<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/170">
    <dcterms:title><![CDATA[Adrift: An Exploration of Grief]]></dcterms:title>
    <dcterms:creator><![CDATA[Brandon, Kathryn ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/172">
    <dcterms:title><![CDATA[Not All Men ]]></dcterms:title>
    <dcterms:creator><![CDATA[Masilionis, Allison ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/173">
    <dcterms:title><![CDATA[Paper Hearts]]></dcterms:title>
    <dcterms:creator><![CDATA[James, Kennedy ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/174">
    <dcterms:title><![CDATA[Hubble: An Alien Dating Game]]></dcterms:title>
    <dcterms:creator><![CDATA[McNair, Taylor ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/175">
    <dcterms:title><![CDATA[Movie Poster]]></dcterms:title>
    <dcterms:creator><![CDATA[Naunheim, Matt ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/176">
    <dcterms:title><![CDATA[Love &amp; Suspense]]></dcterms:title>
    <dcterms:creator><![CDATA[Rintoul, John ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/177">
    <dcterms:title><![CDATA[Bad-Ass Greeting Cards]]></dcterms:title>
    <dcterms:creator><![CDATA[Roth, Caycee ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/178">
    <dcterms:title><![CDATA[Into the Woods Transformation]]></dcterms:title>
    <dcterms:creator><![CDATA[Crouch, Bailey ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/179">
    <dcterms:title><![CDATA[Death greets you as a friend]]></dcterms:title>
    <dcterms:creator><![CDATA[Taylor, Lydia  ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/180">
    <dcterms:title><![CDATA[Digital Naiveté]]></dcterms:title>
    <dcterms:creator><![CDATA[Betts, Reese ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/181">
    <dcterms:title><![CDATA[Entropy of a Memory]]></dcterms:title>
    <dcterms:creator><![CDATA[Blenk, Abby ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/182">
    <dcterms:title><![CDATA[A Fly in the Ointment]]></dcterms:title>
    <dcterms:creator><![CDATA[Mathews, Zayda ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/183">
    <dcterms:title><![CDATA[For and Against Posters]]></dcterms:title>
    <dcterms:creator><![CDATA[Miller, Kasey ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/184">
    <dcterms:title><![CDATA[Refocus ]]></dcterms:title>
    <dcterms:creator><![CDATA[Williams, Alonzo ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/185">
    <dcterms:title><![CDATA[Golden Air ]]></dcterms:title>
    <dcterms:creator><![CDATA[Hardy, Danielle ]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/186">
    <dcterms:title><![CDATA[Interview with Whitney Manney ]]></dcterms:title>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/187">
    <dcterms:title><![CDATA[Interview with Jason Lazarus]]></dcterms:title>
    <dcterms:relation><![CDATA[Part of the VADS 2023 Digital Exhibit ]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/188">
    <dcterms:title><![CDATA[VADS2024-Jury-ShelleyJordon-Headshot]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/189">
    <dcterms:title><![CDATA[VADS2024-Jury-StaceyWoelfel]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/190">
    <dcterms:title><![CDATA[VADS2024-Jury-KimiKitada]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/191">
    <dcterms:title><![CDATA[VADS-Sponsor-SagerReeves-Logo]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/192">
    <dcterms:title><![CDATA[The Hardest Part]]></dcterms:title>
    <dcterms:abstract><![CDATA[This piece deals with the way faith is viewed and felt as a person grows up in the church. The stories we are told as children differ greatly from some of the stories we are told as we age. The arm is symbolic of engagement with the faith and the high and low points, twists and turns represent the varied trajectory of a person’s faith life. The imagery follows the story arc we are told growing up, starting at the origin of the piece with classic childhood tales of Moses and David and Goliath, moving gradually towards one of the scariest parts of the Bible, the book of Revelation. The highest point of sgraffito design reads “OBEY” on the knuckles. This is the command that is taught throughout the entirety of one’s life in the faith and it is the command that makes a person worry about the state of their soul. This is the hardest part. If they are not obeying well enough or lack faith in the grace of God, “obey” quickly becomes a daunting command.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Dixon, Avery]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/193">
    <dcterms:title><![CDATA[Bird Stories]]></dcterms:title>
    <dcterms:abstract><![CDATA[The idea for Bird Stories came into being in the middle of a field on my weekly birdwatching trip, one week after the end of a deeply meaningful relationship. In each of this pair of colored pencil drawings, birds embody an emotional experience that I have gone through since that loss.<br />
Magpie, thief of shiny objects, brings me treasures from an old life to comfort me: little pearls, a door key, a single forgotten sock. He drops these crumbs of yearning around me as I crouch, vulnerable. My pose is more open in Winter Birds, a piece inspired by my love for the small plain birds that remain behind when their brighter cousins fly south. Their perseverance is echoed by the depiction of wild persimmons, which ripen after the first frost. Together they represent spots of simple beauty in the cold times.<br />
Bird Stories is intended to be dreamlike. My nakedness and the lack of a defined background deny any specificity as to time and place. These are feelings, not memories.<br />
Throughout the work I pay special attention to my body, especially the colors in my skin. I build form through repetitive hatched marks and layers of overlapping. The relationship between myself and the birds is central. My body is a site of attention, touch, and renewal, while the birds (my feelings embodied) come to me as a force outside of myself; they are the grief and the hope that have come to visit.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Topham, Caroline]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
</rdf:Description><rdf:Description rdf:about="https://library.missouri.edu/exhibits/items/show/194">
    <dcterms:title><![CDATA[The Opacity of Grief ]]></dcterms:title>
    <dcterms:abstract><![CDATA[The Opacity of Grief is a closed wooden coffin, where five transparent, acrylic panels slice through the structure at equal intervals. The familiar symbol of the coffin alludes to grief, while the plexiglass sheets act as both obstructions to and interruptions within that process. This plastic intrusion into grief can range from a lack of healthy coping mechanisms to engulfing life circumstances to rigid, prescriptive cultural norms surrounding death. On a personal level, this sculpture represents my experience grieving my mother, who died when I was fourteen. Left without any tools or people I trusted enough to help me through the depth of my grief, I found myself emotionally paralyzed, passing listlessly through the motions of living, or rather, surviving. As of recent, I’ve felt safe to begin embracing vulnerability and feeling, willing to actually bear her absence, and yet, my grief hides from me. Its ghostly inertia rests invisibly on my chest, heavy enough to register, but light enough not to impede. In this way, it’s opaque, unseeable in its transparency, there but not there, recognizable but intangible. Much of my work is an effort to reconnect to this lost grief and to my mother, to tangibly record their fleeting presences, to reconstruct a body that’s long passed on. I hope viewers will be moved to interrogate their own relationship(s) with grief, as both physical and spiritual, personal and collective, as well as with those for whom they grieve, the bodies whose presences they feel but can no longer touch. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Jackson, Esra]]></dcterms:creator>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
    <dcterms:dateSubmitted><![CDATA[2024]]></dcterms:dateSubmitted>
</rdf:Description></rdf:RDF>
