Delicious mocktails and groovy atmospheres inspire the logo and branding that is the backbone of Seven Zero. The brand intends to cater towards “the healthy partier” - a consumer who knows how to balance work and play, and can respect that sometimes the hangover isn’t worth it. After developing a brand personality, I took these pieces and arrived at the logo and brand that is Seven Zero. The three primary logo colors - electric pink, orange peel, and lime wedge - along with the curvy linework that makes up the logo, are all inspired by designs typical to the seventies era. The logo is intentionally suitable for multiple surfaces. Examples of the design can be seen as wall art, on t-shirts, and as outdoor signage.]]> We were inspired by the work of artists like Paolo Garretto (Lambretta, circa 1955) and Federico Seneca (Cioccolatini Perugina, 1928). Their poster designs and Italian heritage spoke to the Italian brand and led our decision making in typography, color, and composition. The rich and muted jewel tones with bold simple shapes guide our design in a direction reminiscent of their work. We wanted to highlight Vespa as classically Italian and infused with style through print ad design. We focused on Vespa accessories more than the actual scooter to frame Vespa as a lifestyle beyond their vehicles. Additionally, the choice to add texture creates a poster-like look to further drive home Vespa as a beautiful brand that’s art-worthy. If these ads were put into a print production for the masses, the goal is for these to stand alone as artistic posters that exhibit Vespa as a lifestyle choice. Vespa is worthy of their own illustrative posters.
Vespa is classic and stylish and should be represented as so. We aim to merge a brand with an aesthetic beyond their product to elevate and highlight their legacy.
]]> There are five well-known and recognizable stages of the grieving process: denial, anger, bargaining, depression, and acceptance. But I believe there is an unexpected sixth step, and that is remembrance. Remembrance makes us feel waves of emotion: sadness, frustration, and even happiness. No matter what time passes, there will always be small reminders of the person you love. Those memories, while they may be hard, will allow you to enjoy small pieces of who they were and how they made you who you are today.
My grandma was rooted in a kind of dedication and love for our family. She could be found baking fresh cinnamon rolls or taking steps to ensure that our family farm prospered for generations to come. She was grounding and she supported us.
The sculpture of this tree symbolizes the growth and healing after loss. As trees age, their growth is not linear. They hold a memory of the weather and the growing conditions of years past. My symbolic family tree and literal trees alike, when a loss is suffered it is felt for years to come. This tree represents the unforeseeable emotions and memories that engulf us during the grieving process. ]]> This piece is meant to convey the complexities of human emotion and emphasize our continuous pattern of connecting our emotions and memories to the motif of water, despite barriers of time and differing cultures. The idea of connection is expressed through over a thousand stitches of interweaving yarn and shared color palettes which transcend the knitted borders that constrain each piece of glass.
The imagery used within the projection contains documentation of an animation made from live EEG data and phone recordings of natural and man-made bodies of water. The EEG- based visuals are Illustrator vectors which were animated according to data on brain activity and facial expression, input from an EMOTIV EPOC headset through Touch Designer.
Given its relation to the concepts of water and the existence of life outside of ourselves, this piece is eco-conscious – using recycled materials and creating limited waste. ]]> They settle for robbing several small, uncharted convenience stores and gas stations, and the film picks up during one of their nightly marks. While attempting to ransack the local gas station, the two are thrown for a loop after realizing the store clerk isn’t who they expected him to be.
This piece is a dramatic, dark comedy that perfectly captures the conflicting nature of an empathetic criminal, partnered with a money-hungry douchebag. The film twists the narrative to shock the audience with unexpected comedic timing, and utilizes composition, costuming, and performance to drive home its absurdist humor. Gas City Night Crime conveys moral dilemmas through a warped, comedic tone, all while presenting an interesting underlying theme of empathy against greed.]]> With photography as my foundational medium, I’ve noticed a consistent integration of photography and music in my foray into video, resulting in unique and evocative short films.
Through my approach, disparate and niche influences, hitherto unspoken in the same sentence, seamlessly blend. My work offers viewers an immersive experience that oscillates between the polished aesthetics of cinema, the gritty realism of journalism, and the conceptual independence of abstractionism.
My current long-form project summarizes my commitment to digital storytelling. Since August 2023, I have been following the journey of a freshman here at Mizzou, capturing the unfolding chapters of his college experience. This ongoing endeavor will culminate in a documentary that epitomizes all four years of his collegiate life, offering a nuanced and intimate exploration of growth and self-discovery.
As I navigate the realms of photography and video, my aim is to create a harmonious relationship between the two. Through the lens of my camera, I strive to capture not just moments in time but essences of the human experience.]]> I spent ten years of my adolescence as a competitive cheerleader and was constantly told I was not an athlete. Going into college, I knew creative videography was my calling, but was encouraged by men around me to avoid the sports industry because I had “no place there” as a woman to accomplish anything of significance. Mizzou Athletics gave me an opportunity and I have spent the last year of my life growing as a creative and a woman in this industry. This project challenges the ideas of what makes us qualified to be successful at what we love and gave me an opportunity to acknowledge how I have grown in my work and professional skills, as well as celebrate the hardworking athletes I work alongside daily. ]]> JBF symbolizes culinary excellence, nurturing young talents through education, scholarships, and practical experiences. The film captures this prestigious program's essence, emphasizing the pursuit of culinary perfection.
As a digital storytelling major, "Culinary Crossroads" explores how food connects and inspires, transcending borders to unite people. It's a homage to cooking's art and the community it builds, encouraging viewers to savor the diverse flavors and stories that shape our world. "Culinary Crossroads" is more than a documentary; it is a tribute to the spirit of culinary exploration and the transformative power of food. Through intimate interviews and behind-the-scenes footage, it offers a glimpse into the dedication required to excel in the culinary world, the beauty of culinary traditions, and the innovative spirit driving the gastronomic future.
It is an endeavor to capture the soul of the culinary arts and the essence of those who dedicate their lives to pushing its boundaries. Through "Culinary Crossroads," I aim to illustrate how food connects us all, transcending borders and bringing people together in the most delicious ways.]]> Mandarin heritage and Western influences. The qipao-style mandarin collar and empire
waistline mini skirt serve as the foundation of the design. The lotus flower neckline adds a central, symbolic theme. The lotus flower, inspired by the Chinese saying “出淤泥而不染,” meaning "growing out of the mud yet remaining untainted," symbolizes purity, resilience, and grace. This connection ties the garment to the feminist movements of the 1960s, a time of individuality and liberation for women. I refined the traditional qipao silhouette by
incorporating a softer empire waistline and applying a lotus flower applique to the collar. The hemline was lengthened into cascading layers inspired by lotus petals. The pattern was altered to have a long train to add a sense of movement and elegance. My goal was to create a garment that honors cultural heritage while embodying the progressive spirit of the 1960s. I am proud of the outcome, as it reflects both innovation and tradition. ]]> education system, particularly the detrimental effects of school voucher programs. Inspired by the parallels between second-hand materials in fashion and underfunded public schools, this
piece highlights the potential for transformation through proper investment.
Constructed primarily from denim, a fabric synonymous with hard work and resilience,
the garment blends new and recycled materials to symbolize how existing resources, when thoughtfully repurposed, can lead to improvement. Canvas elements depict the overlooked rural schools suffering from years of neglect. The jersey-inspired top features the number fifteen, representing the states with active voucher programs that exacerbate educational disparities by diverting funds from public schools. The design incorporates an inventive use of the cowl drape, traditionally found in women's evening wear. The cowl is incorporated into the side panels of denim jeans, adding both volume and functionality through hidden pockets. This juxtaposition of rugged denim with elegant draping illustrates how education, like fashion, can exceed its limitations when given adequate support. "Cowls and Cowboys" is a testament to creativity and innovation, blending classic American styles with unexpected elements to advocate for equitable education. This piece serves
as a reminder that, much like fashion, education can be transformed to provide opportunities for all, regardless of background.]]> heroin addiction and the effectiveness of harm reduction strategies. It visually represents the physical and emotional toll of addiction, designed to evoke the sensation of entrapment. Features such as tightly wrapped belts, a corset, and the use of red beads on the arms simulate the physical effects of heroin use, including collapsed veins and the discomfort experienced by users. The garment’s intentionally tight fit reflects the suffocating nature of addiction, while the materials, including dense denim and red fabric with black lines, emphasize the heaviness and discomfort associated with the drug. The design is uncomfortable, simulating the relentless grip of addiction and the struggle to break free.
The garment also seeks to educate viewers about the significance of harm reduction
efforts, such as syringe access and naloxone distribution, which are vital in saving lives and supporting recovery. Through intricate craftsmanship, including pleated fabric, steel beads, and hand-stitched embellishments, the garment portrays the devastating impacts of heroin use while engaging with the complexity of addiction. The color palette of black and red intensifies the emotional weight of the design, symbolizing violence, anger, and the mysterious nature of addiction. This piece offers an immersive, thought-provoking experience, encouraging empathy and understanding for those battling addiction while advocating for continued harm reduction strategies.]]> Chun Blue, Phil’s White, Shino, Oil Spot
The idea for My Dear Jane came into being during a deep reflection of self-identity. In recent years, I have used the image of a young girl - my third-grade self, donning tighty-whities and choppy bangs - to personify this exploration. I grew up in a family of anxiety ridden women, where nights of tear stained cheeks and trembling breaths were a familiar companion. I find solace in the way fawns respond to danger: instinctively dropping into a fetal position, vanishing into the embrace of the tall grass. At the ripe age of eight, I yearned to do the same. To disappear into my surroundings as the weight of anxiety swelled in my chest. At times, the world is simply too much for a small creature to bear. The postures of the figures deliberately mirror each other: if this instinctive response offers protection to one, perhaps it can for the other as well. This emotional vulnerability is reflected in the material
itself. The stoneware demands careful handling and attentive viewing, evoking a sense of fragility. Their muted, pale colors allude to their delicacy and youth, while their intimate scale invites them to nuzzle into the palm of your hand.]]> traditionally overlooked practices. ]]> symbolizing how women are ceremoniously socialized into roles of submission and conformity through ritual and doctrine. Drawing from formative experiences in Catholic school, this work examines the gendered intersections of personal identity and systemic power within Christian
socialization. The title and specific imagery alludes to David Lynch’s 1992 film, Fire Walk With Me, which explores the impact of the evil that men do, focusing on the darkness of abuse and corruption that feeds on innocence and ultimately shapes the female experience. The painting features a mass of women and girls, clad in sacramental dress, illustrating rites from baptism to communion to marriage. White, traditionally a symbol of purity, is used throughout to emphasize this conditioning. Central to the herd is a riderless white horse, Biblically associated with purity and victory, particularly in Revelation, where Jesus returns to triumph over evil. Here, however, the horse is riderless, evoking nihilist themes of emptiness, devoid of a guiding force. The herd,
aimlessly gathered, embodies a meaningless cycle of guilt, shame, and devotion in the absence of deliverance. This work aims to confront inherited ideologies by recontextualizing practices and imagery, challenging these elements as socially constructed forces that perpetuate power dynamics and subjugation within society.]]>