home Resources and Services, Special Collections and Archives Salamanca, Wellington’s Masterpiece

Salamanca, Wellington’s Masterpiece

Portrait of Wellington from Baines' History of the Wars of the French Revolution (London, 1817). The word Wellington is a facsimile of the General's signature.July 22, 2012 marks the 200th anniversary of the Battle of Salamanca. While Napoleon was in the midst of his Russian campaign, other generals were busy consolidating France's position in Spain against a combined force of English, Portuguese, and Spanish rebels.

Though Wellington is probably best remembered for the Battle of Waterloo in 1815, the battle at Salamanca is often called his masterpiece. On the afternoon of July 22nd, after a full day of fighting, Wellington recognized a weakness in the French army lines. His decisive orders for attack led to a rapid victory for the British forces.

Page from Southey's "Life of Wellington" (Dublin, 1816) describing the moment when Wellington gives the orders that will lead to victory atThe relative quickness of the British success following this action inspired friends and enemies. The French general Maximilien Foy famously declared "Wellington defeated an army of 40,000 in 40 minutes" when he wrote about his experience at Salamanca in his journal. Robert Southey’s account of the battle from his book Life of Wellington emphasized the dramatic moment Wellington gave his orders.

"Lord Wellington was at dinner when he was informed of this movement [of French troops]: he saw at once the advantage which had been given; he rose in such haste as to overturn the table, …and in an instant was on horseback, issuing those orders which won the battle of Salamanca."

While these accounts might not be strictly true, they do reflect the quickness of this stage of the battle and the strategic skill shown by Wellington.

Up to this point, Wellington had generally been regarded as a defensive general. Salamanca established his ability as a skillful soldier and tactician. This statement from Baines’ History of the Wars of the French Revolution is characteristic of many of the tributes to the battle and to Wellington:

Page from Baine's History of the Wars of the French Revolution (London, 1817) describing the battle of Salamanca.

"The battle of Salamanca was distinguished from all other battles hitherto fought in the peninsula, by several important circumstances: it was more masterly in the design, more gallant in the execution, and followed by consequences of far greater importance."

In retrospect, observers recognized July 22, 1812 as a turning point in the Peninsular War, not only for Wellington's reputation but for the morale of French army on the peninsula. British forces eventually drove the French armies from Spain and invaded Southern France in 1814. If British officer William Napier is to be believed, Wellington was aware of the shift on the afternoon of the battle. Napier recalls seeing Wellington late in the day at Salamanca "…alone, the flush of victory was on his brow… With a prescient pride he seemed only accept his glory as an earnest of greater things." Those greater things would culminate in the Battle of Waterloo, and the final defeat of Napoleon.

Map of the Battle of Waterloo from Southey's Life of Wellington (Dublin, 1816).
Robert Muir's Book Salamanca, 1812 (Yale University Press, 2001) is a source for more information about the battle and its' importance.

Depictions of Hell

 

This outline drawing of hell-mouth filled with heads illustrates Psalm 5.7. It is taken from "Early English Manuscripts in Facsimile," vol. viii, "The Paris Psalter."According to an article published in the Weekly World News, the temperature of hell is precisely 285 degrees Fahrenheit. When temperatures soar, it is good to be reminded that there are hotter places than Columbia, Missouri. Many whose works are represented in our collections have depicted hell to provide an avenue for encouraging better behavior, or, more recently, for providing entertainment. Perusing their works also provides an avenue for indulging schadenfreude. This week we bring together works from our collection of diverse periods and genres that share a fascination with hell.

Dives and Lazarus0001lgThe parable of Dives and Lazarus will be well known to many. To summarize, in life, the rich man (Dives) ignores the plight of Lazarus, a leprous beggar outside his gates. After death, however, the circumstances  of the two men are reversed:

110001sm“The poor man died and was carried by the angels to Abraham's bosom. The rich man also died and was buried; and in Hades, being in torment, he lifted up his eyes, and saw Abraham far off and Lazarus in his bosom. And he called out, `Father Abraham, have mercy upon me, and send Lazarus to dip the end of his finger in water and cool my tongue; for I am in anguish in this flame."

Larazus, though willing, is not permitted, and the rich man is left to suffer his torments without relief.

The image above on the right comes from a copiously illustrated late nineteenth-century Bible from our Rare Books Collection. The image above left is of a miniature illustrating Luke 19-31. It comes from Das goldene evangelienbuch Heinrichs III, a facsimile of the Golden Gospels of Henry III. This facsimile was made in Germany in the 1933. Henry III (1017-1056) was a scion of the Ottonian dynasty, and, like his predecessors, was known for commissioning books with sumptuous decoration. In the detail below, you can see the fate of the rich man’s soul as it is pulled from his body (far left), carried  to Hades by a devil (middle), and as it stands and utters its request to Lazarus in the company of other tortured souls and of Satan.

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Title page from "Josephus's Discourse to the Greeks concerning Hades,"Our collection houses a number of sermons that were designed to remind their hearers of the end that had been prepared for them. In the early third century Saint Hippolytus (170-235 CE) in which he described Hades thus:

"In this region there is a certain place set apart, as a lake of unquenchable fire. Whereinto we suppose no one hath hitherto been cast; but it is prepared for a day afore determined by God: in which one righteous sentence shall deservedly be passed upon all men."

On the left is the title page of the 1737 edition of the sermon edited by William Whitson. Whitson followed tradition in attributing this work to first-century Jewish historian Jospehus, though scholars now attribute it to St. Hippolytus.

Title page from "Tormenting Tophet, or, a Terrible Description of Hell, Able to Break the Hardest Heart, and Caus it Quake and Tremble"Woodcut from Bernardo Stagnino's edition illustrating the ninth circle of hellHenry Greenwood preached a sermon on the grounds of St. Paul's cathedral on June 14, 1614. The sermon was titled Tormenting Tophet, or, a Terrible Description of Hell, Able to Breake the Hardest Heart, and Cause it Quake and Tremble and published in 1628. Greenwood uses the sermon to think through the nature of hell. In particular, he relentlessly questions the nature of hell-fire, whether it is allegorical or substantial (substantial, he avers); if substantial, then of what material (of a special sort that does not require wood); and whether this material is corporal or spiritual. “What is most probable,” he concludes, is “ that it is, and shall be, a corporal fire, with an extraordinary afflicting power given unto it, tormenting both soul and body….[T]his fire shall outwardly burn thy flesh, and a worm shall inwardly gnaw your conscience.”

map0001lgThe topography of hell will be familiar to readers of Dante’s Inferno. The engraving on the left comes from a three-volume Italian edition illustrated by Luigi Portirelli and published in 1804. Also among the many editions we have of this work is an early sixteenth-century edition that contains woodcuts by several artists. On each page, the copious commentary of Christoforo Landino overwhelms Dante's text. The image on the right contains text and commentary for the end of Canto XXXIII and the beginning of Canto XXXIV. "Look straight ahead and see if you can make him out," begins Hollander's translation of this last canto of Dante's journey.

Last but not least, our extensive Comics Collection weighs in on the nature of hell. Gary Panter’s  Jimbo’s Inferno, published in 2006, superimposes the landscape of the Inferno onto a contemporary shopping mall. The result is, according to the subtitle, “A Ridiculous Mis-recounting of Dante Alighieri’s Immortal Inferno in which Jimbo, Led by Valise, in Pursuit of the Soulpinx, enters Focky Bocky, Vast Gloomrock Mallscape."

Title0001lg copy17lgIf Jimbo's Inferno brings hell up to date with some of the more banal features of contemporary American culture, Lucifer (for mature audiences only), reinvents hell as a steamy piano bar in Los Angeles. Lucifer was created by Mike Carey, Peter Gross and Ryan Kelly and published in 2001.

 

 

 

 

 

 

 

Catherine the Great

150 years ago today, on July 9, 1762, Catherine the Great began her thirty-four year reign over Russia.  Following the assassination of her husband, Peter III, Catherine assumed the throne and presided over what became known as both the Golden Age of the Russian Empire and the age of the Russian Enlightenment.

Catherine was born in Stettin, Prussia (now Poland) on May 2, 1729.  Her name at birth was Sophie Friederike Auguste von Anhalt-Zerbst-Dornburg.  When she married Peter III, she converted to the Russian Orthodox faith and changed her name to Ekaterina, the Russian equivalent of Catherine.  She gave birth to four children and all were most likely illegitimate, although Peter III claimed the firstborn son, Paul, as his heir.  Most likely, Paul was actually the son of one of Catherine's lovers, Sergei Saltykov.  Catherine never remarried, but instead maintained a string of lovers up until her death at the age of sixty-seven.

image of Catherine's charter
Charter signed by Catherine the Great

 
Special Collections at Ellis Library possesses a charter signed by Catherine the Great's hand that promotes Aleksandr Mukhanov, a young Russian nobleman, from regimental baggage-train driver to Lieutenant-Captain (Secund-Rotmistr) in the Horse-Mounted Guards.  The charter was produced in 1790 and is extremely ornate.  If you would like to stop by and see the charter in person, we would be happy to bring it out for you during our normal operating hours.

home Cycle of Success, Special Collections and Archives Special Collections is on C-SPAN!

Special Collections is on C-SPAN!

Watch our very own Alla Barabtarlo show off a few highlights of our collection on C-SPAN’s Book TV.

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Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

London and the Olympics

2012 London Olympics LogoThe 2012 Summer Olympic Games in London begin later this month on July 27th. For nineteen days, athletes from 205 countries will compete in 300 events for gold, silver, and bronze medals. Over one billion people watch the Summer Olympics, when it is held every four years. This month, the colonnade of Ellis Library is showcasing both the history of the Olympic Games and this year’s host city, London. As you are walking through the library, why don’t you stop by one of the displays and learn about some of the most memorable moments in Olympics history, or the history and culture of the only city in the world to host the Summer Olympics three times.

home Resources and Services, Special Collections and Archives The Fourth of July Orations Collection: Independence Day 1812

The Fourth of July Orations Collection: Independence Day 1812

July 4, 2012, will likely see many Americans partaking in backyard barbeques and enjoying fireworks displays. However, generations of earlier Americans celebrated Independence Day in a different way: with a sermon.

On this day two hundred years ago, the young United States was preparing itself to go to war yet again with a world superpower, Great Britain. In Washington, renowned orator Daniel Webster delivered an impassioned anti-war address on the subject.  The war, he argued, would damage American business and place American liberty in peril:

Under these circumstances we believe that the War, “instead of elevating will depress the national character; instead of securing, it will endanger our rights; instead of improving, it will prejudice our best interests.”

Page from Webster's speechNot only that, but the war would in effect ally the U.S. with Napoleonic France.  What could be worse than that?  Webster can’t think of much.

If there be any among us so infatuated, or so stupified [sic], as not to shudder at the prospect of a French Alliance, let them come and behold the nations that lie mangled and bleeding at the foot of the Tyrant’s throne, in a mixture of moral and political ruin.

Webster’s speech is one of the 450+ sermons and addresses that are now preserved in the Fourth of July Orations Collection in Special Collections.  Spanning 1791 to 1925, the collection documents the issues and debates that mattered to the American people across a broad span of our history.

The collection is completely digitized.  It is available online at the University of Missouri Digital Library, and also in traditional format in the Special Collections Reading Room.

Poems about Fathers

Happy Father's Day!  Today we're offering a selection of poetry by, for, and about fathers.  John MacKay Shaw, a father of two, was a businessman and bibliophile with a particular interest in the literature of childhood.  He wrote this volume of poetry, entitled The Things I Want, at the request of his young children, Cathmar and Bruce, in the 1930s. Shaw's library is now housed at the Florida State University Libraries.

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Wyatt Prunty is a professor of creative writing at the University of the South, and his poem "To My Father" deals with a son watching his father struggle with disease.  This copy of the poem was produced as a broadside by the Palaemon Press.  The edition was limited to 126 copies; the Libraries' copy is number 99 and was signed by Prunty.

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Finally, from the library of John Gneisenau Neihardt comes Father: An Anthology of Verse, published in 1931.  The anthology contains poetry both humorous and sentimental on the subject of fathers, fatherhood, children and families.  Neihardt received this book as a review copy, and the book still has its original review slip.

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Agnieszka Matkowska

PhotoSpecial Collections and Rare Books bids a fond farewell to Agnieszka Matkowska. Matkowska has been in residence during the past academic year to consult the Lord collection. The late Albert Bates Lord (1912-1991) was a professor of Slavic and comparative literature at Harvard University best known for his contribution to the understanding of the world’s oral traditions, especially those of the former Yugoslavia. His family donated his library to Mizzou in the Spring of 2011. It comprises a collection of almost 2000 books, articles, and even artifacts, many of which are in the closed stacks of Special Collections and Rare Books.  The A.B. Lord  Fellowship in Oral Tradition  makes these volumes available to international scholars by allowing them to remain in residence at Mizzou for a semester or longer. Matkowska,  PhD candidate from Poznan, Poland, was the award’s first recipient.

[Click on any of the images to enlarge.]

Among Buryat Performerslg

 

Buryat performer at the annual "Yerd Games" festivalMatkowska studies the oral legends of the Buryat people, a group of 450,000 individuals spread across Siberia, Mongolia, and Inner Mongolia. The Buryat people have a rich heritage of oral tradition, though the current generation of performers might be the last. According to Matkowska,   “When in 2011 I was doing my fieldwork in the Irkutsk Oblast’, a region bordering Lake Baikal, it was sometimes hard, so I became doubtful few times. In those moments Galina Vitalievna Afanasyeva-Medvedeva, a befriended professor and an expert in the field of Baikal folklore always raised my spirits emphasizing that what I do is of extreme importance as the folklore of that area is in decline and these processes are irreparable.”

Shaman Rock, in Lake Baikal, is considered sacred by the Buryat people.Matkowska, is writing a dissertation that investigates the factors contributing to variation that occurs across multiple tellings of Buryat oral legends. Before coming to Columbia, Missouri, she undertook fieldwork in southern Siberia along the shores of Lake Baikal. While there she recorded performances and interviewed performers. She was even invited to observe a shamanistic ceremony, a privilege seldom granted to an outsider.  While in residence at University of Missouri, Matkowska has taken advantage of the many comparative and theoretical studies in the Lord collection, gaining insight into the different methodological approaches she could take: “There are many ways to bite the cake,” she says “I just have to figure out which way will make it taste the best.” Matkowska will defend her dissertation in February at Adam Mickiewicz University.

Shamanistic ceremony, Tulunzha near Ulan-Ude, November 2009

 

home Resources and Services, Special Collections and Archives Skin white as snow, hair black as ebony

Skin white as snow, hair black as ebony

The evil queen, disguised as an old woman, offers Snow white an apple in Walter Crane's illustration from Household stories from the collection of the brothers Grimm (New York, 1896).Snow White's been busy lately. This year alone she’s starring in two movies while also appearing in a television series.

First published by Jacob and Wilhem Grimm as part of their Children’s and Household Tales (Kinder-und Hausmӓrchen), the brief story introduces all the familiar faces: Snow White, her evil stepmother, the huntsman, and the dwarves.  The elements and characters have been adapted in many ways over the years, from films and books to ballets and opera.  Many of the narratives stick close toSnow White- deputy mayor that original tale, while others take a bit of creative license.

In Special Collections we see Snow White in very recognizable tales.  A copy of Grimm’s Household Stories from 1896 and Grimm’s Fairy Tales from 1962 both contain the story as recorded by the Grimm brothers. The illustrations present a young girl with dark hair.

The comic series Fables catches up with Snow White in the present. The action takes place well after the adventures found in the Grimm's tale, with Snow White serving as deputy mayor for a community of relocated fairy tale characters.  She is joined by other familiar faces, including Cinderella and the wolf who appears in many tales.

 

Click on any of the images below to see a few illustrations from some of the many works featuring these characters in our collection. You'll find both the well known versions of their stories and some with creative twists.

Lucille Corcos, illustrator of Grimm's Fairy Tales (New York, 1962) captures the moment when the dwarves find Snow White in their house.

The Big Bad Wolf and Red Riding Hood from Arthur Rackham's illustration in Hansel and Grethel (London, 1920).

The wolf appears in the comic The Gingerbread Man, originally drawn in 1943 by Walt Kelley and republished in Little Lit (New York, 2000).

Now known as Bigby Wolf, the Big Bad Wolf is the sheriff in Bill Willingham's Fables (New York, 2002).

Snow White marries Bigby Wolf in Bill Willingham's Fables (New York, 2006).

Cinderella learns the batik method of dying fabric from her fairy godmother to make her own ballgown. Illustrator Jessie M. King had just learned the process herself, and wrote How Cinderella was able to go to the ball (London, 1924) to introduce others to “the wonderland of batik.”

Cinderella owns a show store but also works undercover as a spy in Bill Willingham's Fables (New York, 2002).

Gardens in Special Collections

June is prime time for gardeners in Missouri, and it’s also a great time to take a look at the rare and historic horticulture and gardening books in Special Collections.  Since MU has a long history as an agriculture school, Special Collections has a great collection of these early texts on plants, gardening, and landscape design.

The Edible Garden

The last decade has seen a renewed interest in local and sustainable food, including vegetable gardening and heritage or heirloom varieties.  The absence of pesticides, herbicides, chemical fertilizers and modern machinery in the seventeenth and eighteenth centuries meant that kitchen and market gardeners had to be experts in the care of a wide variety of food crops. Advice for gardeners from the seventeenth through the nineteenth centuries contains information on historic plant varieties as well as natural solutions to problems with climate, soils, and pests.

Peach, from Charles Hovey's Fruits of America (New York, 1856).Fruit tree branches in flower, from Batty Langley's Pomona, or, The fruit-garden illustrated (London, 1729)Love-apples, or tomatoes, from John Abercrombie's The complete kitchen gardner, and hot-bed forcer (London, 1789).

 

 

 

 

 

 

 

 

 

The Flower Garden

The seventeenth and eighteenth centuries saw the introduction of a number of new flowering plants as botanists and nurserymen identified foreign species and developed hybrids.  Although color publications such as Curtis’s Botanical Magazine remained popular through the period, most gardeners learned about new flowers through descriptions or black and white plates.  Botanical gardens such as the Royal Gardens at Kew became popular spots for the public to see exotic and colorful plants in person.

A blue gentian, from Curtis' Botanical Magazine (v. 1-4, 1787-1791)

  A seventeenth-century flower garden, from Crispijn van de Passe's Hortus Floridus (Arnhem, 1616)Tulips, from Crispijn van de Passe's Hortus Floridus (Arnhem, 1616)

 

 

      

 

 

The Park

Garden design has changed dramatically from the formalized symmetry of Italian and French gardens to the informal plantings of today.  In the seventeenth and eighteenth centuries, English gardeners began to break away from the geometrical patterns of Renaissance knot gardens and Baroque parterres.  Instead, the new garden style focused on creating picturesque, naturalistic views.  Landscape architects during this period sought to shape the landscape without the outward appearance of control, creating “natural” scenery too perfect to exist in nature.

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More Information

Search for Gardening, Fruit, Botany, or Landscape architecture in the MERLIN catalog.  Limit your search to Special Collections to find more primary sources on historic gardens and gardening practices.