home Special Collections and Archives, Staff news Congratulations to John Henry Adams

Congratulations to John Henry Adams

Special Collections librarian John Henry Adams was awarded the William Reese Company Scholarship to attend California Rare Book School through Zoom in August. He shared his thoughts with us on his experience in the course.

What is your background in instruction?

JHA: I’m a new Special Collections librarian and most of my background in teaching comes from my time in English departments: I taught writing and literature for eight and a half years before I switched careers.  While there is some overlap between English classes and special collections instruction, there are of course some major differences, the biggest being that as a Special Collections librarian, I’m usually not designing a full course but instead doing one specific session.

What course did you take, and what did you learn from it?

JHA: I took the seminar on Better Teaching with Rare Materials.  We talked about doing more engaging, active-learning course sessions and we also talked a lot about how to do effective remote class sessions using special collections materials.  We’re not going to be able to do in-person Special Collections sessions this fall, so that is going to be very useful.

I also got a much better understanding of learning objectives for individual class sessions, which will let me more carefully tailor my instruction to a course’s overall needs.  Special Collections sessions can easily degenerate into being a cool field trip for the class to go see some neat things and learn some interesting information, but ideally we always want those sessions to build on a course’s overall objective without the instructor to have to do some heavy lifting the next session.

What might you do differently in the classroom as a result of this training?

JHA: I think I will be more transparent at the start of sessions as to how materials came to us in Special Collections, especially in sessions that take a more generalist approach.  Special Collections are made up of lots of smaller collections, usually purchased from or donated by collectors, and that typically means limitations in terms of what is in the collection.  Putting that information on the table at the start is important because it clarifies why the collection is what it is and why some things might not be in it.

The course also strengthened my general desire to focus on active learning and to keep as far away from a show-and-tell format as possible.  Special Collections is already doing that, but it’s important to keep pushing that aspect and to give students a chance to experience the materials more fully.

Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Special Collections and Archives Zoom Backgrounds from Special Collections

Zoom Backgrounds from Special Collections

You asked, and we delivered: Zoom backgrounds from Special Collections are now available for download! Choose from an assortment of ten images, including medieval manuscripts, travel posters, and beautiful book illustrations, all from the collections of the University of Missouri Libraries. As a bonus, there’s also a shot of the classroom for your online sessions (remember that your Special Collections librarians can help you with online instruction).

Preview and download the Zoom backgrounds on Box.

 

 

Image sources:

Flores y frutas del Mediterraneo [travel poster].

Brazil [travel poster].

Norway: the land of the midnight sun. [travel poster]

Priscian, Institutiones gramaticae [medieval manuscript].

A New and Accurat Map of the World [map]

Antiphonal with historiated initial of St. Paul [medieval manuscript].

Rowlandson’s sketches from nature. [hand-colored etching]

Processional : (for the use of the Dominican sisters of St. Louis, Poissy). [medieval manuscript]

Africa Antiqua et Nova. [map]

Interaction of color by Josef Albers [serigraph]

Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Ellis Library, Resources and Services Ellis Library Stacks Refresh Project

Ellis Library Stacks Refresh Project

Ellis Library is beginning a project to make it easier for our users to find the most up-to-date library materials on our shelves. To make space for new materials, librarians will be moving older and infrequently used bound journals to the University Libraries Depository, where they will be stored in optimal conditions for long-term preservation. University students, faculty and staff can request entire journal volumes or scanned copies of individual articles through the MERLIN catalog with the click of a button. Learn more about our Scan and Deliver Service.

Request button in MERLIN catalog

As we work through the process of refreshing our stacks, your subject librarian may request feedback from faculty on moving particular titles. If you would like to be notified about titles under consideration or have questions about titles proposed for transfer, please contact your subject librarian or Jeannette Pierce, Associate University Librarian for Research, Access, and Instructional Services.

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Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Staff news Room use policy for room 406

Room use policy for room 406

Now that the new classroom in Special Collections is ready to use, we can make it available for non-Special Collections classes and groups. Please be aware of the following room use policy:

  1. Please book room 406 only when there are no other classrooms or meeting rooms available for your group.
  2. Bookings should be made no more than two weeks in advance to ensure that class sessions in Special Collections have priority use of the space.
  3. Please enforce our no food and drink policy in the classroom. Water in closed containers is acceptable when there are no Special Collections materials in the room.
  4. Feel free to rearrange tables and chairs, but please put the room back as you found it when you leave.
  5. Check in at the Special Collections reading room to have staff unlock the room for you.

LibCal scheduling is in the works, but for now, people can send requests for room 406 to SpecialCollections@missouri.edu.

Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Ellis Library, Resources and Services Changes to the microfilm collections

Changes to the microfilm collections

The microfilm collections in room 406 are being moved to offsite storage in preparation for renovations that will turn the space into a classroom for Special Collections. All of the microfilms stored in this room are currently unavailable, and this change has been noted in the MERLIN catalog and on the microfilm finding aids. If you have questions or need access to these materials, please contact the Special Collections reference staff at SpecialCollections@missouri.edu.

Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Events and Exhibits, Special Collections and Archives “Tales from the Archives” at Unbound Book Festival

“Tales from the Archives” at Unbound Book Festival

Join University Archivist Anselm Huelsbergen for a panel on creative inspiration from the archives at this year’s Unbound Book Festival.

It’s not all on the Google, you know. For many writers, the archive is still the primary research tool for their writing. This discussion will give a fascinating and entertaining insight into the process, and show how there’s always the possibility of discovering the unexpected (although not always welcome) when you don’t have algorithms and search engines to guide you.

Anselm is moderating a panel that includes authors David Crespy, Julija Sukys, and Jo Ann Trogdon in Stamper Commons, 11:30-12:45.

Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Events and Exhibits, Special Collections and Archives Missouri Self-Taught: Lanford Wilson and the American Drama Conference

Missouri Self-Taught: Lanford Wilson and the American Drama Conference

The University of Missouri Theatre Department presents an interdisciplinary conference titled “Missouri Self-Taught: Lanford Wilson and the American Drama,” to focus on Missouri’s own Pulitzer Prize-winning playwright, Lanford Wilson. The conference will be held April 26-29 at Ellis Library and the Rhynsburger Theatre and features an MU production of The Rimers of Eldritch directed by Dr. David Crespy.

The conference and all the events scheduled are free and open to the public, with a goal to encourage students and scholars to avail themselves of the Lanford Wilson Collection located in the University of Missouri Libraries Special Collections and Rare Books.  Both the production of The Rimers of Eldritch and a new book edited by David Crespy, Lanford Wilson: Early Stories, Sketches, and Poems, have been supported in part through research in the Lanford Wilson Collection. The conference also features onstage interviews and master classes with guest artists Marshall W. Mason, Lanford Wilson’s Tony® Award-winning director; Tanya Berezin, the former artistic director of New York’s Circle Repertory Company, where Wilson’s plays were first produced; Danny Irvine, founding director of its Circle Rep Lab; and Mary Sue Price, an Emmy award-winning Circle Repertory playwright and protégé of Lanford Wilson.

A full conference schedule and additional information can be found on the Missouri Self-Taught conference website.

Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Special Collections and Archives, Workshops Workshop on Books of Hours by SEC Faculty Visitor Cynthia Turner Camp

Workshop on Books of Hours by SEC Faculty Visitor Cynthia Turner Camp

March 8, 2018, 3:00 – 5:00 pm
Special Collections and Rare Books, 401 Ellis Library

What is a Book of Hours? And why should you — whether you work in medieval literature, history, art history, or religion — know how to navigate them?

Books of Hours were ubiquitous from the fourteenth century into the Reformation. These prayerbooks, almost always in Latin, would have been found in nearly every literate layperson’s home, and they would have shaped the laity’s reading experiences and devotional life in ways we still don’t fully appreciate. Frequently studied for their often-exquisite illustrations, Books of Hours are also a treasure trove of texts. Few Books of Hours contained exactly the same sets of prayers; rather, they’re best considered “prayer anthologies” that are often tailored to specific devotional tastes. Prayers for Mary, the Passion, saints and angels; indulgenced prayers and mass prayers; scriptural passages and overwrought meditations; even personalized devotions and readers’ marginalia: the varied texts found in these manuscripts can provide insight into every aspect of late medieval spiritual life. However, their texts are rarely edited in full, and even “standard” prayers can vary significantly from one manuscript to another. As a result, Books of Hours are best studied in their original manuscript contexts — and this workshop will get you started with the tools you need to do that.

In this workshop, Dr. Cynthia Turner Camp of the University of Georgia’s English department will give you a crash course on Books of Hours. She’ll cover how they were used (and by whom), how they evolved from the monastic opus Dei, what their contents are, how they were made, and most importantly how you might approach these prayerbooks from different disciplinary standpoints. She’ll have resources for getting started with this manuscript genre and for advanced textual research, and you will spend as much time as possible examining full codices and single leaves from the Special Collections Library’s holdings.

Dr. Cynthia Turner Camp is Associate Professor and Graduate Coordinator in the English department at the University of Georgia. Her first book, Anglo-Saxon Saints’ Lives as History Writing in Late Medieval England (2015), considers the historiographic impact of Middle English saints’ lives, and her current project examines liturgical and memorial practices in English nunneries. She teaches regularly with the manuscripts in the UGA Special Collections Library, and is the principle investigator on the Hargrett Hours Project, a multi-semester, classroom based, student led research project that investigates the medieval manuscripts held at UGA.

Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Special Collections and Archives Color Our Collections 2018

Color Our Collections 2018

#ColorOurCollections is a week-long coloring fest on social media organized by libraries, archives, and other cultural institutions around the world. Using materials from their collections, these institutions are sharing free coloring content with the hashtag #ColorOurCollections and inviting their followers to color and get creative with their collections.

We’re joining the fun with a book of coloring pages based on the John Tinney McCutcheon Collection, a group of original editorial cartoons drawn by McCutcheon between 1904 and 1944. Most of the cartoons were published daily in the Chicago Tribune. Others were submitted to the Tribune for publication but were never printed in the newspaper, and have not been accessible outside of the library until now. These cartoons are in the process of being made available online in the MU Digital Library.

Download this year’s coloring book below, or browse our offerings from previous years.

Political Cartoon Coloring Book

Share your work with us online through FacebookTwitter, or Instagram. #ColorOurCollections was launched by The New York Academy of Medicine Library in 2016. Check out colorourcollections.org for coloring sheets from a variety of libraries and archives.

 

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Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.

home Ellis Library, Events and Exhibits, Special Collections and Archives On Exhibit in October: Scandalous Questions – Questions of Scandal

On Exhibit in October: Scandalous Questions – Questions of Scandal

In 1929, a student project for a sociology class at the University of Missouri created an uproar that echoed throughout Columbia and across Missouri. The “sex questionnaire” as it came to be known was intended to gather data regarding the sociological significance of the changing economic status of women on family life. Its inclusion of three questions pertaining to extramarital sexual relations, however, led to the dismissal of one faculty member, a year-long suspension of another, the ouster of the University President, and the involvement of the American Association of University Professors.

In a new display presented in conjunction with the Special Collections and Rare Books’ exhibit Omnia Vincit Amor: The Art and Science of Love, University Archives has brought together items from its collection to tell the story of Scandalous Questions – Questions of Scandal: The University of Missouri and the 1929 Sex Questionnaire. The display is in the Ellis Library Colonnade during October.

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Kelli Hansen

Kelli Hansen is head of the Special Collections and Rare Books department.