>
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                <text>C. Howard’s ‘mints’ are an enigma worthy of their cult following. With odd flavors like violet, lemon, and guava, these mints border on pocket candy. To play on the playful nature of C. Howard’s flavors and to express their proper pronunciation (often mistaken for ‘chowards’), we created the C. Howards, C. Heaven campaign for our Strategic Communications Creative Portfolio class. Placing the ‘C’ of C. Howards next to the insinuated “see” of ‘C. Heaven’ both expresses the brand’s proper pronunciation while illustrating C. Howard’s unique taste. To visually communicate the flavorful heaven of C. Howards and nod at its iconic square-tab shape, we paired psychedelic language with characters dressed in bold prints, each dreaming of their own, surreal digital collage. To enhance the connection between C. Howard’s eclectic brand identity and that of its far-from-square enthusiasts, we matched each character’s color palettes to the flavor they represent. For our video extension, we amplified the joking connection between squared-shaped C. Howards and psychedelics both visually and sonically, with video copy to clarify that we are indeed talking about a minty-ish, candy-ish product. The mid-century setting, hand-drawn multimedia animation, and fast-paced synched sound with the song “Barley” by Water From Your Eyes’ all combine to create an attention-grabbing video that can break through the social media clutter. With this campaign, we aimed to create multimedia print ads and video content that are memorable and can exist as advertisements and as standalone art. </text>
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                <text>Nature was so important and influential to me as a child, and as an adult, it is one of the only spaces that helps me with anxiety in a world that usually heightens it. As the author, illustrator, constructor, and designer of this project, I aimed to ignite the same sense of excitement and curiosity in young readers about the natural world that I have, while also instilling a sense of responsibility for its preservation.&#13;
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                <text>The main idea behind Mockups and Mocktails is about creating a space for creatives to meet other people similar to them, being able to share ideas and reduce burnout. Mockups and Mocktails is a place for college graduates to make friends outside of work because there aren’t as many personalized spaces in the professional world like there is in college to meet people. This is a space for creatives to enjoy exciting, one-of-a-kind drink concoctions while making a friend or going out for a business meeting. Mockups and Mocktails is the place for creatives in their 20s-30s to unwind after work and enjoy good conversation and good ideas.&#13;
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                <text>As the designer behind PYROFUSION, I embarked on a journey to craft not just a product, but an experience. At the heart of this endeavor lies the meticulous crafting of an entire ecosystem of identity and experience, as reflected in the comprehensive brand guidelines I have created. I began with a vision to redefine the boundaries of outdoor cooking, infusing each element of PYROFUSION with a distinct blend of tradition and contemporary flair. Drawing inspiration from elements of fire and smoke, I embarked on a journey of exploration and experimentation, manifested in the brand wheel, mood board, competition sheet, and concept ideas, all curated to embody the essence of PYROFUSION. PYROFUSION embodies a blend of rugged durability and sleek elegance, resonating with both the seasoned grill master and the aspiring culinary enthusiast. Every aspect of its design, from the sleek logo to the intricate brand guidelines, speaks to the ethos of craftsmanship and excellence. At the core of this project was the creation of comprehensive brand guidelines. From the precise specifications of the logo design to the color palette inspired by the hues of a blazing fire, every detail has been thoughtfully considered to ensure a cohesive and immersive brand experience. Through the lens of the brand guidelines, I aimed to encapsulate the essence of PYROFUSION, a celebration of craftsmanship, flavor, and community. It serves not only as a roadmap for design consistency but as a testament to the passion and dedication infused into every aspect of the brand’s identity.</text>
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                <text>For my inspiration for this design, I wanted to take from the design elements of 1970s decor mixed with Hollywood actress, Ginger Rogers. From the 70s decor, I chose a floral wallpaper design and a corduroy chair, and used these textiles and design elements for my final design. I wanted to mix these 1970s elements of this with Ginger Rogers love of dance and movement created by her garments. For my design process, I wanted to take inspiration from both 70s fashion and Ginger Rogers fashions. Ginger's love of godets adding them into the classic 70s bell bottoms and lined bell sleeves helped add the movement and drama I was looking for. For my pattern making process, I drafted the shirt using paper manipulating the darts into princess seams, adding yokes, and adding fullness to the sleeves and collar to create drama.&#13;
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                <text>My primary goal for this design was to showcase how unconventional materials can be given a second life through fashion. In my digital design course in the Fall of 2022, I was tasked to develop a digital concept for a sustainable apparel line. This led me to explore vinyl billboards and how they can be reused for apparel. Through my research, I discovered that about 25 million square meters of billboard fabric waste is generated annually in the U.S. While billboard vinyl can be recycled infinitely, they are still dumped into landfills and never break down. &#13;
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                <text>This garment, Midnight, was created from scratch, inspired by the American performer and icon, Ginger Rogers. Starting from initial inspiration drawn from her movies, dancing, photoshoots, and incredible fashion taste, I began exploring silhouettes from each decade Ginger thrived in through draping. I landed on a 1930s length and fit that emphasizes her sophistication and elegance through a sleek navy material enhanced with sheer embellished bell sleeves with a faux fur trim and added flare for dancing. Each of these features honors a different aspect of Ginger's inspiring personality that I felt connected to - elegance, sophistication, timelessness and youthfulness. When conceptualizing a new creation I strive to design a piece that aligns with the overarching theme, idea or person in question but also with my personal design aesthetic. After bringing my design and idea to life I hope the viewers are able to feel and understand the sparkling and inspiring presence of Ginger Roger, and even inspire them to embrace their own unique style with confidence.</text>
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                <text>This project is a part of a larger work that explores masculine vulnerability.&#13;
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                <text>A Utopia is an imaginary community or society that possesses highly desirable or near perfect qualities for its members. In my work Black Utopia, I imagine this condition for women in my community. Inspired by artist Tyler Mitchell, my photographs describe self-love, empowerment, and intelligence. I am pushed to create lyrical, poetic, almost sculptural works, which foreground the elegance I see within the African American community. Knowing that a Black Utopia will never be obtained, I am inclined to create images with a futuristic, almost unsettling touch. Many of my photographs block or restrict visual access to the portrait subject by way of nature, referencing the impossibility of Black Utopia. I am highlighting African American women in a way which uplifts and counteracts negative stereotypes placed upon us by mass media.</text>
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                <text>I have always thought drag was a beautiful art form, but I didn’t know much about the process that went into its creation. In our current political climate where gender expression and performance are being criminalized, I wanted to bring the viewer behind the curtain into a drag performer’s personal space where they could see the creative aspects and artistry of crafting the persona. &#13;
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                <text>The great sportswriter Steve Rushin once wrote a column, titled “Wrigley Rapture,” a beautiful first-person account of a Chicago Cubs day game at Wrigley Field, during which he hears this interesting exchange:&#13;
&#13;
A cell phone bleats behind first base, and the shirtless man who answers it says, "What? I can't hear you. No, I'm at Wrigley, watching these *&amp;@#%! losers lose." But the complaint sounds insincere, halfhearted.&#13;
&#13;
Some are used to watching their team lose. Mizzou men’s basketball fans, who were treated to a 25-win season last year and an NCAA Tournament appearance, now are forced to endure a 14-game (and counting!!!) losing streak.&#13;
&#13;
If someone calls a Mizzou fan who is at a game, and the fan answers, “No, I’m at Mizzou Arena, watching these *&amp;@#%! losers lose,” would it be insincere or halfhearted? Perhaps the losing has gotten so bad that the fan would be truthfully answering, meaning every bit of what he says, unlike the Cubbie fan.&#13;
&#13;
Those who, like me, who have watched every excruciating game, know what has taken place. We have seen the players lose hope. We have seen the coach cuss and scream in vain. We have even seen the mascot– joyous Tiger that he is– join in on the misery. &#13;
&#13;
In this photo series, gathered by me at the arena as I cover the men’s team for the sports blog Rock M Nation, I explore the experience as close to the action as anyone can get– as a credentialed press photographer on the court.&#13;
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                <text>My submission for the 2023 NEXT Student Design Competition consists of the transformation of an unoccupied office space in Dallas, Texas for NEXT, a fictional global architecture and interior design firm based in Los Angeles, California. The inspiration behind my design for the space was derived from a butterfly’s chrysalis and what it represents: growth, transformation, and rebirth. The aspiration behind my concept was for anyone who is visiting or employed at the office to enter feeling inspired and exit feeling fulfilled. The NEXT office is a hub of creativity and artistic exploration, and I aimed for the design to reflect that ethos. The office’s design draws from the chrysalis motif in several ways, including the color palette and metaphorical implications, symbolizing the potential for growth and transformation, akin to a caterpillar emerging as a butterfly. To develop my concept, I utilized evidence-based design principles, incorporating studies on color theory, biophilia, and ergonomics to ensure optimal benefits for all users of the space. One of the key priorities of the design was to ensure the office's accessibility and inclusivity for everyone, achieved through the use of a gender-neutral color scheme and compliance with regulations for those with physical impairments. The following boards illustrate my efforts in designing and developing this space to meet the client's desires and requirements.</text>
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                <text>Being new to Columbia and the University of Missouri in 2021, I was excited to expand my horizons and explore a world that was new to me. Having always lived in a small town, I was thrilled at the opportunity to explore my architectural creativity in a big, new world. I couldn't wait for the motivation I would get when moving into an environment that I thought would peak my craving for design. I was looking for design inspiration like that from Santiago Calatrava’s, The Oculus, or Rem Koolhaas’s, Seattle Public Library. I quickly realized however, that I was too naive, and Columbia lacked the inspiration and unique design I was hoping for. The campus's historical buildings, Memorial Union and Jesse Hall are exceptional, but provide no inspiration for a student like me. In my third year as an architectural studies major, after finally gaining adequate experience, I could show off my motivation. What better way to put my abilities to the test than to make a grand sports arena right here in Columbia. In my opinion a unique piece like a sports arena can define a city, a city like Columbia, which lacks such a piece. They are bold and extravagant and only one's imagination is the limiting factor. My design for the Mizzou Sports Arena and Recreation Center came from my motivation to provide Columbia with an awe-inspiring piece that sets it apart from the rest of the city.</text>
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                <text>BUILDING as both metaphor and practice, is the concept for this project. Not only does the company design and create buildings but, more importantly, they emphasize a variety of foundational elements, or blocks within the company to build upon. Building community, connections, value, inclusivity, ideas, and long-term success are just a few of the important principles that NEXT intends to nurture within its workplace. The idea that every employee within a company brings their own individual strengths and weaknesses to the greater whole is much the same as a building. Like each individual material in a building, each individual employee must collaborate and connect to create success. &#13;
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